Recommended Stations

Stop Searching. Start Listening

Happy Hee Haw Part II

In Happy Hee Haw New Year Part 1 I wrote about the interesting backstory to the classic country comedy show, Hee Haw, and featured an interview with original cast member Lulu Roman.

In Part 2 I conclude my series with two additional original cast member interviews…Jana Jae and Buck Trent. Sit back and relax. As Roy Clark and Buck Owens said in the opening of one episode, “it’s time for singing and it’s time for jokes, so gather ’round and join us, folks.”

Jana Jae

Jana Jae and her blue violin.


Jana Jae took up the violin at age 2, albeit a miniature version. She has a degree in music and studied at the Vienna Academy of Music. Buck Owens hired her to be in his Buckaroos band which led to multiple performances on Hee Haw. Her repertoire isn’t limited to country music. Jae has played the Montreux Jazz Festival, Wembley Festival, and the New Orleans Jazz Festival. Known as “the first lady of country fiddle”, she’s toured Australia, Africa, Brazil, Japan, and the Philippines. In addition to Buck Owens and Roy Clark, she’s performed with Chet Atkins, Ricky Skaggs, The Oakridge Boys, Mel Tillis, Ray Stevens, and the Nitty Gritty Dirt Band. Jae has several albums under her belt and also founded her own Fiddle Camp and Music Festival which takes place in Grove, Oklahoma.

Peter: I know you have many fond memories, but can you share a specific “Hee Haw” memory?

Jana: Working alongside some of the many wonderful guest stars was a real eye-opener to me! Roy Rogers & Dave Evans, Johnny Cash, Kenny Rogers, and so many more – I loved it! One funny thing was when Junior Samples brought his jug to our taping – his real, authentic moonshine jug thrown over his shoulder – sip, sip, sip! I think that was the first and last time on set, but it proved to me he was the real deal!!

Peter: Give me a sense of what it was like during one week of recording for “Hee Haw”. Did you rehearse beforehand?

Jana: Since I was a member of Buck’s band, we planned our time very efficiently. We had recorded some of the tracks ahead of time, and we all generally knew the songs and arrangements, at least Buck’s vocals (which he sang live on set). We would usually put in a full day in front of the cameras, doing all Buck’s songs together, then all of the cast songs together, then all the cornfields, the fence shots, whatever guests were scheduled, any solos or group fiddle numbers, etc. They had a detailed schedule for a couple weeks, then we left. It was really quite efficient – and always great fun!!!

Peter: Do you have a favorite performance from “Hee Haw” or do they all kind of blend together now? Did you perform before an audience or were applause tracks added later? 

Jana: I sure enjoyed the cast songs and the group fiddle numbers, still favorites, but I really enjoyed everything we did on Hee Haw! We performed before a small audience of friends and cast members, seated on hay bales with backs to the cameras. I was so surprised when I first arrived on set – I had expected every show in an auditorium packed full! Not! They filmed, gathered all the footage, then would piece together the shows, add effects or the barnyard animals going across the screen, lots of fun things. We never knew who or what would be in a finished show – it was amazing how each show was done! Genius!!

Peter: Why do you think the show was so popular? 

Jana: Hee Haw was a family show! It was a weekly family event before we had hundreds of channels to choose from, the entire family sat down to laugh and enjoy Hee Haw together – it was a fabulous show that really united families across America!  It was fast-paced, full of fun, corny but funny humor, comedy sketches, and tons of great music, some clap along tunes and also current hits with stars who loved the exposure. And of course, the girls got lots of attention, but still fine for the whole family to enjoy.  Everybody who was anybody wanted to be on the show!!!

Peter: Your famous blue violin was a gift (or an order!) from Buck Owens and you still use it to this day. You weren’t too keen on it at first but it must have become very special to you. Why was Owens insistent you play that specific violin? 

Jana: He thought it would look good on camera and be different from Don Rich’s red-white-and-blue fiddle. And he was right!!  It gets lots of attention!

Peter: You were married to Owens for a short time but you both remained friends until his passing, right? 

Jana: Yes! 

Peter: Buck Owens left “Hee Haw” in 1986. Were you surprised by the comments in Owens’ autobiography about only being a part of “Hee Haw” for the money? He always looked to me like he was genuinely having fun.

Jana: Buck valued money because he grew up poor and really wanted to make plenty so he would never be poor again! He was always fun to be with and I know he genuinely enjoyed being on Hee Haw! We always had a great time!

Friends for life: Jana Jae (left) performing live on stage with Misty Rowe, Lulu Roman, and Buck Trent. Photo from Jae’s Facebook page.



Peter: What’s it like performing alongside some of the original “Hee Haw” cast members again? The Kornfield Friends came about almost by accident, right? 

Jana: After I bought Roy Clark’s bus and we had such fun on the road, I had been talking for years to many managers about a Hee Haw road show. It kind of stayed on my back burner, but no real dramatic interest for a long time. It evolved right after we all were together again for producer Sam Lovullo’s memorial celebration. Sam really united us all – our Big Daddy! We all wanted to pay tribute to him and his contribution to so many of our careers, and after the memorial, where everyone either spoke or performed a song, lots of us went to dinner at Johnny A’s. They had a really good house band, and they kept asking me to play the fiddle (which was all put up and tucked away in the trunk of my car). I finally said I’d play if I could have a little help from my Hee Haw friends, and Misty immediately said, “I’ll dance if you’ll play!” We had a ball, and needless to say, we brought the house down! I talked to Misty about doing a show at one of the three summer festivals I present on Grand Lake in Oklahoma. She came and we absolutely had a hit! So, I added Buck Trent and we did several shows with that configuration, and Misty had a genuine cornfield that was a hit with the crowds. I had booked Lulu on a couple of our festivals also, so I asked Lulu to do some shows with us I formed an LLC, fronted all the initial start-up costs with my band and my bus, and Kornfield Friends was born! I probably won’t ever get my investment back because just as we were really going full steam ahead, COVID hit and wiped out our 2020 year full of bookings! Whatever evolves, it was worth it – and my dream goes on. We’ve taken a breath, but we’re still around, I still have the bus and the band and hope we’ll visit many more towns across the country. It’s a very special thing to meet in person the audiences who have watched us on tv over the years! I always felt the Hee Haw cast was like extended family. I treasure that family, including the wonderful family audiences who watched us over the years! 



Peter: You’ve accomplished a great deal in your life- founded a fiddle camp and music festival, played alongside some big names, and you’re an outstanding musician in your own right. But for many people, you’ll always be Jana Jae with the blue violin from “Hee Haw”. Does that bother you? 

Jana: I love it! At first, I was shocked by the blue fiddle they gave me to play on Hee Haw – I was kind of a purist with my wonderful Italian violin made in 1750 –but after receiving fan mail addressed to “the girl with the blue fiddle”, it became sort of my trademark – I always play the blue fiddle in my country concerts!

Peter: What artists/music do you listen to when you have the time? Do you prefer records, CDs, or downloads? 

Jana: Whatever is handy at the time – I can barely keep up with the opportunities on all the new online music platforms. Great fun to surf a bit, and I still like YouTube for being able to pick and choose easily. Of course, I have tons of vinyl, CDs, etc., but find I listen most online now.

Peter: Do you find music keeps you feeling young and energetic?

Jana: Absolutely – I can’t imagine what I would do without music in my life – it’s definitely in my blood, a life source! It refreshes me every day – and I’d love to spend more time creating music! I just want to stay happy, healthy, and keep making music every day of my life. That is being blessed, and hopefully it blesses others as well! That’s the real joy – to share music!!


Buck Trent

Buck Trent, picking and grinning.


Charles W. “Buck” Trent has played the bajo since age 10. He’s performed with such luminaries as Bill Monroe, Porter Wagoner, Roy Clark, Marty Stuart, and Dolly Parton (he played lead guitar on Parton’s Jolene and I Will Always Love You). He and Roy Clark were the first country music duo to tour the Soviet Union in 1976. Trent’s received many awards over the decades and has appeared on numerous TV shows including The Tonight Show, Mike Douglas Show, and Dinah! He invented the electric banjo but also plays the steel guitar, electric bass, mandolin, and guitar. His latest CD is called Spartanburg Blues and features Dolly Parton, The Oak Ridge Boys, Vince Gill, David Frizzell, and Marty Stuart.

Peter: I’m sure you’ve never been asked this before 😊, but how did your trademark “Oh Yeah!” and thumbs up thing come about?

Buck: The “Oh Yeah!” and thumbs up came about while taping my Talkin’ Blues [song]. After I sang the punchline to the joke, there were a few beats left and I had to have something to say. So, I said “Oh Yeah!” and gave the thumbs up!

Peter: How were you able to tape 13 Kornfield sketches back-to-back without it getting old real fast?

Buck: The Kornfield jokes were usually with different people so it was fun. The jokes were so corny and the more you messed them up the better it was.

Peter: Can you give me one favorite “Hee Haw” memory?

Buck: My favorite memory from Hee Haw was the day Roy Rogers and Dale Evans taped the show. He was my childhood hero. I went over to him to introduce myself and he said, “I know who you are Buck, I watch you every week!” That made my day!

Oh Yeah! Trent in 2019 performing at the Grand Ole Opry House where Hee Haw was taped. Photo from Trent’s Facebook page.


Peter: “Hee Haw” was one of the first shows to air bloopers. Is there one that sticks out in your mind? Did you have any bloopers?

Buck: There were a lot of bloopers. Junior Samples took 14 takes on the word “pollution”. He couldn’t pronounce it. Roy Clark had to get up and down with Junior 14 times. It wore Roy out! I’m sure I had a few but I can’t remember any.

Peter: When did you leave the show and why? 

Buck: I left in 1983 or 1984. The reason I left was I had quit working with Roy Clark and went out on my own. I was just phased out of Hee Haw.

Peter: Was “Hee Haw” a blessing or a curse? What do you think when you watch the reruns today?

Buck: It was a blessing for me and a lot of the others. I like watching the reruns. We did some great picking and singing on that show. We had the best guests on it, too.

 Peter: I have to admit, I got a bit choked up watching you interacting with Roy Clark during the 2012 “Salute To The Kornfield” reunion.

Buck: The reunion was fun. Roy and I just picked up where we left off. It was so special seeing everyone again. There were so many that died after we taped it. So sad to lose so many friends.

Legendary country stars Buck Trent and the late Roy Clark. Photo from Trent’s Facebook page.


Peter: What was it like working with Roy Clark?

Buck: Working with Roy was a lot fun. They said we had a wonderful time! Ha ha! We traveled the world together. Our dueling banjos is still a hit. No one has done it better than us!

Peter: How is it playing with the Kornfield Friends from “Hee Haw“?

Buck: The Kornfield Friends concerts was a lot of fun. I loved it and would like to do more.

Peter: Do you still perform your famous “Talkin’ Blues” song?
Buck: Yes, I do the Talkin’ Blues at the Kornfield shows. Robert Lunn came up with the original one. I did his first verses. Then I had to write my own for every show. 

My last question to Buck, since he also told jokes on Hee Haw, was whether he had heard any good (or bad) jokes lately. He said no, so I’ll steal one from one of his live shows: It was so cold out today, I saw a lawyer with his hands in his own pockets!

Hee Haw was a wholesome program the entire family could enjoy together. There aren’t too many shows you can say that about today. I think the best way for me to close this article is to quote from Hee Haw’s closing theme: “May your pleasures be many, your troubles be few.”

My personal thanks to Lulu Roman, Jana Jae, and Buck Trent for taking time out of their busy schedules to answer my questions. A huge shout out also to Scott Sexton and Jean Trent for facilitating these interviews.

Trivia (from metv.com): “Elvis Presley was reportedly such a big fan of [Hee Haw], he wanted to appear as a guest. Presley also dated two Hee Haw Honeys: Linda Thompson and Diana Goodman. After the legendary singer’s death, his father made an appearance on the show and paid tribute to his late son.” 


If you enjoyed this article and Part 1, please help support my blog by becoming a Recommended Stations Patreon supporter today for just $1. In return, you’ll get my Recommended and Hitchhiker Station in your inbox every month.


