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Album Spotlight: Truth, Part 1

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Album: Truth

Artist: Truth

Record label: People Records: PLP-5002

Year released: 1970

Number of tracks: 12

Genre: Psychedelic Rock & Folk

The purpose of my Album Spotlights is to bring lesser-known albums to your attention, often vintage albums, with backstories you’ll find compelling and music you’ll find enjoyable.

Let me take you back to 1970. Gas cost 0.36 cents per gallon. The average cost of a home was $23,450. The hourly minimum wage was $2.10/hr. A McDonalds hamburger cost less than 20 cents. Some of the top shows on television included Hawaii Five-0, Rowan & Martin’s Laugh-In, The Partridge Family, The Flip Wilson Show, Mary Tyler Moore, and The Wonderful World of Disney. Richard Nixon lowered the voting age to 18. Four students were killed at Kent State University. The Vietnam War entered its 15th year. Apollo 13 returned safely to earth days after an oxygen tank explosion. The Beatles broke up. Star Wars was released. The first Earth Day was held in the US. Elvis died (or did he?). And Truth was released.

Reaching for the Truth: My sealed original copy of “Truth” from 1970. Photo by Peter Skiera.

Truth wasn’t a novel or a movie. It was the debut album by hippy musicians recorded under the same name. Recorded in 1969 and released in 1970, Truth’s members consisted of Micheal DeGreve on guitar and vocals, and Bob Doran and Janice Kerr on vocals (strangely, none of them were identified on the record’s jacket). DeGreve was close friends with Doran and Kerr who were married. The three were backed by select members of The Wrecking Crew, a well-respected group of Los Angeles session players who performed anonymously on hit songs by The Beach Boys, The Monkees, The Byrds, Frank Sinatra, Elvis, Sony & Cher, Simon and Garfunkel, The Mamas and the Papas, and producer Phil Spector. As if that weren’t enough, Truth was produced by three former Motown execs.

Despite all of the enormous talent behind it, the album got little traction. Doran and Kerr split up which effectively killed the group, thus making Truth a one and done release for the promising young trio.

Image from Van Morrison’s official Facebook page.

In all fairness to Truth, it had some pretty stiff competition on the record store shelves in 1970. You might recognize some of the other albums that were released that year: George Harrison’s All Things Must Pass, Simon & Garfunkel’s Bridge Over Troubled Water, Paul McCartney’s McCartney, The Doors’ Morrison Hotel, Woodstock, John Lennon’s Plastic Ono Band, Van Morrison’s Moon Dance, Jimi Hendrix’s Band of Gypsys, The Beatles’ Let It Be, The Velvet Underground’s Loaded, and Badfinger’s No Dice, just to name a few.

The fact that Truth was released on a small, unknown record label called People Records (not to be confused with James Brown’s People Records from 1971) didn’t help. The newly established label apparently did little to promote the record. People Records’ complete “catalog” included only one other album…Kim Weston’s Big Brass Four Poster, also released in 1970. It’s got some great music, but like Truth, it didn’t make any serious impact. To add insult to injury, various bios of Weston don’t even mention the album. Weston’s husband, William “Mickey” Stevenson, was People Records’ founder and producer. It’s nice to have friends in high places. That aside, People Records disappeared about as quickly and quietly as its only two album titles.

After being out of print for 54 years, Truth was reissued for the first-time last month by Sundazed Records. With song titles like “Far Out”, “Let It Out, Let It In”, “Contributin’”, and a wild song about Lizzie Bordon simply called “Lizzie”, you know you’re listening to something from a different era. Sundazed describes the music on Truth as “sitar head-swirlers, sunny, melodic harmonies and a country folk influence…” I would call it a great trip without the drugs.

Truth be told, Truth was actually issued on CD for the first time back in 2012 by Relics Records, though it was an “unofficial” release. That’s code for saying it was a bootleg. I don’t own a copy of it but I’ve read reviews complaining about the sound quality. So much for Relic’s motto, “Cuts for Connoisseurs”.

Like his personality, DeGreve has a gentle voice, reminiscent of John Denver’s. But paired with Doran and Kerr, the trio sound more than a little like The Mamas and the Papas with some extra spunk. They may have been hippies, but they could harmonize like crazy.