Links:

Lulu Roman

Jana Jae

Buck Trent

Fiddle Camp

Kornfield Friends

Circle TV
Salute to the Kornfield DVD

Hee Haw DVDs

Happy Hee Haw New Year

In January of last year I wrote an article on my RecommendedStations.com blog about the TV detective show Mannix. It received the most views and positive comments of any article I’ve written. To start the New Year off, I decided to write about another vintage TV show, but this program isn’t a detective show and it has much stronger ties to music.

Hee Haw began back in in 1969 when CBS aired it as a temporary replacement for The Smothers Brothers Comedy Hour which had been unceremoniously cancelled by the network due to disagreements with the stars. The country comedy show, loosely based on NBC’s Laugh In, was butchered by the critics, yet did so well in the ratings that it found itself in CBS’s regular line up in January of 1970, 53 years ago this month.



Country Variety

Hosted by country music legends Roy Clark and Buck Owens, Hee Haw was a country music variety show featuring musical performances, comedy sketches, and the Hee Haw Honeys (attractive young ladies in low-cut, tight-fitting outfits). Some of the show’s popular reoccurring skits included Pfft You Was Gone, Pickin’ and Grinnin’, Gloom, Despair and Agony On Me, The Kornfield, Empty Arms Hotel, Samples Sales (“Call BR-549”), K-O-R-N News with Charlie Fahrquarson, Archie’s Barber Shop, The Naggers, Gordie’s General Store, Doc Campbell and Nurse Goodbody, Hey Grandpa! What’s For Supper?, The Culhanes, and Lulu’s Truck Stop. These skits made household names out of Archie Campbell, Grandpa Jones, Junior Samples, Gordie Tapp, Don Harron, Lulu Roman, Misty Rowe, Barbi Benton, Gunilla Hutton, Gailard Sartain, Kenny Price, Lisa Todd, Roni Stoneman, and others.

As Hee Haw became a ratings success it attracted some heavy-hitting guest stars over its many episodes. Some of these included Ed McMahon, Hugh Hefner, Ernest Borgnine, Senator Robert Byrd, Billy Graham, Dennis Weaver, Billy Carter, Will Geer, Foster Brooks, and George Gobel.

Big name country music stars also graced Hee Haw broadcasts…singers like Johnny Cash, Loretta Lynn, Conway Twitty, Tammy Wynette, Charlie Pride, Waylon Jennings, Merle Haggard, George Jones, and even Garth Brooks. Kenny Rogers, another huge star who performed on Hee Haw, met his 4th wife on the show- Hee Haw Honey Marianne Gordon. But I digress. The musical performances were taped before a live audience but the rest of the show had laugh tracks added.



What’s In A Name

Speaking of taping, Hee Haw was originally taped at a CBS-TV affiliate in Nashville, but soon moved to Opryland where an entire season was recorded twice a year, each in marathon one-week sessions. This dramatically reduced production costs and allowed various Hee Haw stars to record albums and tour with minimal disruption.

Pardon My Blooper

Hee Haw was also a pioneer of the blooper. It was one of the first, if not the first TV show, to regularly air bloopers in its episodes. These consisted of a cast member flubbing a line and requiring multiple takes to get it right. Perhaps the most famous of these was Junior Samples trying to pronounce the word “trigonometry”.

On the subject of records, Hee Haw spawned a cottage industry of country albums. There were three volumes of The Stars of Hee Haw and a spin-off titled Guest Stars of The Hee Haw Show. These were compilations of hits by regular performers on the TV show. There were also four volumes of The Hee Haw Gospel Quartet featuring Roy Clark, Buck Owens, Grandpa Jones, and Kenny Price. 

My Hee Haw Gospel LP. Photo by Peter Skiera.



For the Record

Many performers on the show launched their recording careers thanks to Hee Haw. Some of these included six records by The Hagar Twins, fifteen albums by Susan Reye (not including her collaborations with Buck Owens), Hee Haw Honey Barbi Benton cut five records (she was very popular in Japan), not to mention records by Stringbean, Grandpa Jones, Gordie Tapp, Roni Stoneman, Mini Pearl, Lulu Roman, Buck Trent, and Jana Jae. There were even spoken word records released by Junior Samples, Archie Campbell, and Grady Nutt.



CBS: Country Broadcasting System

In 1971, during television’s “rural purge” which saw the cancellation of such popular shows as The Beverly Hillbillies, Green Acres, Petticoat Junction, Bonanza, and Gunsmoke, CBS cancelled Hee Haw after just two years. But Hee Haw had the last laugh, or the last hee haw as it were, because it went on to a much longer and even more successful second life in syndication. Hee Haw became a regular Saturday night fixture for millions of Americans. At its high point it had 30 million viewers.

Television shows don’t last forever, however, and first-run production of Hee Haw ended during the summer of 1992. A “best of” series called Hee Haw Silver, hosted by Roy Clark, ran for another year until the series finally came to an end after 25 years. Hee Haw proved to be one of the longest-running television shows in syndication history.

“…an entire season was recorded twice a year, each in marathon one-week sessions.”

Saa-lute 50 years later: (left to right): Buck Trent, Misty Rowe, Mike Huckabee, Lulu Roman, and Jana Jae. Photo from Huckabee’s Twitter page.



Heavy Metal

To the joy of Hee Haw fans everywhere, there have been several cast reunions, the most recent of which was on the TV show Huckabee in February of 2019, hosted by former Arkansas Governor Mike Huckabee. The show included a recreation of The Kornfield sketch where cast members told corny (pun intended) jokes like this one from the Huckabee Kornfield skit: “Why aren’t tubas used in country bands? Because they’re heavy metal.”

My Hee Haw DVDs (scarecrow not included). Photo by Peter Skiera.



Hee Haw on DVD

The best Hee Haw reunion in my opinion was RFD TV’s Country’s Family Reunion’s “Salute to the Kornfield” episode in 2012. Many of the surviving cast reunited to share funny stories, jokes, and of course, great country music. It was heartwarming to see so many of them back together again. I was so moved by it I bought the 4 DVD set. I’m not a DVD kind of guy but I figured it wasn’t a program that would be rerun very often, and I was right. The set also came with a 5th DVD featuring behind-the-scenes footage. And I own Time/Life’s Hee Haw 10th Anniversary Celebration DVD, which I also highly recommend. I’ve been unable to source The 20th Anniversary Show on any format even though the 2 hour performance was filmed. If you know of its existence, please let me know. I inquired with Turner Classic Movies (TCM) since they mention it on their website but their generic response wasn’t helpful. The regular series itself is also available on DVD, but at last check, you can watch it for free on Circle TV if your cable provider includes that channel.

To celebrate this unique show, I donned my detective’s fedora, rented a car from Junior Samples’ Samples Sales, and searched all of Kornfield Kounty to track down Hee Haw stars Lulu Roman, Jana Jae, and Buck Trent.


Lulu Roman

A kiss from Lulu: Lulu Roman circa 2019. Photo from Roman’s Facebook page.




Lulu Roman was actually born Bertha Louise Hable. Her life wasn’t an easy one. She was born in a home for unwed mothers, was raised in an orphanage, and later in life became addicted to drugs and did jail time. She got clean and converted to Christianity. She introduced gospel music to Hee Haw, but she’s probably best known for the “Lulu’s Truck Stop” skits in which she played a sassy waitress alongside an inept cook (played by Gailard Sartain) along with a rotation of unfortunate customers. In 1980, she sang at the Inauguration Celebration of President Ronald Reagan. Roman continues to perform, having made appearances just this and last month. She’s released several music CDs including 2013’s At Last, a collection of standards featuring duets with Dolly Parton, George Jones, and T. Graham Brown. In 2019 she published her autobiography- This Is My Story; This Is My Song. Roman was inducted into the Country Gospel Music Hall of Fame in 1999.

Peter: Where did the name “Lulu” come from? ​ 

Lulu: ​Well, that’s a story. One of my trips to jail- there was a lady in there that said I looked like [comic book character] Little Lulu. It stuck.​​​

Peter: Are your blue Hee Haw overalls original? ​

Lulu: Well, they aren’t blue, they are the official Hee Haw overalls, and yes, I still have them.

Peter: What’s your favorite or funniest memory from Hee Haw?​

Lulu: I have so many. My favorite memory is working with Sammy Davis. He was the best ever to work with in the Kornfield. 

Peter: Give me one juicy Hee Haw behind the scenes tidbit. ​

Lulu: We ​were a family so I don’t have anything juicy. 

Peter: Did it hurt to get hit by the “Joke Fence”? How did that work? Did a crew member pull a rope to lift the fence post? 

Lulu: One of the crew did have a rope to make the fence work. It didn’t hurt. 

Peter: Cathy Baker once mentioned the cast lunches at Cracker Barrel. Were you at any of those? That must have been fun. 

Lulu: ​We would all go together for lunch. Sometimes in small groups, sometimes all of us. 

Peter: What do you think when you see Hee Haw reruns today?  ​

Lulu: Brings back wonderful ​memories​.

The Kornfield Friends (from left to right): Misty Rowe, Buck Trent, Jana Jae, and Lulu Roman. Photo from the Kornfield Friends’ Facebook page.



Peter: How do you like doing the “Kornfield Friends” shows?

Lulu: I love getting together with my friends. 

Peter: It must have been emotional doing the Country’s Family Reunion’s ”Salute to the Kornfield” show. Was that the last time you saw most of the cast?​

Lulu: It was a hard day. We knew that would be the last time we would see some of them. We made it extra special for them. The last time I saw most of them was about 3 years ago at the 50th reunion. 

Peter: Who did you enjoy working with the most on Hee Haw? 

Lulu: ​I loved working with everyone. Gailard [Sartain] was always so fun to work with in the “Truck Stop” because we got to toss food around. ​

Peter: Why do you think Hee Haw proved so popular? 

Lulu: ​It was corny and people loved it. They got to see new up and coming artist. No show was the same.

Peter: Could a new Hee Haw show be done today and be successful? ​

Lulu: No, because the writers had a talent that just isn’t there today. 

Peter: Do you get tired of being asked about Hee Haw? ​

Lulu: No. When they stop asking, then I know we are forgotten.​

Peter: Your Birthday was in May. Many of your Hee Haw friends have passed away. Is there anything you’d still like to accomplish or do you take life one day at a time? 

Lulu: ​I do take it one day at a time. I love life. I will be out there as long as the Lord will allow me to be. 



Be sure to come back in week or so for part two which includes interviews with Jana Jae and Buck Trent.

Update: Since I conducted my written interview with Lulu, her health has declined. I’m sure you join me in wishing her a quick recovery and good health in 2023.



If you enjoyed this article, please help support my blog by becoming a Recommended Stations Patreon supporter today for just $1. As my thanks, you’ll get my Recommended and Hitchhiker Station in your in box every month. This month’s Recommended Station out of New York is loud and raunchy and is the best fun you can have with your clothes on.

And please help spread the word about my blog!

Have A Strange Christmas II

In Have A Strange Christmas Part 1, I examined 5 strange holiday CDs. In Part 2 I give equal time to 5 strange holiday records. You’ll find links at the end if you want to add any of these oddities to your holiday music library.



  1. Scrooged: Danny Elfman (Enjoy The Ride ETR096; 2022)

My “Scrooged” snow globe variant soundtrack illuminated in blue by my Vylumi Shine Pro. Note the sparkles inside the record. Photo by Peter Skiera.


Scrooged, starring Bill Murray, debuted in November of 1988, and is the kind of film that you either liked or didn’t. This Danny Elfman soundtrack, which is completely different from the original motion picture soundtrack, doesn’t feature any strange material, although the music ranges from creepy to full orchestral holiday numbers. Nonetheless, I’m including it in my article because my vinyl pressing itself is strange.

For one thing, it’s the thickest record I’ve ever owned…1/4” thick! This makes 180 gram vinyl look like paper. The thickness is because, sandwiched in between each side of the clear vinyl, is liquid with sparkles. Move the record around and it creates a kind of snow globe effect, perfect for a Christmas soundtrack. It’s the world’s first now globe record. And yes, you can actually play it.

The other odd thing about this liquid-filled record is it’s refillable. If any of the liquid should evaporate over time or change color, I simply ship it back to the record manufacturer and they’ll replace the liquid and sparkles for a small fee. It’s the world’s first refillable liquid record!

This Scrooged variant took 6 months to make and each one was assembled by hand. It was limited to something like 100 pressings and sold out in less than 15 minutes. You’ll blow your entire Christmas gift budget on one of these records now, assuming you can find one.