“I would call it a great trip without the drugs.”

Michael DeGreve and his girlfriend, Kris, circa 2021. Photo from DeGreve’s Facebook page.

I tracked down Truth’s vocalist and lead guitarist, Michael DeGreve, and in a lengthy phone interview, I asked him to reflect on this gem of a 1970 musical time capsule along with some of his other memories.

Peter: Were you the guy who was holding on to the Truth tapes?

Michael: “Mickey Stevenson [Truth’s producer] had them and I don’t think they exist. Mickey Stevenson was the head of A&R at Motown. He put The Funk Brothers together at Motown, he wrote songs like ‘Dancin’ in the Streets’, produced Martha and the Vandellas. I mean, I was 19 years old and I knew who Mickey was…I think [the tapes] are gone. I connected with Mickey but he was so crazy busy. He just gave me a thumb’s-up, go for it, I don’t have them. God bless him. But Jay Millar [the GM] at Sundazed [Records] took a virgin copy of the album and did all that work. It’s never sounded any better. It had never been [officially] on CD before. I had a couple of extra pictures that are on the inside cover of the CD.”

Image from Mickey Stevenson’s official Facebook page.

Peter: Where did the name “Truth” come from?

Michael: “I think it came from Mickey…my best memory. I wasn’t really supposed to be a part of this, though.”

Peter: You kind of came into Truth by accident. Bob Doran, one of the vocalists, asked you to come along and play guitar for the audition and Mickey insisted you be a part of the group.

Michael: “Exactly right. Exactly right. Bob and Janice, my neighbors (laughs), it’s so funny, I had only been playing guitar a couple of years. I was really a basketball player. I had scholarships everywhere…I worked at the LA Times. So anyway, they said, ‘We’ve got this interview with Mickey Stevenson.’ I said ‘really?’ They said, ‘Would you play for us?’ I went, ‘Yeah!’ So, I went over to Mickey’s office and blah, blah, blah, and he said, ‘Well, you’re a part of this, right?’ I said, ‘Mickey, no, man, I’m waiting for my friend. We’re going to do more of a rock ‘n’ roll thing.’ He said, ‘We’re going to use some of The Wrecking Crew, but will you put you band together and do all your guitar parts?’ I said, ‘Yeah, of course.’ We got to the end of the first vocals and I could see him talking through the glass. Janice had said, ‘Hey, Michael’s got a part on this.’ “I was living with [Bob and Janice]. We had been, you know, 3 hippies up in the hills rehearsing all those harmonies. Mickey said, ‘Well, get out there and do it.’ Which is what you did at Motown. So, I did it. I could see him talking through the glass and Mickey said, ‘Get in here’, and I got this 10-minute thing- ‘you gotta be a part of this and whatever you do next is whatever you do next, but please be a part of this.’ You know, this is Mickey Stevenson for God’s sake. I said, ‘Of course, alright, I’ll definitely do it.’ Peter, I’m 19 years old and Tina Turner played with my hair in the studio one night. I met everybody at Motown through Mickey. I wish I would’ve been old enough musically to walk through some of the doors Mickey was trying to open, but it was an amazing influence in my life.”

Image from The Funk Brothers’ official Facebook page.

Peter: John Latini played bass on Truth, but besides him, the three of you, and some unspecified members of The Wrecking Crew, I don’t believe the record identifies anybody else. Do recall any other names?

Michael:Oh, yeah, yeah, yeah. My best friend, ‘The Bear’,David [Smith], plays acoustic guitar on [‘Being Farmed’]. I think Jimmy Curtis, my drummer that was in The Lid, my first band, was on it, and of course, I played a lot of the guitars.