2. Switched on Santa: Sy Mann (Pickwick SPCX 1007; 1969)

Santa’s in the Christmas Moog. Photo by Peter Skiera.


The Moog synthesizer is an electronic, modular instrument invented by Robert Moog in 1964. It has the ability to replicate the sounds of other musical instruments as well as create unique sounds that no other instrument can produce. Early models were large and intimidating and required hours of programming by an electronic engineer. The 27 minutes of music on Switched on Santa must have taken forever to program. The liner notes claim it took 1 hour of Moog programming to yield 30 seconds of usable music!

The Moog wasn’t a musical curiosity. It was used by The Doors, The Beatles, The Monkees, Rolling Stones, The Byrds, Grateful Dead, and Stevie Wonder. But this strange musical monstrosity wasn’t limited to just rock and pop music. The Moog found its way onto jazz and even classical records, too. Switched-On Bach from 1968 was a huge hit that went on to sell over 1 million copies and win 3 Grammy awards. Johan was probably spinning in his grave.

With success like that, it was only a matter of time until another “Switched On” title followed. Enter Switched On Santa from 1969, the logical follow up. Who could resist 13 holiday classics including Angels We Have Heard On High, Silent Night, and White Christmas performed on the Moog? The music sounds like the soundtrack from a low budget 1950’s sci-fi Christmas movie.

Manning the Moog was Sy Mann. Mann served in the army during World War II, mostly conducting army bands. In 1953 he joined CBS-TV and replaced Dick Hyman as pianist and arranger for the Arthur Godfrey Show. He later went on to work with artists like Barbara Streisand, Melanie, Connie Francis, and Tiny Tim.

I doubt this is the record you’d play while trimming your Christmas tree, but you might play it while you burn your real tree in the backyard after the holiday is over. Merry strange Christmas from Mann and the merry Moog.



3. Merry Christmas…Have A Nice Life: Cyndi Lauper (Real Gone Music RGM-0930; 2022 (original released in 1998 on Epic))

And what do you want for Christmas, little girl? Photo by Peter Skiera.

That Cyndi Lauper, she’s so unusual. But that’s not the only reason I’ve included her first Christmas album on my list, or because this vinyl variant is festive red and white candy cane swirl color. I’m including this title mainly because she recorded all of her vocal tracks from inside her cedar closet! I’ll refrain from any coming out of the closet jokes.

The music is also unusual, not for Lauper, but for a Christmas album. Eight of the eleven tunes she wrote or co-wrote and they’re all over the place. Some have a tropical vibe like Christmas Conga, or a Cajon flavor like Rockin’ Around The Christmas Tree. Still others are folk-inspired with Lauper playing the ukulele, dulcimer, and recorder. Then there’s the wheezing bag pipes on Three Ships. I don’t know what the hell Minnie and Santa is all about. Since she recorded it at home you can hear her young son, born the year before, in the background on New Year’s Baby. Perhaps mommy’s singing upset him.

Admittedly, there are some very sweet tunes like December Child, In The Bleak Midwinter, and Silent Night, featuring New York’s Chatterton Elementary School Choir. Basically what we have here is a very mixed musical bag, which is just fine for celebrating a strange Christmas.



4. Bonanza: Christmas on the Ponderosa (RCA Victor LSP-2757; 1963)

Merry Christmas from the Cartwrights. Photo by Peter Skiera.


Bonanza holds the title for the second longest-running TV western (Gunsmoke is number 1), lasting 14 years and 430+ episodes. TV Guide included the show in its list of the 50 Greatest TV Shows of All Time. The series starred Loren Greene as Ben Cartwright and it revolved around the dynamics within the Cartwright family, their interactions with the community, and operating their ranch called “Ponderosa”. A young and relatively unknown Michael Landon played “Little Joe” Cartwright.

You’ll hear Landon, Greene, and the other two Cartwright brothers belting out Jingle Bells, O Come All Ye Faithful, Deck the Halls, and 25 minutes of other holiday classics you’d expect any family from the 1860’s to be singing around the Christmas tree. There are also heartwarming stories about the first Christmas tree and why we light candles on a tree. The songs are presented as if someone recorded the audio from a never-broadcast Bonanza Christmas episode, complete with cast banter and clapping at the end of the songs. If you loved Bonanza, you’ll love this record. Here’s an excerpt from a review someone wrote about the record on Amazon: “I cry when I listen to it. Wouldn’t it be nice to go back to such simpler times. I just love Bonanza. What a loss when it was cancelled.”

Speaking of crying, if you’ll allow me to digress a moment, I recently caught the Bonanza episode, A Christmas Story, and it had me in tears. It starred a baby-faced Wayne Newton who played a wannabe singer, and his shifty Uncle who defrauded the town out of thousands of dollars. I won’t spoil the ending for you, but if you have the opportunity to watch it, it’s well worth tracking down even if you’re not a Bonanza fan. 

When one thinks Christmas songs, one usually thinks Bing Crosby, Dean Martin, Andy Williams, and the like. The cast of Bonanza doesn’t usually come to mind, which puts Christmas on the Ponderosa firmly on my strange Christmas list. Let’s be honest. This album only exists because NBC wanted to milk every last penny they could from this extremely popular TV show, and after all, isn’t that what Christmas is really all about?



5. A Twisted Christmas: Twisted Sister (Rhino 563173; 2017 (originally released 2006))

Have a twisted Christmas. Photo by Peter Skiera.


So far, I’ve explored Christmas records with liquid + glitter inside, music performed on the Moog, songs sung in a cedar closet with a baby gurgling in the background, and songs sung by the cast of Bonanza. I conclude my list of strange Christmas music with this holiday gem by Twisted Sister.

Even if you’re not a heavy metal head banger, you should know the name Twisted Sister and its big hair and makeup-wearing leader, Dee Snider. You should also be familiar with their one big hit, 1984’s We’re Not Gonna Take It.

In this outing from 2006 (reissued on limited edition green vinyl in 2017 for Record Store Day), A Twisted Christmas features heavy metal versions of songs like I Saw Mommy Kissing Santa Claus, Let It Snow, and The Christmas Song. The band also puts their own twisted take on We Wish You a Twisted Christmas and The Twelve Heavy Metal Days of Christmas. Lita Ford even dropped by to do the honors on I’ll Be Home for Christmas. Oh Come All Ye Faithful is performed in the same style as We’re Not Gonna Take It. The group performed it on The Tonight Show with Jay Leno.

Scanning some of the A Twisted Christmas reviews on Amazon: ”the whole thing is just a bad idea”, “Horrible. Please do an album of your own material”, and “Makes a great joke gift”. You get the idea.

I guess if you’re looking for some completely different holiday music, you should consider this A Twisted Christmas. Just be sure to pick up a bottle of extra-strength Tylenol while you’re in the store in case you get a twisted headache.


Regardless of what music you listen to this holiday, I hope you have a wonderful time and are able to be with the people you love. Happy holidays and I’ll see you next year.


Did you enjoy this article and Part 1? Please help support my blog by becoming a Recommended Stations Patreon supporter for just $1. As my thanks, you’ll get my Recommended and Hitchhiker Station every month in your in box.


Links:

Scrooged

Switched on Santa

Merry Christmas, Have A Nice Life

Bonanza

A Twisted Christmas


Have A Strange Christmas

Last year I wrote an extensive article about strange holiday music. It focused on several vinyl records and one CD. It got a lot of reads and positive comments. I decided to do another, but this year I’m doing a two-part series. This first installment focuses on strange holiday CDs while Part 2 looks at strange holiday records. Whether you still play CDs like I do, or you just fancy the unusual, I think you’ll enjoy reading about these odd discs. I’ve included links at the end should you be brave enough to want to add any of these titles to you holiday music library.

  1. Cocktails with Santa: Richard Cheese (Coverage Records IDTCR27CE; 2013)
A little Cheese with Santa. Photo by Peter Skiera.



If you’ve never experienced Richard Cheese’s music then you’ve been denying yourself a unique listening experience. You have to start somewhere, so why not with this holiday CD, 2013’s Cocktails with Santa?

If you don’t know Cheese (Mark Jonathan Davis), he’s a deliberately cheesy lounge singer from Los Angeles. He writes some original material but is mostly known for taking pop songs and “louge-ifying” them as only Cheese can do. He’s had several songs make it on Billboard’s Comedy Album chart and performed briefly in the movie Barb And Star Go to Vista Del Mar.

On Cocktails with Santa, he transforms (or butchers, as you prefer) Jingle Bells, O Christmas Tree, Deck The Halls, Little Drummer Boy, We Wish You A Merry Christmas, and other classics,into swinging, smoky Vegas lounge songs. If this is cheese then cheese me up, baby. His original Christmas in Las Vegas is my favorite track from this CD:

Christmas in Las Vegas / Decorate your tree with chips / Let’s roll a yo beneath the mistletoe / While that angel strips / Rudolph sold the sled, now he’s betting on red / In a casino made out of gingerbread / Christmas in Las Vegas / It’s a trip!

Having been to Las Vegas many, many times around the holiday season, I can confirm it is indeed a trip, and Cocktails with Santa brings you there.

On the second day of Christmas, my true love gave to me, two…
Photo from richardcheese.com



This music might be strange, but that doesn’t mean it’s not popular. The Cocktails With Santa CD and 2020 limited edition colored vinyl record are both out of print. I bought my used CD for an inflated price on eBay. However, if you’re intent on having a cheesy Christmas, you can buy the digital album download through Bandcamp for just $5. As the Cheese himself would say, please lounge responsibly.

2. Luau in December: King Kukulele and the Friki Tikis (Friki Tiki Records FT-003; Released 2008)

A Hawaiian Christmas with the King. No, not that King. Photo by Peter Skiera.



I’ve never been to Hawaii, but without exception, anyone I’ve ever known who visited has described it as paradise. So, what better place to celebrate Christmas than in paradise?

You may not have heard of King Kukulele (Denny Moynahan) and the Friki Tikis, but they’ve played at Disneyland, Universal Studios, Hollywood, and indeed all over the world. Their songs feature the ukulele, marimba, Hawaiian lap steel guitar, and vibraphone, with drums and bass in the rhythm section. The band performs in 1940’s Hapa Haole Hawaiian tradition for a truly authentic listening experience. The King even dresses the part with a bold Hawaiian shirt, straw hat, and a grass skirt.

Hitting a high note: King Kukulele from his Facebook page.



On Luau in December, the group’s 3rd release, the King and his Frikis apply their exotic island treatment to 14 vocal tracks, including 3 holiday classics. It’s certainly different hearing Hawaiian versions of You’re a Mean One, Mr. Grinch, The Night Before Christmas, and Rudolph The Red Nosed Reindeer. Some of the originals, besides the title track, include Hooray For Santa Claus, Thirty-two Feet and Eight Little Tails, and Santa’s Menehune. The cool retro cover art was designed by the artist Shag.

If you think of Bing Crosby’s Mele Kalikimaka when you think of Hawaiian holiday music, this isn’t that. Don your hula skirt, pour yourself a Mai Tai, pop this disc into your CD player, and have a Friki Tiki strange Christmas.

3. Tales From The Crypt: Have Yourself A Scary Little Christmas (The Right Stuff T2-31330; 1994)

Carols From The Crypt. Photo by Peter Skiera.



If you’re a horror geek like me, you’re familiar with the Emmy-nominated Tales From The Crypt series which aired for 7 seasons on HBO between 1989-1996. The host, the Cryptkeeper (voiced by John Kassie), was a wisecracking, animatronic skeleton with a super annoying, high-pitched cackle.

In the fine tradition of record companies, The Right Stuff, a subsidiary of Capitol Records, put out this holiday gem to milk as much money out of the series as possible. These 15 tracks are sure to warm the cockles of your heart with little ditties like Deck The Halls With Parts of Charlie, We Wish You’d Bury The Missus, ‘Twas The Fright Before Christmas, and Should Old Cadavers Be Forgotten. Of course, no album from this period would be complete without a horror rap song. Yes, a rapping decomposing corpse. And you thought you heard it all.

To complete the theme, the included booklet is a “special collector’s comic re-print” of And All Through The House.

I think it goes without saying, this title is long out of print but it can be found on used record sites like eBay where I scored my copy (minus the slime green-colored jewel case). A word of warning that this CD might cost you an arm and a leg (no pun intended).

As a side bar, 6 years later Capitol Records came out with Tales From The Crypt: Monsters of Metal. These were real songs by real metal bands tied together with narration by the Cryptkeeper.

Have Yourself A Scary Little Christmas is a must for horror buffs or anyone looking to have a scary strange Christmas.

4. White Trash Christmas: Bob Rivers (Atlantic 83591-2; 2002)

Not Bing Crosby: I’m dreaming of a White Trash Christmas. Photo by Peter Skiera.



Having worked in radio, I was familiar with Bob Rivers, but you don’t need to be a former broadcaster to know his work. If you were a regular listener to pop, classic rock, or even some talk radio, then chances are you know Bob Rivers, too.

Rivers was a popular radio host who began writing and performing his own parody songs. His best-known release was his first, 1987’s Twisted Christmas, which went gold. You’ve probably heard the track Twelve Pains of Christmas which received a lot of air play. A Message From the King is another classic from this album that will have you in stitches. Thank you, Mama.

Bob Rivers and crew. Photo from Rivers’ twitter page.



Rivers went on to release six holiday comedy CDs including What Trash Christmas, his last, in 2002. This disc has 13 tracks of humorous holiday-spoofed tunes. Some of the songs include Osama Got Run Over By A Reindeer, The Little Hooters Girl, Shoppin’ Around For A Christmas Tree, and I’ll Be Stoned For Christmas, sung by a dead-on Dean Martin imitator named Scott Burns. I think my favorite from this CD is Me And Mrs. Claus, which isn’t particularly funny, but it’s a great holiday take on Billy Paul’s Me and Mrs. Jones.

Like some of the other CDs on my list, White Trash, along with Rivers’ other holiday CDs, are out of print, but can be had very reasonably on eBay and elsewhere.

Today, Rivers is semi-retired living in Vermont where he makes maple syrup with his wife and often flies out to California to visit his grand kids. How life changes.

You’ll have a merry strange Christmas listening to White Trash Christmas, or pretty much any Bob Rivers Christmas CD. Just be careful not to cough up eggnog through your nose as you laugh out loud.

5. Surfin’ Kitty X-mas: Mark Malibu & The Wasagas (Sharawaji Records SRW 135; Released 2020)

Surfin’ Kitty X-mas CD Volume 1.



I’m not sure what surfing has to do with Christmas, but I suppose if surfing is your bag, then Mark Malibu’s got a brand-new bag. Surfin’ Kitty X-mas is stacked with 18 tracks, 5 of which are Christmas standards plus a “public domain holiday medley”. All of the songs are instrumentals performed in bold surf music style.

Surfin’ Kitty X-mas is a compilation CD of surf bands like Underwater Bosses, The Breakers, Voodoo Surf Tribe, Urban Surf Kings, and The Terrorsurfs. Mark Malibu organized the project and he and his Wasagas contributed 2 tracks of their own. Mailbu is a self-described Canadian surf-punk instrumentalist and formed his Wasagas in 1979.

Mark Malibu and the Wasagas rockin’ out at sea in 2022. Is that a huge wave in the background? Photo from Malibu’s Instagram page.



Frankly, it’s weird hearing surf versions of sacred classics like O Little Town of Bethlehem, Silent Night, and O Holy Night. Then there are the original songs like Christmas Twist, A Voodoo Xmas, and Cuckoo for Christmas. Try as I might, I just wasn’t able to picture Jesus hanging ten. This is definitely not your father’s Christmas music, unless dear old dad was a surfer dude.

The other odd thing about this CD is it was released to benefit the Pinetree Stables/Cat Sanctuary in Grand Bahamas which spays, neuters, and feeds all the abandoned cats on the island (thus, the origin of “Surfin’ Kitty”in the title). The Sanctuary also benefits from the sales of Surfin’ Kitty Volumes 2 and 3. The Sanctuary’s mission isn’t what’s odd, it’s the location. With the organizer being Canadian, you’d think all the proceeds would benefit a Canadian animal shelter, eh? Well, it all goes to a good cause wherever it is.

If you’re looking for totally different holiday music this season that will knock your Christmas stockings off, Surfin’ Kitty X-mas should just about do it, and it’s only 10 bucks.


In Part 2 of Have A Strange Christmas, I give equal time to 5 strange Christmas records. Remember to come back here in a few days to unwrap it.

If you enjoyed this article, please help support my website blog by becoming a Recommended Stations Patreon supporter for just $1. As my thanks, you’ll get me Recommended and Hitchhiker Station every month in your in box.


Links:

Cocktails With Santa

Luau in December

Tales From The Crypt

What Trash Christmas

Surfin’ Kitty X-mas

Holiday Station Round-Up

It’s that time of year again when I hand-pick several Internet radio stations ideal for your holiday entertaining or just to enjoy all to yourself. Christmas is nigh, so let’s get after it!


  1. WALM Radio – Christmas (USA; 320 kbps/MP3)

Direct URL: http://icecast.walmradio.com:8000/christmas

Much like Santa Claus, WALM Radio – Christmas is shrouded in mystery. There’s no information about WALM on its website and no method of contacting them. WALM Radio has other Internet stations under its belt like jazz and old time radio (OTR), and what I take to be their anchor station, a Christian music station. The “Christmas vinyl” playlist is definitely laid back, but it’s just shy of full blown “easy listening”. You’ll hear music from artists like Anne Murray, the Boston Pops, Robert Goulet, Mitch Miller & The Gang, Peggy Lee, Mahalia Jackson, Montovani, Johnny Cash, Lawrence Welk, Celtic holiday music, and, gulp, Jim Nabors. If you can get past the insipid spoken promos (“We’re the home industrial strength, elf-powered turntables…”), you’ll thoroughly enjoy the music. You can even make a song request through their website and the meta data will show “Requested” when the song plays!

Streaming at 320 kbps, this is one of the best-quality, all-holiday streams available on the net, plus there are no commercials. Because it’s streaming at such high quality (“ultra-high fidelity” as WALM Radio calls it), there can be annoying stability issues with their Internet radio stream such as not connecting or connecting but not having any sound. Still, I included WALM Radio in my list since the stream on their website is very stable. That said, I much prefer listening to my Internet radio, not a computer, so I ended up cutting and pasting the Direct URL (shown at the beginning of this segment) into my Internet radio. It’s not perfect but it has better reliability than their Internet radio stream.

The WALM Radio – Christmas mix is mostly calming and peaceful…something we could all use a little of during the holiday rush. And no, WALM Radio is not short for Walmart Radio.

Update: Unfortunately, WALM’s website stream has also become unreliable as well as the direct URL and I can find no way to contact WALM about this. However, my other holiday station suggestions more than make up for this.


2. Crooner Radio – Christmas Vintage (Paris; 128 kbps/MP3)

Direct URL: http://croonerradio_christmas.ice.infomaniak.ch/croonerradio-christmas-midfi.mp3

I have a soft spot for crooners, especially the legends of the past, and Crooner Radio – Christmas Vintage delivers Christmas crooners and then some. All of our old holiday friends are here…Andy Williams, Mel Torme, Sammy Davis, Frank Sinatra, Ella Fitzgerald, Della Reese, Wayne Newton, Lena Horne, and even dashes of Elvis and Bobby Darin. Crooner Radio pushes the boundary with artists like The Pointer Sisters, but what the heck, it’s Christmas. Strangely, the stream’s meta data sometimes lags, meaning it continues to show the artist and song title for the previously played song. But with these big-name crooners, it’s pretty easy to figure out who’s singing what.

If you’re not in the mood for sugary holiday pop hits and you have no use for commercials, give Crooner Radio – Christmas Vintage a listen this holiday. You’ll feel so warm and fuzzy inside you just might start crooning some Christmas classics yourself.

3. A Classical California Christmas (Los Angeles; 95 kbps/AAC)

Direct URL: https://playerservices.streamtheworld.com/pls/CC2_S01AAC_96.pls

I’ve freely admitted it before…I don’t know much about classical music and rarely listen to it, but I often turn to it during this time of year to get a refreshing break from the same old holiday fare. This station reaches deep into Santa’s classical bag and plays harp, brass, voices, and carols, and without a single commercial jingle. Artists include the San Francisco Girls Chorus, the Berlin Philharmonic Brass, the Tanglewood Festival Chorus, the Royal Philharmonic Orchestra, the Cambridge Singers and Orchestra, the Choir of Kings College, and many more. The music is uplifting and creates a wonderful atmosphere day or night. As ACCC states on its website, “Classical Holiday favorites; comfort, joy and peace whenever your spirit needs a lift.” This isn’t a pop-up station or temporary format just for the holiday. They stream this music all year-round. I think I know which station Santa listens to in the off-season.

If you need a little classical Christmas right this very minute, whether you’re in California or wherever, tune in A Classical California Christmas courtesy of Los Angeles’ KUSC.

4. JIB On The Web (Boston, MA; 128 kbp/MP3)

Direct URL: https://ais-sa2.cdnstream1.com/2379_128.mp3

JIB On The Web was on my holiday station list last year, and it was also one of my Recommended Stations a few years back. Ordinarily, I never repeat a station, but JIB On The Web is such an exceptional station it deserves inclusion again. It’s a beautiful music station, not a dedicated Christmas music station, but starting at noon eastern time on the day before Christmas, the station airs 15 hours of holiday music. For many, “The Beautiful Music of Christmas”, now in its 5th year on JIB On The Web, is an annual tradition that’s not to be missed.

Unlike some other beautiful music Internet radio stations, a great amount of love and care goes into programming this station, and no less effort goes into its musical holiday extravaganza. JIB On The Web is operated by a very talented radio announcer who worked for the original FM station in Massachusetts, so expect nothing but an authentic WJIB beautiful music experience each time you tune in.

There certainly are a lot of radio stations you could listen to on the night before Christmas and the day of, but none are like this one. In fact, you’ll enjoy it so much, I’m willing to bet you’ll still be listening to JIB On The Web long after the holiday is over.

5. RadioSpinner Fireplace Sounds (Russia; 97 kbps/AAC)

Direct URL: https://live.radiospinner.com/fplc-64

RadioSpinner Fireplace Sounds isn’t a Christmas station or even a music station, but I’m including it anyway because a fireplace always makes for a better Christmas. It’s just as the name says- the station plays fire sounds 24/7. All fire, all the time. You can practically smell the smoke. It creates the perfect ambience for the holiday or for pyromaniacs. Personally, I like to play this station while I have my electric fireplace on. Why electric fireplaces don’t have a digital recording of fire crackling or just a USB jack to connect a thumb drive with a fireplace recording, I don’t understand. But I digress. By the way, I say “fire sounds” because you’ll mostly hear outdoor fires with an abundance of wind, but I guess Radio Spinner Outdoor Fires With Wind didn’t quite have the same appeal.

The station does a much better sell job on its website: “Fireplace Sounds is designed to soothe, relax. Listening to the radio station is as pleasant as wrapping yourself in a warm blanket, hugging a cup of hot mint tea with both hands and quietly watching the ferocious weather through the window. Only a pleasant crackle of firewood, smoldering coals and barely audible sounds of the wind.”

Fireplace Sounds streams out of Russia where they know a thing or two about cold weather. At 97 kbps in the AAC codec, the sound quality is okay, but the wind noise overwhelms the fire sounds. I also didn’t hear any chestnuts roasting on an open fire, but I’ll take what I can get, especially when it’s free.

Maintaining a fire in fireplace, or anywhere, is a lot of work…tending to the fire, hauling and stacking the wood, clearing the ashes, and so on. In this case, just sit back and enjoy, because RadioSpinner Fireplace Sounds is the lazy man’s fireplace. Now, where did I leave my slippers?

Update: As my luck would have it, this station’s stream stopped working about a week after I posted this article.

You now have five free Internet radio stations to enjoy this holiday season! When someone asks you about the station you’re listening to, be sure to tell them you discovered it through RecomendedStations.com.

Trivia: What was the first radio station in the US to play Christmas music this year? Cincinnati’s Star 93.3FM was the first out of the gate. On November 1st, the day after Halloween, Star FM switched over to all Christmas music.


‘Tis the season for giving, so if you enjoy any of these radio stations, please help support my website by becoming a Patreon supporter today for $1. In return, you’ll get my Recommended and Hitchhiker Station every month in your in box as my thank you. This month’s Recommended Station recalls the early days of radio while the upcoming Hitchhiker Station might cause temporary holiday insanity.