“And then the other half of the album was…I was too young to even appreciate it. Trust me when I tell you, I did not know who The Wrecking Crew was. I mean, I should’ve. I just knew Mickey brought all these guys in. One time, one of the guys, I don’t know if he was actually a member of The Wrecking Crew, Jerry Sheff, a bass player, did one of the tracks. Now, I know all their names and got introduced to a bunch of them. There’s a song of mine called ‘Thoughts’…Ben Benay, he plays that sitar part on my song ‘Thoughts’. So, it’s really a mixture, you know. Mickey, he put The Funk Brothers together, the band that did all the Motown hits, Mickey put that band together. He and Clarence Paul and those guys would run the sessions and I put the sessions together that we did. It’s an amalgamation…I haven’t listened to it in years…But I’m just so thankful [the reissue] happened…

“I just sent a long Facebook thing to Gabe and Andy, Bob and Janice’s two boys who were born right at that time…but when all this [publicity] first happened, I left out a lot of that, so I did a kind of Mea Culpa, and said, ‘You know, I didn’t mention Bob and Janice and told some of our story about we lived together, all that stuff. It was great.’”

Peter: You mentioned all of the incredible talent behind Truth including yourself and Mickey. So, you must have been surprised when the album got out there and sort of disappeared?

Michael: “I was. I was. Especially because it was Mickey. I don’t know if it was that just people didn’t exactly know what to make of it or what. Mickey and I were really close in the studio. We did some social things. He opened the door, like me meeting some of the people that were my legends…Stevie Wonder, I mean, God, I didn’t know him, I just got to meet him. It was a label [Mickey] just put together. Other than Kim Weston, his lady, we were the only other thing on it. So, I never really understood what the business thing was. I know people have gotten a hold of me over the years in places in Europe and things saying they had it and they loved it. I think it was called in those days, Peter, rack jobbing, or something. Whatever they didn’t sell they went out, you know, you’d see [records] in grocery stores in those days or whatever. Somehow, he did that. Yeah, I think I was a little disappointed about that time.” 

Peter: Since Truth wasn’t exactly a huge hit, did you ever see any royalty checks?

Michael: “Never received any royalties! Bummer!”

Peter: Is there any standout memory you have from Truth’s recording sessions?

Michael: “Lots of them. I guess the first one, of course, the one I told you about, Mickey actually wanting me to do it. Right when we were doing it, I had a fire. I was living up on Sunset and there was a fire in the middle of the early morning. The firemen broke down the door and got me out of there alive. I had nothing in the world except one pair of pants that were too short…my guitars were burned, and Mickey took me shopping to get a beautifully built 12-string.

“My memories are, we used to record in the evenings. That’s how that Tina Turner story happened. One night we got there and Mickey said, ‘Michael, I’m so sorry, can we do this tomorrow night? I promised Ike and Tina [Turner] could do vocals.’ And I [said], ‘Yeah, can we stay?’ (laughs)

“My memories are of my very first lead guitar solo ever, is the last thing on the album. Ah, pretty primitive. I go, ‘Oh, man, I hope my real lead guitar player, Bob, doesn’t hear this’ (laughs).

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“What it was for me, it was being around, if my memory serves, I know he was in the studio with us, Johnny Nash, the guy that wrote ‘I Can See Clearly Now’ and having a real cool conversation with Johnny about, he was also a vegetarian, which I’d just recently become in ’68, and I think he sang back-up a little bit.

“Everybody came in and did stuff. Mickey’s on ‘Anybody Here Know How to Pray’ and a couple of other things. What was fun for me and what I remember about the most was the collaborative experience of all of us when we rehearsed, and did the album, and wrote all the harmony parts, and being in the studio in that environment with Mickey Stevenson and Jim Saunders and the great engineers. It was just an amazing experience. Lots of memories doing the sessions. I can look back and remember looking through the glass and being in the room and watching the guys from The Wrecking Crew go, see my friend John Latini. I still keep in touch with John, not in a few years, but I used to. He’s on that Bob Smith Visit album along with Jimmy Curtis, my drummer for years who I’m still in touch with…”

Peter: So, do you have a favorite track from Truth?

Michael: “Yeah, I have two. It’s the one Mickey loved the most. It’s the first one on the album. One of my very first records, a little bit of my Justin Hayward/Moody Blues influence, called ‘Have you Forgotten’. I also love the song ‘Let It Out, Let It In’. I thought that was just really well done. The harmonies are beautiful. But you know, I’m liking it more now, Peter.