For The Vinyl Lover Who Has Everything

The Vylümi Shine Pro.



What? Vylümi Shine Pro safely backlights colored vinyl records allowing you to display them like works of art.

How much? Vylumi Shine costs $60 and the Shine Pro is $120 plus shipping.

Conclusion? It won’t fit in a Christmas stocking but get it anyway.

Website?  https://vylumi.com/collections/all


Black Is Beautiful

Looking for that elusive gift for the record collector who has everything? Before we get into the details of this device that illuminates colored vinyl, a little background is in order.

Records are made with PVC pellets (which are naturally slightly milky-white in color) that have been mixed with black carbon which is gives them their shiny black color. The black carbon also fills in imperfections and adds strength and rigidity which makes the record last longer. This is important because, unlike a CD, cassette tape, or digital music file, a record album degrades each time you play it.

Another thing basic black has going for it is that the quality of black vinyl records tends to be high because it’s the industry standard…they’ve been producing them that way since the advent of the vinyl record. As a result, the quality of black records is remarkably consistent. The black color also makes it easier to spot imperfections during quality control inspections.

Color Me Impressed

Colored vinyl, on the other hand, uses PVC pellets mixed with dyes. In addition to records made using a single, non-black color, there are variations on the colored vinyl theme like multicolored, split color, smoked, marbled, and splattered. Yes, I’m talking about records, not meat or cheese. By the way, don’t confuse any of these variants with picture discs which are a whole other story and tend not to sound as good or last as long as colored or black vinyl.

A Little History

Colored vinyl records didn’t start with the vinyl LP. Some 78 RPM titles dating back to 1917 were colored, starting with a Vocalion Records release that was a reddish-rust colored shellac. Perhaps not the most appealing color choice, but it served its purpose of making their records stand out. I believe the first prolific use of colored vinyl by a major label was RCA Victor’s introduction of the 45 RPM single in 1949. To give the new format a little extra excitement, each genre had its own color. For example, country music used green-colored vinyl, classical used red, children’s recordings used yellow, while pop music stuck with basic black.

The Sound of Color

There’s a school of thought that says not all colored vinyl is created equal. That is to say, certain record colors may not sound as good as others upon playback, or as good as your standard carbon black record. It’s strange to think that color could impact sound, but it can. In fact, one could argue the more colors present in the vinyl, the worse the sound might be because of all of the foreign ingredients. There are even glow-in-the-dark records, though I don’t know anyone who plays their records in total darkness. I’ve read these are noisier than their black and colored brethren, but I can’t personally attest to that since I don’t own any. It would follow, then, that a transparent clear record would sound better than a colored vinyl record (except for black).

Do You Hear What I Hear?

If I played a colored vinyl record for you, immediately followed by the identical recording pressed on black vinyl, would you hear any difference? I suspect most people wouldn’t, but if there was an overt difference, it could just as well be attributed to the manufacturing process rather than the color of the vinyl. If the record plant doesn’t have much experience pressing colored vinyl, that won’t help either. Regardless, most record enthusiasts don’t buy colored vinyl records because they think they sound superior. They buy them for their unique appearance and collectibility, especially since many colored vinyl titles are produced in limited batches.

Price Check

A limited-edition colored vinyl record from Newbury Comics. Photo by Peter Skiera.



Speaking of limited quantities, that, along with the cost of the dyed pellets, tend to make colored vinyl titles more expensive. So, you’re paying more for a record that technically probably won’t have the same longevity as less expensive black vinyl and possibly not as good sound quality. Mind you, there are plenty of black vinyl titles that can be quite pricey in their own right.

In Living Color

If you want to add some colored vinyl to your collection you don’t need to search very hard. Some record labels specialize in colored vinyl like Third Man Records, Real Gone Music, Enjoy The Ride Records, Sundazed Music, Wax Mage, and WaxWork Records. Major retailers like Barnes & Noble, Urban Outfitters, and Newbury Comics sell colored vinyl, some of which are exclusive to them. Even record clubs like Vinyl Me Please and Vinyl Moon release titles on colored vinyl. Yes, Virginia, there are record clubs.


Doritos: The only love triangle you need. Image from Romanus Records’ website.


If you want to go off the deep end, you’ll find records that go way beyond colors. Romanus Records, for example, has pressed records with different kinds of material sandwiched between the 2 sides including kitty litter, razor blades, sand, gunpowder, colored liquid, LEDs, and even pieces of Doritos chips! I wonder how some of those records would look with colored lights behind them. I was delaying this article to be able to display my “snow globe variant” Scrooged LP soundtrack I ordered more than 6 months ago. It contains a clear liquid with sparkles inside. I decided to go forward with my article rather than continue to wait. Such special releases require more time since they’re much more complicated to produce.

The Vinyl Verdict

You’ve heard the saying, “Once you go black, you never go back.” Somehow, I don’t think that phrase was about records, but it might be equally applicable. The absence of black carbon likely means colored vinyl records won’t have the same strength and longevity as their black counterparts and may not sound as good. That said, unless they’re abused, most colored vinyl records should last long enough and sound good enough for the average record enthusiast. If sound quality is of the utmost importance, you’re probably better off playing it safe with good old, boring black vinyl. On the other hand, if seeing colors and patterns spin on your turntable puts a smile on your face and you’re enthralled by the art, go for it. After all, records have the potential of being the most visual of all music storage formats.

Show Off

Colored vinyl is meant to be seen and heard. If you’ve got an album you especially love the color of, why hide it inside a cardboard jacket? Sure, you could frame it, but that’s not very exciting, and it prevents you from being able to easily play it. What if there was a product that allowed you to safely display your colored vinyl, backwash them in light, and easily access them for playback? Well, there is.

My splatter-colored LP brought to life by the Vylumi Shine Pro. Photo by Peter Skiera.



Let There Be Light

Vylumi Shine and the Shine Pro do just that. Andrew Boudreau came up with the idea and had his final design completed in 6 months. He hand-assembles each one out of his home in Atlanta, Georgia and sells them on his recently revamped website and on Etsy. The two models backlight a record to make its color(s) pop. Simply place the record over the center nub and turn the light on. Voila! Instant glowing artwork. The record “floats” so you don’t have to worry about it making contact with the surface and getting scratched. And the LED that illuminates the record never gets hot enough to warp the record, so no worries there. The result is beautifully mesmerizing.



Andrew Boudreau preparing to glue. Photo from Vylumi’s Instagram page.


I got in touch with Boudreau to ask him some questions about his unique invention:

Peter: What gave you the idea for Vylumi Shine?

Andrew: It all started in late 2021 when I picked up my first picture disk. I was searching online for ways to display it since it’s widely known the audio quality on all of them are notoriously bad and I couldn’t find anything that didn’t have a massive picture frame as part of the display. I knew a good friend of mine had a 3D printer so I ran him through an idea of what I now call the ‘Nub.” It’s a very minimalist design and is simply a rod the size of the record spindle that angles up to safely keep the record in place and that’s attached to a base plate. I was using a simple command strip to test hanging a few on the wall and while I was thumbing through my collection I thought: “I wonder what else would look good hanging on the wall,” so I grabbed a copy of Cowboy Bebop that I knew had a nice colored marble to it and hung that on the wall to see how it looked. It looked okay, but a bit lifeless, so on a whim I brought it over to an outside window to get some light on it and it came to life! That’s when the light bulb(s) went off (dad joke, apologies). It just dawned on me that I had so many of these color variants in my collection, and they were just spending their lives tucked away in their sleeves on the shelf. So, I built my first prototype out of cardboard, a battery powered LED light string, and the nub and just started putting records on it to see how they looked. It was very basic, but the idea worked. 4 prototypes later I had a design I was really proud of and started showing people in February of 2022. Everyone I showed wanted one for themselves so I started making a few. I opened the Etsy store in March of 2022 and my own website in June. So far, I’m at 300 units sold worldwide and I can’t explain how proud and fulfilling it is to see my customers showing off their collections on social media.

Peter: You source the parts and assemble the units by hand in your spare time? 

Andrew: The electronics I source through two separate companies and I’m trying to narrow that down to one moving forward. I do that for a few reasons; First, it allows me to be more nimble when new technologies emerge. Secondly, after putting in an inquiry with a product design company, I learned that it would take about $200,000 just to get custom electronics and molds designed and the same, if not more, to actually get them produced. I’m very proud that the structural materials are all made here in Georgia. Very early on I had run this idea by my neighbor, as he likes to tinker and is generally handy. I came to him with the problem of properly diffusing the light to see if he might have any ideas. He operates a company that specializes in large scale vinyl wraps and signage projects for conventions and airports, so I thought he might have some ideas and I recalled that he had a few CNC machines that weren’t getting a lot of use because Covid had really hit their business pretty hard. I drew some designs on some printer paper and he cut those out on the CNC machines, and to this day his company cuts all of the structural parts. As mentioned above, a friend of mine makes the nub on this 3D printer and I’m able to pay him a fair price per batch he prints. But to the other part of your question, after I get my daughter to bed and my wife settles into a book, I head to the basement and assemble these by hand still. I’ve had to make a few tools to speed up assembly and help to standardize the sizes of a few components, but I can’t explain how much I love doing this!

Peter: Does it work with picture discs? 

Andrew: You can certainly display a picture disk on a Vylümi, but sadly, picture disks are all opaque and won’t let any light through. 

Peter: You have a Patent pending? 

Andrew: I do!  I have both Trademarks and Patents pending for this as of this last summer. 

Peter: Do you own a lot of colored vinyl or records in general? What’s your favorite-colored vinyl title? 

Andrew: I’ve been trying to catalogue my collection and I think I have about 1,000 in my collection right now. I’ve been building a vinyl collection since 2008 when I invested in my first Hi-fi setup and started to get into finding color variants 4-5 years ago. Color variants are probably 10% of my collection and I didn’t get into collecting the more boutique pressings from Wax Mage and others until I came up with this idea and found them through my research. My favorite though? That’s like picking your favorite child! My recent favorite is a pressing from Glory or Death Records by Great Electric Quest (which is actually his band). It’s a beautiful party monster and really transforms with the Vylümi to look like a sheet of elegant stained glass…It also glows in the dark as a bonus!



Peter: What’s the rarest or most expensive record you own? 

Andrew: This little invention has introduced me to a lot of amazing people in the industry. Pretty early on I contacted the folks at Wax Mage/Gotta Groove, Wax Vessel, SlyVinyl, Heathen HandMade Records, Romanus Records, and Plastikat Deviations to get their feedback on my idea and early products since they make the hand-crafted art my audience is collecting. Recently, Matt Ortt at Plastikat surprised me with one of his liquid-filled records that is a complete one-off. It was made for the owner of Glory or Death Records and is the first liquid filled that has two separate chambers of liquid in it. A portion of that liquid is black, so when it’s on the turn-table spinning, it spreads out pretty evenly with centrifugal force that it just isn’t awesome eye candy like the rest of his stuff. He put it on his Vylümi and it just transformed. He dropped me a note that said this album looks best when lit up, and we (he and Buddy from Glory or Death Records) thought you should be the rightful owner of it. That about made me cry, I am so honored to have it and it is by far the most-rare album I own. 

Peter: What brand and model turntable(s) do you use?

Andrew: For my 40th [Birthday] I was able to purchase a Rega P6 and have a Dynavector 10×5 with a ruby cantilever and optimized contour nude contact line diamond tip from Sound-Smith after bending the original cantilever in a cleaning accident 3 months into owning it. That one hurt the soul, but I can’t speak highly enough of the crew at Sound-Smith and their craftsmanship they put into repairs and upgrades.   

Peter: What’s your professional background? 

Andrew: My day job is and has always been in technology sales. I get to be a nerd all day long and I have to constantly learn about what’s new in the market, and my customers are always bringing me difficult problems to solve. It’s a pretty demanding, high stress job, so sitting down to spin a record at night has always been my way to unwind. I’m certainly not an engineer or someone who is crafty/handy, so the fact I was able to come this far with an idea is a miracle unto itself.  

Peter: What kind of music do you usually listen to?

Andrew: My tastes are certainly firmly on the rock side of the spectrum. I can be found listening to your typical classic rock albums, but spend most of my time reliving my high-school days with grunge/Alt music from the 90s.  

Peter: Anything else to add about the Vylumi Shine/Pro? 

Andrew: I would just like to thank everyone for their kindness and support (!), and thank you Peter for taking the time to talk with me.  This has been an unintended and amazing journey. I never thought this idea would take off in the way that it has and all of my customers have been so patient and understanding of the fact that I’m a one-man shop doing this in my spare time. The vinyl community has been very generous to me over the years and I’m so thankful I can provide a little something back. Thank you all for the support and I can’t wait to see where this journey goes! 

Picture This

An Instagram photo of the Vylumi Shine in action.


I found splattered vinyl to look the most impressive with Shine Pro. Colored vinyl that’s all one color looked like a giant-colored spotlight. As it turned out, I only had one splatter-colored record in my small LP collection. Its base color was transparent which meant I could make it whatever color I wanted with the Vylumi Shine Pro’s light, which was very cool. You can see more impressive Shine Pro-worthy pictures on Boudreau’s website, Instagram, tiktok, Etsy, and Facebook (links provided at the end of this article).

Size Matters

If you happen to have a few colored 45 RPM singles or 10″ records in your collection, Boudreau has you covered. For $20 you can get a set of adapters that fit both of those sizes, though the adapters can only be used in conjunction with the “dust cover” which is an additional $30.

Ask The Manager

As a Product Manager, part of my job involves finding problems with a product before it goes into production and coming up with ways to improve it. In the case of the Vylumi Shine Pro, I have a couple of suggestions for improvements and enhancements.

To start with, being able to anchor the base or give it some weight would be great, as the base is very light weight since it’s just a thin, empty plastic case with LEDs. If you use the wired remote instead of the app as I did, you must be very careful not to accidentally yank the base.

Getting my record off of the center nub was rather difficult. I had to pull the record to the point of bending the sides of the LP. Due to the nub being a black or dark brown color, I didn’t notice until later that it’s actually positioned at an upward angle instead of straight so the record doesn’t fall off easily. Had I known to pull upward instead of straight, it would have been a bit easier to remove the LPs. Still, Boudreau has since modified the nub in production to make it a slightly smaller diameter. I’d also suggest putting a radius on the nub. No sharp edges in close proximity to records!

It would be nice if at least the Pro model could be wall mounted. Boudreau told me one can easily glue a saw tooth hanger on the back but the problem is the dangling wires from the combined wired remote control/power supply. His first-generation models were battery powered and could thus be wall mounted. I assume a built-in Li-Ion battery rechargeable version would be too expensive to make.

What I would really like to see the Pro do is what records are supposed to do- spin. Seeing colored vinyl come alive through light is amazing, but having the record actually rotate (not necessarily at 33 1/3) would be very cool and more engaging, especially if the record was liquid-filled. Without a doubt, this would push the cost higher, perhaps to the point of turning most buyers off. If you’re tempted to manually spin your record on this device, Boudreau warns users against this or else the 3D-printed nub will eventually become sawed off.

Don’t Try This At Home

The Shine Lite sells for $60 while the Pro goes for twice that plus shipping (the Pro is on sale as of this writing). Frankly, both models look remarkably simple. Being the cheap and creative guy I am, I tried to think of a less expensive way to accomplish the same thing, which is also part of a Product Manager’s responsibilities. Since I was a kid, I’ve had a bit of MacGyver in me…spontaneously creating things out of duct tape and tampons, although nothing explosive. I remember one Halloween I secured rope from the kitchen window of our second-floor apartment down to a chain link fence adjacent to the sidewalk in front of our house. I cut a small hole in the top of a white pillow case, slipped the top of a metal coat hanger through the hole, and drew two eyes and a mouth with a black maker to make it look like a ghost. I tied a second rope onto the hook of the coat hanger in order to slide it up and down the main rope. As a final touch to my crowning achievement, I hung a flashlight from the coat hanger inside the pillow case to illuminate my ghost, hung it on the rope, and slid it up and down as the trick or treaters made their way in and out of our apartment house. I was quite proud of my creation and the costumed, candy-hungry visitors appeared equally impressed. A few years ago, I saw a very similar contraption in a catalog, albeit much more refined. That guy probably owns his own island now. But as usual, I digress.


My MacGyver-inspired record light. Photo by Peter Skiera.

Returning to my MacGyver LP light, I took a cheap picture stand that was collecting dust in a drawer and placed one of my colored vinyl records on it. I then backlighted the record with a Remon 25-watt LED spotlight I bought two years ago on Amazon for $29 (which has since been discontinued) to light my vintage aluminum Christmas tree. The light included a remote control that allows the light’s brightness and colors to be adjusted similar to the Vylumi Pro’s remote, although it doesn’t have a built-in microphone to flash to the beat of music like the Pro can. My color contraption created a similar effect as the Pro, but the stand could be seen behind the record, it risked scratching the record, and the spotlight got hot enough to make me concerned about the record possibly warping. It also sent the light all over the place rather than containing it just to the record itself. The Lite and Pro each cost significantly more than my Frankenstein light, but they accomplish the task more effectively, safely, and elegantly.



Wow. Photo from Instagram.


If you don’t need the additional control the Vylumi Shine Pro provides, like thousands of color options, 100 dim levels, a remote, free app (by a 3rd party), a timer, the ability to group other Pros, and Siri/Alexa compatibility, you can save some dough and stick with the more basic Shine. Either model is a fun and safe way to display and share your beloved-colored vinyl. If you’re looking for a gift this holiday for the vinyl lover who has everything, this should do it.



I didn’t get my review sample for free and I don’t receive any commission if you buy either of these models, so if you enjoyed this article, please consider supporting RecommendedStations.com by becoming a Patreon supporter for just $1. As a thank you, you’ll received my Recommended Station and Hitchhiker Station every month in your in box and you’ll be helping to support articles like this.


Links:

Shine & Shine Pro

Etsy

Instagram

Tiktok

Patreon

Radio Replay: JingleMad

Radio Replay is a random pop-up series that takes look back at a Recommended or Hitchhiker Station from the past.

JingleMad Radio

Three years ago, I brought JingleMad Radio based in the UK to light. Within seconds of my first listen I knew this was a Hitchhiker Station. JingleMad plays nothing but radio station jingles. You know, the upbeat music that promotes a radio station’s all-important call letters. JingleMad doesn’t play songs or commercials, just jingles…sixty-six jingles per hour to be precise. Even JingleMad Radio has its own jingle. There’s also jingle montages where multiple variations of the same station jingle play back-to-back. The stream also includes each station’s name in the metadata in case you cannot figure it out from the jingle (unlikely). Some of the jingles are quite creative and funny like, “Get your feet on the floor, get your butt out the door.” Having worked in radio broadcasting, I developed a perverse fascination with this station.

Some of the radio jingles on JingleMad Radio are very short while others run surprisingly long. Some are very upbeat and others are more subdued depending on the station’s format. Regardless, most of the jingles you hear on JingleMad were professionally produced by a jingle company like JAM, Pams, ReelWorld, Zone Radio Imaging, Ignite Jingles, S2Blue, David Arnold, Brandy, Bespoke Music, Sharpsell London, or Murfin Media.

Here’s one of JingleMad Radio’s “clock” (a radio term):

:00 Single Jingle News with Stuart Clarkson

:01 Top of hour jingle

:02 JingleMad JingleMix – 66 jingles in a row!

:17 Demonstration time – jingle demo

:30 Another 66 jingles in a row!

:45 JingleMad jingle montages – user created montages

:59 News intro

In addition to the jingles, you’ll also hear “shouts”, but “ShoutMad Radio” doesn’t have quite the same appeal. A “shout” is radio parlance for a recording by a group of singers who “shout” the DJs name usually followed by the station jingle. Shouts are played by stations in between songs or at the end of a commercial break before going back to the music. When I was a DJ at adult contemporary station WLNH-FM in New Hampshire, I had my own shout. It made me feel important even though I wasn’t. I was a little fish in a little pond. I have my shout recorded on my WLNH air check cassette somewhere in a box in my basement. It’s a bit sad that my nearly 7 years in radio are represented on the single side of a cassette tape stored in a box in my basement.

Be that as it may, I reached out to Roy Martin, founder and President of JingleMad Radio, to get the story behind this Hitchhiker Station:

Peter: When did JingleMad Radio first begin streaming?

Roy: The service was conceived at the end of 2011 and went into testing mode in January 2012. 10 years on and we are still officially in Beta mode!

Peter: What was the idea behind JingleMad?

Roy: On the basis that there is a radio station for pretty much any interest or theme these days, I figured it would be fun to see if I could operate a radio station playing nothing but jingles from radio stations. We sought full permission from the main jingle companies, with almost all of them coming on board, giving us the OK to use their musical works.

Peter: How is JMR funded?

Roy: It’s a personal project funded by myself. It has zero running costs and only takes up a small amount of time to keep the jingles up-to-date and scheduled. Technology helps save much time, and we’ve called on favours from playout companies and streaming providers to make it more worthwhile!

Peter: How many station jingles do you have in your library?

Roy: As of today, we have almost 12,000 individual pieces of audio on rotation. We start each hour with 66 jingles in a row, then into a few demos and montages before returning to non-stop jingles taking us through the rest of the hour.

Peter: Where do you source the jingles from?

Roy: The majority have come from the owners of the jingles, either the companies that made them or the radio stations that bought them. We’ve also been sent many by enthusiasts and collectors, along with ‘jingle montages’ from collectors.

Peter: Do you only play jingles from UK and European radio stations?

Roy: 95% of our jingles are in English, so include all English-speaking nations. The majority come from North America and the UK.

Peter: What is the most bizarre station jingle you’ve ever played?

Roy: We’ve got a few jingles with swear words in, which we schedule ‘after the watershed’ at night. We did have one complaint made to Ofcom [UK communications regulatory agency] about one particular jingle sung many years ago which we have since dropped as it doesn’t seem appropriate these days, as with many songs sung during a different era.

Peter: What’s the most obscure jingle you’ve ever played?

Roy: We play all jingles we’re allowed to, so nothing stands out as being obscure.

Peter: Do you also run a music radio station or you just do jingles only?

Roy: JingleMad Radio is totally about the jingles. No music involved. I personally operate a couple of other radio services but these aren’t connected to JingleMad.

Peter: Are the majority of your listeners in the UK?

Roy: It’s split mostly between the UK and North America, although we are popular in Japan.

Peter: Are you working on anything new for JingleMad?

Roy: Being 10 years old we should probably look at officially launching the station! Maybe we’ll do that. But on-air, we’ll just carry on adding jingles and playing them out non-stop.

To slip in a little shameless self-promotion, earlier this year I added a custom jingle to my own Internet radio station, Wind Chime Radio. It was composed, arranged, and sung by several members of the New Randy Van Horne Singers and plays randomly.

I’ve brought you some pretty off-the-wall Hitchhiker Stations over the years, but JingleMad is one of the maddest. If you’ve got a thing for jingles, check out JingleMad Radio and jingle all the way.

Trivia: Wheaties cereal by General Mills was the first consumer product to use a commercial jingle on the radio, broadcast on Christmas Eve in 1926. In 1947, Dallas radio station KLIF-AM was one if the first stations to use a jingle to identify the station’s call letters.

If you enjoyed this article, please help spread the word and support my blog by becoming a Patreon supporter today for just $1 and get my Recommended and Hitchhiker Stations in your in box every month.

TV Pumpkins

The history of television as portrayed on pumpkins. Photo by Peter Skiera.

Last year around this time I attended Roger Williams Park Zoo’s Jack-O-Lantern Spectacular which celebrated musical artists. This year’s theme was television, paying tribute to 75 years of broadcast entertainment. Being the serious couch potato that I am, and appreciating vintage television as I do, I decided to actually get off the couch, head down to Rhode Island, and see what was on the Zoo’s boob tube.




Twitch your nose at this: The Bewitched pumpkin. Photo by Peter Skiera.

Like last year, the professionally hand-carved pumpkins by Passion for Pumpkins of Oxford, MA were intricate and exquisite. The 5,000 illuminated pumpkins were sensory overload for my eyes. In the background, soundtracks to various television shows enhanced the effect.

The pumpkin displays were grouped by decade starting from the 1950’s through the 2000’s. As with last year’s musical theme, there were glaring (my opinion) omissions. No Simpsons pumpkin (yet there was a Futurama pumpkin!), no Friends, and no Brady Bunch pumpkin. Pumpkin blasphemy!