“I quit listening to it. Life just got busy. Susan and I met and that part of my life started. Then I went out and did a two-year gig in Milwaukee, then went back. My agent called me and said, “What do you think about Cheyanne?” And I said, “I don’t. Where is it?” I went out there for two weeks and stayed 6 nights a week, 11 shows per week, on a handshake, for 30 years.”

Peter: Well, I love “Far Out” because I think it’s so emblematic of the time, but I also love the harmonies.

Michael: “You know, that’s what was fun about it, the three of us sitting around with a glass of wine and a joint, working out those three-part harmonies. That’s one of Bob’s songs, and of course, it was the hippie expression, ‘Hey, man, far out!’ (laughs). Bob wrote it. Cool! (laughs) I love that you love that one. I’m going to send Bob some spiritual vibes wherever he is in the cosmos. It would just make him smile so much.”

Peter: And what was the deal with “Lizzie”? A song about Lizzie Bordon!

Michael: “When you find that out, tell me” (Peter laughs).

Peter: You all kind of crack up or go a bit bonkers towards the end of that song, so it sounded like you had some fun doing it anyway.

Michael: “I think so.”

The naked Truth?

Peter: Maybe you don’t remember, but that great black and white picture on the back cover of Truth- were the three of you topless or naked?

Michael: “I think we were topless, but…I know we were topless, even Janice, but I don’t know if we….I don’t know. I think we had pants on.”

Peter: It’s my perverse curiosity. I can’t help it.

Michael: “No, no, I don’t mind visiting any of these things. If I knew the answer for sure I’d say, yeah, we were. Nudity was not much of a thing back then, brother. I thought it was a beautiful picture.”

Peter: It was! You look very Christ-like.

Michael:“Well, thank you. I wish (laughs), it’s an aspiration (laughs). Not sure I’ve lived up to that, especially when I was into rock ‘n’ roll and all of that. Trust me. But I never did anything past a brief psychedelic era, and then I smoked pot daily for 20 years. I’ve been battling cancer the last two years so I don’t even do that anymore. I don’t even drink.”    

Peter: One thing I wanted to ask about is there’s not a lot out there as far as photos of Truth or the sessions.

Michael: “There isn’t. There isn’t. No. That’s it. Jay [from Sundazed Records] wanted more too, but I gave him the two [pictures] that are on the CD. But that’s it. I have no other pictures of Truth…we just didn’t; it wasn’t a big thing, or, I don’t know. I thought, ‘Why isn’t anybody taking pictures’, you know?

“That’s kind of the same thing about Gypsy’s Lament [DeGreve’s solo album]. Why do I not have pictures of the first session when I walked in. I had Leeland Sklar [bass] on one side of me, David Lindley [guitar, violin] on the other, and I looked around and went, ’Oh God, please freeze frame this. I just want to do this.’ And the whole thing with [Graham] Nash and I. There’s no pictures of all that stuff…I wish there was. With all my heart I wish there was.”

Peter: I know the other two vocalists on Truth, Bob and Janice, were married. They divorced shortly after Truth came out and that pretty much ended the group?

Michael: “Yeah, that was certainly a part of it.”

Peter: Did Bob or Janice go on to do anything else musically or was that pretty much it for them?

Michael: “Ah, that was pretty much it for them. Janice sang a little bit of vocals in a cover band. I was already on the road by then…but [Janice] sang with Bob’s cover band right after The Lid broke up…he had a band like we all [did] trying to make a living playing. She sang and she had two kids and Bob had gone back to Florida, what little I know. I really don’t know much after that. We had a really good mutual friend that I’m in touch with and he said Bob was living with one of the soap opera stars on one of them deals, and Janice raised her kids and moved to New Jersey…”

To Be Continued

That concludes Part 1. Come back here next month for Part 2 of my interview with Michael DeGreve and find out what it was like to be a hippie, the big names in music who performed on his solo album, and what DeGreve is cooking up these days.

Trivia: On June 21, 1967, 75,000-100,000 hippies converged on San Francisco’s Haight-Ashbury district to celebrate peace, love, and freedom. It became known as the summer of love.

Trivia (from “During the 60s and 70s, Los Angeles producers needed reliable standby musicians who could be counted on to contribute to records in a variety of styles and deliver hits on short order. The Wrecking Crew were musically versatile performers who were usually brilliant at sight-reading. Their contributions feature in pop songs, television music, theme songs, film scores, and advert music. The reason The Wrecking Crew’s contributions to so many hit recordings went unnoticed at the time was that record labels wanted to keep it that way, maintaining the illusion that famous bands, such as The Monkees, always played their own instrumental parts.”

Trivia (from, Nov. 2004): A man who placed a lava lamp on a hot stove top was killed when it exploded and sent a shard of glass into his heart, police said. Philip Quinn, 24, was found dead in his trailer home Sunday night by his parents. ‘Why on earth he was heating a lava lamp on the stove, we don’t know,’ Kent Police spokesman Paul Petersen said Monday. After the lamp exploded, Quinn apparently stumbled into his bedroom, where he died Sunday afternoon, authorities said. Police found no evidence of drug or alcohol use.”


Michael DeGreve


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An Unusual Name & An Unusual Hobby

We Americans love our hobbies. A survey conducted by released this year revealed the surprising finding that amongst 18-64 year olds, the most popular hobby was baking. This was followed by reading, pets, and video games (respondents could pick more than 1 hobby). “Radio”, “audio”, and “music” weren’t categories, though “making music” was.

Also not an option was collecting radio station bumper stickers, yet that’s exactly what Phil Bytheway does. By the way, that’s his real legal last name. It’s British and it’s pronounced just as you think. Since I try to focus on radio and vintage music related topics, I thought this subject, which combines both radio and something vintage, would be perfect for this month’s blog article.

Bumper stickers are indeed vintage. You don’t see them as often as you used to, perhaps because newer cars don’t have bumpers, or at least not like how bumpers used to be. According to, “the bumper sticker as we know it today can be traced back to a screen printer in Kansas City, Mo., named Forrest P. Gill. In the 1940s, he had a surplus of two wartime technologies: adhesive-backed paper and fluorescent paint. He combined the two, and the bumper sticker was born. His new creation significantly improved handmade signs that were easily worn down or fell off cars…Radio Stations began using bumper stickers in the 1950s and 1960s to promote their stations to listeners, often with a contest.”

Bytheway, a retired electrical engineer, has been collecting radio station bumper stickers for nearly 35 years. I emailed him at his home in Washington state to learn more about his hobby, which is as unusual as his last name.

Some bumper stickers recently listed on eBay.

Peter: When did you start collecting radio station bumper stickers? I imagine it’s not a very expensive hobby compared to others.

Phil: “I have been seriously collecting since 1991 when I purchased a collection from a long-time collector. He had some 20 boxes of radio promo items… mostly paper (which has since been recycled).

Check out the prices for stickers on eBay… they can be pretty expensive… but I don’t bid on singles… usually collections, so I increase my collection and my traders.”

Peter: What was the genesis behind this unusual hobby?

Phil: “When I was in Jr High (1968), I got interested in tuning my AM radio for distant stations. I started collecting verifications of the stations I heard, which required me to tabulate program details for around 15 minutes and sent a letter asking for confirmations. Some of the stations would include a sticker with the verification… and I started collecting them. Eventually, I started writing stations asking for stickers. Once the internet became available, I started searching for websites and emailing the stations. Much quicker, and occasionally I send an SASE.”

Peter: How many stickers are in your collection?

Phil: “I have around 50,000 US and Canadian stickers…an unknown number of foreign ones and around 100,000 extras for trade…”

Peter: What’s the most unusual item you have?

Phil: “I have a stuffed Tookie Tookie bird (from George of the Jungle fame) from a station on the east coast.”

Peter: What’s your favorite sticker in your collection?

Phil: “Tough question. Many stickers from Hawaii are the most colorful ones. Favorites I guess would be stickers from stations I’ve heard on the AM band… there are many. Kinda nice to have a visible representation of the stations I’ve heard. Note, not every station will verify reception, nor is it always possible to get enough program information to ask for one!”

Peter: What’s the most distant radio station you have a bumper sticker from?