A pumpkin for Elvis. Photo by Peter Skiera.

Interestingly, Elvis was overtly MIA in last year’s display despite being a major musical icon, yet he was represented in this year’s television theme with an Aloha from Hawaii-carved pumpkin.

Then there were the noggin-scratching pumpkins like the Benny Hill pumpkin. Benny Hill? Really? The Benny Hill Show wasn’t even a US television show! The Mary Tyler Moore Show, Maude, The Bob Newhart Show, The Odd Couple, or Sanford and Son would’ve made more sense.


The Golden Girls pumpkin. Photo by Peter Skiera.

I’m a big fan of vintage so I especially appreciated The Twilight Zone, The Honeymooners, Bewitched, I Love Lucy, MASH, The Jeffersons, Cheers, Good Times, All In The Family, Batman, Star Trek, Mr. Ed, and The Golden Girls pumpkins (there was also a pumpkin dedicated exclusively to Betty White). There was even a Max Headroom pumpkin.


“…the professionally hand-carved pumpkins by Passion for Pumpkins of Oxford, MA were intricate and exquisite.”

This – is – Jeopardy! Photo by Peter Skiera.

Game shows and public television were also represented like the classy Jeopardy pumpkin and one each for Mr. Rogers and happy little tree painter, Bob Ross. However, I don’t remember seeing one for Wheel of Fortune or Sesame Street.




Yada, yada, yada. Photo by Peter Skiera.

Not surprisingly, the show with the most carved pumpkins was a show about nothing- Seinfeld. There was one each for Jerry, Elaine, George, and Kramer, and all very nicely done.

Television wouldn’t be television without commercials. I think it would have been fun if the display had sprinkled in some classic television commercial pumpkins like Coke, Life Cereal, Oscar Mayer Wiener, Alka Seltzer, and StarKist Tuna to name just a few.

I also wouldn’t have minded seeing a couple of “news pumpkins” like one for Walter Cronkite and Edward R. Murrow, or perhaps even Mike Wallace.

If you’re in R.I. or planning a trip this month, The Jack-O-Lantern Spectacular at Roger Williams Park Zoo in Providence continues through the end of October. Tickets can only be purchased on line. For the more adventurous, there’s a zip line ride and illuminated swan boat rides. I’ve included a link to their site below as well as a link to my Instagram page so you can see more of my prodigious pumpkin pics. Happy Halloween.




Trivia: During the Jack-O-Lantern Spectacular’s run, Passion for Pumpkins will go through 20,000 pumpkins to keep the displays looking fresh.




Now that’s what I call a pumpkin patch. Photo by Peter Skiera.




Links:

Jack-O-Lantern Spectacular

Recommended Stations Instagram page


If you enjoyed this article, please help support my blog by becoming a Patreon supporter for just $1.

New Randy Van Horne Singers

September marks 15 years since Randy Van Horne passed away. I can hear many of you imitating an owl. Who? Yet you know Van Horne even if you think you don’t. Did you watch The Flintstones or The Jetsons as a kid? Those theme songs, among others, were sung by the Randy Van Horne Singers. The group also sang in TV and radio commercials.


Randy Van Horne. Photo used with permission.




Van Horne was born in 1924 in El Paso, Texas. He was a World War II veteran, studied music after the war, became a session musician, and started the Van Horne Singers in the late 1950’s following the breakup of his first group, The Encores. Known for their easy listening but uplifting compositions and singing, the group recorded several albums including a collaboration with Esquivel. The group performed on a few national television shows and member Marni Nixon later became a break-out solo artist. Original member Thurl Ravenscroft became the voice of “Tony the Tiger” and was the uncredited singer on You’re A Mean One, Mr. Grinch.

By the early 1970’s the group had dissolved, only to be revived by Van Horne in early 2000. The New Randy Van Horne Singers formed to keep his legacy alive. Earlier this year, some in the group lent their composing and vocal talents to the jingle for my Internet radio station, Wind Chime Radio. I was fortunate enough to connected with several of the members via email to find out more about the group, the music, and the man. Below are their collective answers reported by group member Lynn Keller.

Peter: What made the original Van Horne Singers different from other vocal groups at that time?

Lynn: There were a number of popular quartets and singing groups at the time that Randy’s singers performed. What made his group unique is that he used some of the best session singers in Hollywood and he did his own arranging. Randy’s arrangements were unique as his style was to often write tight, 8-part vocal harmonies that were designed to sound like the different sections of a full 17-piece big band. This means the quality of the vocals often mirrored the trumpets, trombones in tempo, color and dynamics. Singers vocally produce the different sections of the band. Additionally, singers are accustomed to 4-part singing or soprano, alto, tenor, and bass (SATB,) arrangements. Having 8-part singing means the vocal lines are closer together so there is more chance of dissonant harmonies among the sections. Randy used the top session singers who were prolific at reading charts, as his unique style brought often unexpected notes and dynamics to a vocal part.


Sleighride” re-issued on CD. Photo by Peter Skiera.




Peter: What was the appeal of this music back in the day and why did it decline?

Lynn: Randy worked with Hanna Barbera arranging The Flintstones and other cartoon themes; these familiar themes have become part of our collective pop culture. The themes were memorable and were connected to popular TV shows. Randy’s group was also featured on TV variety shows with guest performances on the Nat King Cole Show and Mel Torme’s show for example. When the variety shows became too expensive and challenging to produce there were fewer options for Randy’s music to be heard by a wider audience. However, during these years he continued to product albums with a number of noteworthy artists. Finally, the music itself (the great American Songbook) and much of the music of the 1st [half] of the 20th century became less popular with the advent of rock and other forms of popular music. Here is a list of Randy’s recordings:

  • The Clef Dwellers, RCA Victor LPM-1751
  • Sing a Song of Goodman, MGM SE-3720; 1958
  • Sleighride, Everest SDBR-1112; 1960
  • Rollin’ West Everest SDBR-1071; 1960
  • Swingin’ Singin’ RCA LPM-1321
  • The March of the Regiment, Everest 19399
  • Moments to Remember, Sunset SUS-5151
  • Our Magic Moments Everest SDBR-1089; 1961

This list does not include selections from albums produced by other artists with Van Horne’s singers.


Image from recordstoreday.com


Peter: Is it true the original group sang on Bob Thompson’s RCA albums and on Martin Denny’s “Afrodesia” album? And that they were occasional backup singers for Dean Martin and Mel Torme?

Lynn: We often hear that his group was featured on different variety shows. We have verified their appearance on the following shows: Nat King Cole, Mel Torme. I’m not sure about Dean Martin. The members of the group like Marni Nixon, Gene Merlino, Marilyn King, Harry Middlebrooks, Sue Allen and more were back-up singers and overdub singers on many albums. It’s difficult to track down all of their jobs because they didn’t get credits.

Peter: How many singers are in the new group vs. the original group and what is the age range?

Lynn: The original group had a minimum of 8 singers. Randy reformed the group in the early 2000’s. Since that time the number of singers in the group has varied. In the early 2000’s there were about 20 singers then the number went up and down. Since the pandemic, there are somewhere around 8-10 which varies with singer’s comfort with singing in a group.

Peter: I know it changes but I’d like to identify the group’s current line-up.

Lynn: COVID has reduced our ranks for the time being. We have the following folks currently performing with our group:

1st Sopranos Lorelei Finch, Franny McCartney

2nd Soprano Lynn Keller

1st Alto Sara Taylor (Our newest member with an impressive background)

2nd Alto Bonnie Janofsky (composer, arranger), Liane Schirmer

Tenor, Alan Wilson (Also conductor,) John Schroeder

Baritone, Bill Havis

Bass, Steve Grant, Michael Alexander

Piano Accompanist, Marty Rosen


Peter: The group may have changed over the years, but when and how did the new group form?

Lynn: Randy brought the group together and directed it. When he retired from the group, he asked Alan Wilson to conduct. New group members are recruited sometimes from the audience when the group does shows. Often singers ask if they can join the group. Also, occasionally members are recruited from singer’s networks.

Peter: What’s the new group’s mission?

Lynn: We continue to perform Randy’s music and to produce shows that reflect his style. Over time we have added other arrangers- Anita Kerr and Ed Lojeski to name a few. We do themed shows so we often perform music that fits a theme and we add music accordingly. Additionally, our shows include solos, duets, quartets and other songs that require different combinations of singers. We follow our theme, but always include Randy arrangements.

Peter: In general, what’s the background of the members?

Lynn: Singers should have live performance experience and they should be able to read music. One of our strengths is that we care about and respect each other. This comes across when we perform. Audiences often say they appreciate our ability to connect with them and that we demonstrate our love for what we are doing in our shows.

Peter: When you sing live are you typically accompanied with just a piano?

Lynn: Yes, we always use piano accompaniment. This presents a challenge because Randy’s music isn’t that easy to play.

Peter: Have you ever taken any contemporary songs or pop hits and Van Horne-ized them?

Lynn: No, but we use other arranger’s charts. We also strive to stay true to Randy’s musical ideas and don’t make changes to his work. We apply the rule of staying true to whatever arranger’s ideas we select so we don’t modify their music. We perform it as it was intended. For example, recently we used TV theme shows in a performance entitled “We Love To Laugh”. We incorporated themes like “Gilligan’s Island,” and “The Addam’s Family,” replicating the music as the themes were performed in the TV show

Peter: Does the group have a favorite original Van Horne non-Christmas song they like performing?

Lynn: We love a few of them. “The Hucklebuck” is a fun arrangement that bounces around quite a bit. We have typically done it in shows. Additionally, many of Randy’s charts include sections where the vocals sound like different instruments of the orchestra. We practice these sections so we do in fact sound like the different sections of the orchestra. We also regularly perform “My Blue Heaven,” “Devil and the Deep Blue Sea,” and “My Foolish Heart, (a ballad).” These are all great Randy arrangements.

Lynn Keller (center) in the spotlight. Photo from lynnkellersmusic.com

Peter: Are there members who can speak to what it was like to work with Van Horne?

Lynn: Yes, some of us have stories about Randy and his ways. We share them regularly. 3-4 of us worked with him directly, me included. He was much like many arrangers. They continue to “tinker” with their music. He would make changes to his charts nearly every week and tell stories about his experiences. He loved to hear the recordings of his music so we often sang to them to get the feel and nuance of how they were originally performed. He told us stories about his life. For example, for a period he made his living writing jingles. Sometimes he would have 30 minutes to write a jingle and then hand it to the singers so they could learn it on the spot. It would be recorded at the same time. He spoke of how challenging it was and the pressure he felt.

Randy handed the baton to Alan Wilson a year or so before he passed. Alan is a fabulous tenor and had extensive background in choral groups. Randy had a lot of confidence in Alan’s ability to carry his legacy forward.

The New Randy Van Horne Singers’ holiday concert at Bolton Hall in Tujunga, CA circa 2012. Photo from the New Randy Van Horne Singers Facebook page.

Peter: Is the new group active mainly during the holiday season?

Lynn: We are active year-round. Whenever we can do a show, we try to do it more than once. It takes a lot of effort to coordinate the music, the singers, the accompaniment, the sound and other aspects of a fully-produced show. Before the pandemic we were doing 5-6 shows per year. This included 1-2 shows during the holidays. The pay-off for all of us is the joy of doing the music before a live audience. There’s nothing better!

Peter: Do you hope to record an album in the future?

Lynn: Currently, there is no plan to do an album. However, we do videotape our shows and sometimes share them on YouTube.

Peter: Do you think Van Horne would be pleased with your group?

Lynn: Yes, he would be happy that his music lives on. Over the years, he continued to re-invent the group. I believe this is a clear testament to him wanting to keep the music alive. We are also in touch with his son and his son continues to support our efforts.

One of Lynn Keller’s CDs.

Peter: What are the individual projects some of you have been/are involved in?

Lynn: We all have prior performance experience. Some of us sing with bands, some have CD’s, some sing in church choirs or other singing groups. Some of us have been background singers with famous performers. In these cases, the singers have been on the road with the popular artists like Bette Midler, Tanya Tucker, Glenn Campbell, Elvis, etc.

Peter: What music have some of you been listening to lately?

Lynn: Our members are familiar with all types of music and often refer to pop music. As a genre, many of us appreciate selections from the Great American songbook so we tend to listen to current and vintage recordings of this music. However, it’s safe to say that we pull music from all types of genres.

Peter: How was it to work on the jingle for Wind Chime Radio?

Lynn: It was challenging and it was fun. We wanted to get the idea of wind chimes in the recordings. We experimented with the accompaniment to increase the authenticity and finally chose the vibes as the accompaniment because they sounded more like chimes than the piano. It was a kick to do original music for the radio.

Peter: Any final thoughts?

Lynn: We are looking forward to rebuilding the group once the pandemic is well behind us. We just added a new member and will do more recruiting when potential members and prior members are more comfortable singing in a group.


Harry Randell Van Horne passed away at the age of 83 on September 26, 2007 in Los Angeles. He was active almost until the end, leading a big band that performed around Los Angeles.

My profound thanks to New Randy Van Horne member Lynn Keller for coordinating the responses to my questions and to her and the group’s superb work on the Wind Chime Radio jingle.


Trivia (provided by the New Randy Van Horne Singers): “A fun fact is that the original singers were each paid $50 at the time for the recording of The Flintstones theme….no other payments or royalties were provided!”


Links:

NRVH Facebook: https://www.facebook.com/rvhsingers/

Singers’ websites:

Franny McCartney https://www.frannymccartney.com/

Liane Schirmer https://www.behindthevoiceactors.com/Liane-Schirmer/

Lynn Keller https://lynnkellersmusic.com/

Sarah Taylor http://www.rivetingriffs.com/Sarah%20Taylor%20interview%20page%20one.html

Bonnie Janofsky: http://www.bonniejanofsky.com/

Wind Chime Radio: https://zeno.fm/radio/wind-chime-radio/

If you enjoyed this article, please help support my blog by becoming a Patreon supporter today for just $1 and spread the word.

Album Spotlight: Wamono Groove


Album Spotlights focus on specific (usually vintage) albums. Album Spotlight articles will pop-up randomly. There might be another Spotlight next month or six months from now. Like the Spanish Inquisition, no one expects the Album Spotlight!



My Album Spotlights typically focus on vintage albums. In this Spotlight I focus on Wamono Groove, a compilation album released in January of this year, technically making it a new release. However, its contents are anything but. Like amber containing flesh from prehistoric creatures, the rare recordings Wamono Groove preserves in its polyvinyl chloride are significant. To be more specific, it’s a collection of funky jazz from 1976 with the primary instruments being Japanese. I admit it sounds odd, but would you expect anything less from me?


Wamono Groove, 180G Records Catalog Number 180GWALP04.


Honestly, I don’t recall how I became acquainted with this particular title, but I’m very glad I did. The music is a throwback and the Japanese influence gives it a refreshing twist. Wamono Groove features 3 giants of Japanese music: Arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa, and shakuhachi master, Kifu Mitsuhashi.


Arranger Kiyoshi Yamaya. Photo courtesy of 180g Records.




Kiyoshi Yamaya started playing baritone sax in local Japanese jazz bands in in 1953. Just a few years later he was arranging and recording Japanese big bands. He became a key figure in Japanese jazz and founded the Contemporary Sound Orchestra in the mid-70’s. With his CSO, Yamaya merged jazz funk with traditional Japanese melodies and instruments. Yamaya passed away in 2002 at age 70.

Toshiko Yonekawa and her koto. Photo courtesy of 180g Records.





Koto is the national instrument of Japan and is played by plucking the 13 strings with 3 fingers. The instrument stretches 71” long and has moveable bridges. Toshiko Yonekawa studied koto since age 3. She held her first concert at age 8 and performed on national radio at just 12 years old. According to Wamono Groove’s liner notes, “Her unique style of koto playing is widely recognized due to the extreme accuracy of the intonation and rhythm, as well as the unequaled beauty of the instrument’s sonority. After a life decorated with awards and prizes, Toshiko Yonekawa was named a Living National Treasure in 1996.” Yonekawa died in 2005 at the age of 92.


Shakuhachi master Kifu Mitsuhashi. Photo courtesy of 180g Records.



Kifu Mitsuhashi plays shakuhachi. Shakuhachi is a bamboo flute made in various lengths. It contains a small piece of ivory at the edge of the blowing end to further vary the sound. Mitsuhashi has toured the world performing classical and contemporary compositions with the BBC Symphony Orchestra and the Berliner Philharmoniker, to name a few. In 2020, Mitsuhashi was awarded the Order of the Rising Sun.

Here’s a list of the other musicians who performed on Wamono Groove’s tracks:

Kazuyoshi Okayama: drums on all tracks

Kiyoshi Sugimoto: guitar on all tracks except A1 by Mitsuo Murakami

Keisuke Egusa: piano on A3, A5, B2 and B4

Minoru Kuribayashi: piano on A4, B3 and B5

Hiromu Hisatomi: piano on A2 and B1

Naoya Matsuoka: piano on A1

Kimio Koizumi: bass on A1, A2, A3, A5, B1, B2 and B4

Kunimitsu Inaba: bass on A4, B3 and B5

Isao Kanayama: vibraphone on A1, A3, A4, A5, B2, B3, B4 and B5

Ryusei Matsuzaki: vibraphone on A2 and B1

Osamu Nakajima: percussion on A4

Hiroo Umezawa: percussion on A5

Tetsuo Fushimi and Takehisa Suzuki: trumpets on B3 and B5

Yoshitsugu Nishimura and Tadataka Nakazawa: trombones on B3 and B5

Jake Concepcion: tenor sax on B3 and B5


“I admit it sounds odd, but would you expect anything less from me?”

Track It

The opening track, Nanbu Ushioi-Uta, sounds rather mysterious, and at times, out of space, as if it had been randomly plucked from a Space: 1999 episode. My favorite track, Hohai-Bushi, features some fantastic keyboard, guitar, and flute work. It sounds exactly like a 1976 funky jazz tune should. I wish it had gone on forever. In Otemoyan and Yagi-Bushi, you can practically taste the Japanese flavor. Aizu Bandaisan is more adventurous, taking your ears for a full funky ride. Soma Nagareyamaon the other hand, sounds like a Japanese version of Stevie Wonder’s Superstition from 1972.

Considering these recordings are 46 years old and the word “mono” is part of the title, one might be concerned about the sound quality. Fear not. The tracks on Wamono Groove were originally recorded at the Nippon Columbia Studios in Japan, not some garage studio, and they’re in stereo. The songs were re-mastered in Finland from the original tapes. Moreover, the Japanese are obsessed over sound quality, so you know a lot of attention went into the recording. Rest assured, Wamono Groove will put you in the groove with nary a hint of its age.

You might think I posted this Album Spotlight at this time because Japan has been in the news lately over the assassination of former Prime Minister Shinzo Abe, but that isn’t the case. I had actually planned on posting this Spotlight on my Recommended Stations blog earlier this year when the record was released, but it took me almost 6 months to pin down 180g Co-owner and Executive Producer Gregory Gouty and get answers to my questions for this article. Gouty is based in France and has several record projects in the works so he’s a very busy guy these days. I’m grateful he was able to carve out a little time for this special Album Spotlight and it was worth the delay:


Peter: What was your involvement with “Wamono Groove” and how did the Wamono series come about?

Greg: It started with meeting DJ Yoshizawa Dynamite in a bar in Tokyo in 2018. Me and my label-mate Max were listening to his mixes on Soundcloud. He gave some mix CDs to Max, and he also told us that he was working on some Wamono compilations to be released on CD in Japan. We thought the music [was] amazing and discussed about doing some vinyl releases outside of Japan, which are Wamono Volumes 1, 2 and 3. For Wamono Groove, Max and myself did the selection ourselves.

Peter: How would you describe the music on this record for someone who isn’t familiar with the series?

Greg: I would say that Wamono is the perfect mix of western music influences with Japanese instruments and melodies. For example, on this Wamono Groove selection, some great mixture of jazz funk/rare groove music with shakuhachi and koto, which are some traditional Japanese instruments, played by great masters of their art.

Peter: What does “Wamono” mean and why is the music on this record considered rare?

Greg: Technically “Wa” is “Japan/Japanese”, and “mono” is “something”. So Wamono is music made with Japanese sense in my opinion, being instruments, melodies or feeling. A lot of these records are from the 60s-70s and were pressed in small quantities at the time, so original copies for a lot of these records are quite rare.






Peter: What does the Japanese writing on the cover translate to?

Greg: On Wamono Groove, the three vertical lines are the artists names, with their instruments (which you can find in alphabet above the Wamono Groove title).

Peter: Have you been in contact with Kifu Mitsuhashi?

Greg: Yes, Mr. Kifu Mitsuhashi (shakuhachi player) is still alive and well. He is still playing as a professional and also a music professor. We have actually contacted him to present the project and he is very happy with the result.

Peter: This is the first time this music has been available outside of Japan?

Greg: Except in some collectors’ circles maybe, yes.

Peter: You had access to the original Columbia master tapes? The re-mastering was done in Finland? The recording is in stereo, right?

Greg: Nippon Columbia [did] the transfer from [the] master tapes (they don’t lend any master tapes; they do the transfer themselves). We work on almost all of our projects with Jukka Sarappa at Timmion Cutting Lab in Helsinki, who are really good and we are very happy with the result. Their cutting skills are phenomenal. And yes, the recording is in stereo.

Peter: Do you have a favorite track on “Wamono Groove”?

Greg: The first one with the long shakuhachi intro, Nanbu Ushioi-Uta. Puts you in the album’s mood. This track is perfect and beautiful.

Peter: The Japanese take this vintage music very seriously, don’t they?

Greg: Oh yes, any music I would say! Killer collectors over there, going super deep. In any musical style. I was living in Tokyo nearby a very small store where the guy was selling only punk music from Eastern Europe on cassette format.

Peter: Is this kind of music still performed in Japan?

Greg: There is still a lot of music today that we could call Wamono, mixing various musical influences from all over the world with a Japanese touch, such as Ajate for example. 

Peter: Was this music played on radio stations in Japan in the 70’s or was it mainly intended for record buyers and live performances?

Greg: The music in the Wamono Groove compilation was more featured in some kind of “seasonal” albums about seasons, places (mountains, etc…). 

Image from 180g’s Facebook page.


Peter: Tell me a little about your company, 180g. What projects do you have in the works for this year?

Greg: We are just starting a new compilation series called “WaJazz”, exploring Japanese jazz with music selection by world-renowned expert Yusuke Ogawa.
And we also have a sub-label called 180g x Disk Union, made in collaboration with Japanese record stores Disk Union, where we release contemporary Brazilian music such as the new Leonardo Marques album to be out in September. 

Peter: With COVID supply chain issues, is it a challenge to manufacture records today?

Greg: Yes, all pressing factories are full and we have to book pressing capacities a year in advance even if we don’t know yet what we will press. We have to be very organized and work on releases well in advance.

Peter: Any final thoughts about “Wamono Groove” or the music?

Greg: Thanks to you, Peter, and all people who are interested in this music and are helping us [spread] it. This is just the tip of the iceberg and there is still a lot of great Japanese music, old and new, to be discovered!


What’s In Your Wallet?

Frankly, it isn’t cheap to get your Wamono Groove on. The record will set you back $36 from Amazon where it enjoys a 4.2 star rating. I purchased my copy direct from Bandcamp which cost me about $35 including shipping. As I’ve pointed out before, I don’t get free samples, nor do I earn a commission if you buy something I recommend, which is partly why I ask for your support through Patreon. That said, the unique Japanese jazz funk fusion of Wamono Groove is a delight for the ears and well worth the investment. It’s also pressed on 180g heavy vinyl and includes a reverse board inner jacket. I should mention there’s a less expensive digital download option, as you prefer. Hats off to the musical archeologists at 180g for uncovering this rare, lost music, carefully preserving it, and making it available to the world.

By the way, if you’re into more of a disco vibe, 180g has you covered there as well with Wamono A-Z Vol. III- Japanese Light Mellow Funk, Disco & Boogie 1978​-​1988.

My personal thanks to Greg Gouty for his time answering my questions.




Links to purchase Wamono Groove:

Bandcamp

Amazon

HHV Ltd. Gold Edition

> If you enjoyed this article, please consider supporting my RecommendedStations.com blog by becoming a Patreon supporter today for just $1.

Page 1 of 2

Powered by WordPress & Theme by Anders Norén