Phil: “Many from Australia/New Zealand. Also, quite a few from Europe/Asia. I don’t do distance, so not really sure the farthest. Maybe I should add a column [in my spreadsheet] for distance?”

Bytheway with his bumper crop of bumper stickers. The sticker he’s holding is for full service AM station WAIK 1590 out of Galesburg, Ill which went dark in 2019. Photo courtesy of Phil Bytheway.

Peter: What’s the oldest sticker in your collection?

Phil: “I presume many of the stickers are from the 60s or 70s… although not many. Same is true for the air checks… although there are a few from the late 50s.”

Peter: Is there a station you really wanted a bumper sticker from that didn’t cooperate?

Phil: “Can’t think of any. Most stations today do not do stickers… the popularity amongst the “normal” folks has dropped off dramatically. I really don’t see many on cars anymore… and the ones I DO see tend to be older. I think there is a different focus for stickers now. There are many that are smaller than what would work on a car, so I think they are intended for laptops or cell phones… not sure though.”

Peter: What’s your success rate when you ask for items from radio stations?

Phil: “I do exclusively email now… and get around 5-10% response… of those, around 10% say they are going to send something, but don’t (very frustrating). I really wish they would be honest with me. I do keep track of stations that say they are going to send something, and when I get the items in the mail, I always send a thank you. And, I have sent a follow up request from time to time… but the response to those is really small!”

Peter: What do your friends and relatives think of your hobby?

Phil: “[They think] it’s weird… and I have no one in the family to pass my collection on to!! Then again, a lot of folks collect sports cards… and I think that is odd (our son collects them). Sports cards are worth something though… and stickers don’t tend to be worth much, even though folks on eBay tend to think they are worth a lot.”

Peter: You have a little radio experience, right?

Phil: “I did the news at UW’s KCMU (now KEXP) when I was in college during the summer once. That’s my only on-the-air experience although folks seem to think I have a “radio voice”. I volunteered at KING-FM, but only did clerical work. I was hoping to go into radio as my second career, but health issues prevent me from holding down a full-time job now…. I’m not much of an ad lib person, except for an occasional joke… so being a DJ would not work too well.”

Image from Classical King’s Instagram page.

Peter: What are some of your favorite radio stations?

Phil: “I enjoy classical music… and listen to [Seattle’s] KING-FM a lot… also other classical music stations on the internet. No real favorites though… I enjoy the variety radio has. I guess I enjoy listening to older top 40 stations… so I’m starting to collect air checks.” 

Peter: You also have some vintage air check tapes (recordings of DJ patter). Do you have any plans to post them on the net for people to hear?

Phil: “I recently acquired a large collection of reel-to-reel and cassette tapes, CDs and DVDs from a former collector in California who passed away. I am in the process of inventorying them, so I can offer them for trade. Posting on the internet might also be possible if I can figure out how to do it. There are 24 boxes, so it’s going to take a while. So far, I’ve inventoried the CDs and DVDs… but there are a lot of cassettes and reel-to-reel tapes to go. Will also need to figure out how to “convert” them to .mp3 before posting… that’s going to take a while. And I thought I could take it easy when I retired!!!”

Peter: Bytheway…that’s your legal last name. You must take a lot of ribbing.

Phil: “Yes. We’re from the UK, where someone lived on the road… and thus they were ‘by-the-way’. Mostly, folks don’t believe it… and I’ve had to get out my driver’s license a few times! I learned to not get upset when folks kidded me… a bit of armor reinforcement.”

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Peter: What’s your professional background?

Phil: “I was an Electrical Engineer for 36 years, working for Honeywell, Alliant Techsystems, Hughes, Raytheon and Technologic (a consulting firm). I designed circuit boards and eventually ASICs (Application Specific Integrated Circuits) which were used on the boards I designed. I participated in the design and check out of a series of testers that use software and cables to test various modules. My last job was debugging and repairing circuit boards returned for repair. I did quite a bit of traveling around the US to integrate and debug many of my designs… a few times being sent last minute to help fix a problem.”

Photo from the Washington Athletic’s facebook page.

Peter: Any final thoughts, Phil?

Phil: “I did design the “W” for UW [University of Washington] football helmet while I was a student manager for the UW football team (5 years in college). Guess that fueled my interest in stickers!! Given that I designed a large number of electronics… the “W” is really the only thing that has lasted… electronics are usually obsolete soon after they are on the market!! I am clearly a football nut… having played co-ed flag football for a number of years with the Underdog Sports group. Had to stop doing that when my medical issues prevented it!!”

One of Bytheway’s newsletters.

In addition to growing his bumper sticker collection, Bytheway is also involved with a couple of extensive monthly newsletters that take deep dives into radio stations and tuning distant AM stations.

Image from the JB105 facebook page.

I worked in commercial radio for almost 7 years. I was even a Promotions Director at one point at a classic rock station in New Hampshire. Yet I never amassed a collection of station stickers, T-shirts, or coffee mugs. I worked with a guy at one station who had an extra JB105 bumper sticker. JB105 was a very popular hit music station in Rhode Island when I was a kid. He promised to give me his extra sticker, but he never did. I definitely would’ve put that on my car.

Although I spot plenty of political stickers (which, unfortunately, are mostly offensive), rarely do I see radio station bumper stickers on cars. As Bytheway pointed out, fewer and fewer radio stations offer bumper stickers even though they’d likely receive a lot more exposure than other promotional items and are cheaper than T-shirts. With the cost of new cars today, I think people are more reluctant to permanently stick things on their cars. In any event, it’s nice to know there are still people in the world who appreciate radio station bumper stickers. Keep sticking it to them, Phil.

Trivia (from ”In 1991, a Georgia resident was charged with violating a state law prohibiting automobile owners from attaching “any sticker, decal, emblem, or other device containing profane or lewd words.” In Cunningham v. the State, the owner successfully argued this law was unconstitutional. The court agreed with him, ruling that the law violated the 1st and 14th Amendments. As such, the bumper sticker was now protected by freedom of speech.”

Trivia: January is National Hobby Month.

Trivia: According to a June 2023 Gallup poll, 66% of adults aged 18-34 said their hobbies and recreational activities were “extremely or very important”. That dipped to 61% among 35-54 year olds, and 59% for the 55 and over crowd.

Trivia: This website honors a different radio station bumper sticker every day.

If you like discovering new Internet radio stations, or would like to help support articles like this on my website blog, please consider becoming a Patreon member today for as little as $1.

Do you have unusual music-related hobby or would like to suggest a subject for an article? Let me know about it:

Albums That Weren’t Albums

Bang The Drum All Day. Photo by Peter Skiera.

Photo by Peter Skiera.

They looked like albums. They were the same size as albums. They were sold in record stores. Yet these series of “records” weren’t records at all. They were essentially a series of large greeting cards made to look like records. Instead of containing a vinyl record you could play, each contained a thin, 12” cardboard “record” with the printed message: “I bought this Album for you as a gift… sorry, I couldn’t afford the record!’ (a blank “From” area at the bottom was provided to write a personal message to the recipient).

Photo by Peter Skiera.

Long playing vinyl record sales were really taking off in the 1960s. A company by the name of Kanrom saw an opportunity to cash in by selling gag “records” as unique gifts for Birthdays, Wedding Anniversaries, etc., or just to give to a friend (or a former friend) for a laugh. The company promoted them as “Wild, Whacky, Bawdy…and Screamingly Fun!…A Truly Wild Group Of Conversation Pieces.”

A record company that wasn’t a record company. Photo by Peter Skiera.

There was a total of 12 “records” in the series, released under the name High In-Fidelity Records. As the “label” implied, most of the titles had a sexual theme and featured naked or partially naked women on the covers (I used puzzle pieces in my pics to obscure the nudity). The Rated-PG artwork (remember, this was the 1960s) definitely took some attention away from the real records. They didn’t chart like real records did, so how much of that attention turned into actual sales isn’t known.

Each “record” cost $1.25. That seems impossibly cheap, but adjusting for inflation, that would be almost $13 today. That’s not that far away from the cost of an actual record.

Swing Out Sister. Photo by Peter Skiera.

The back of each “album cover” listed “suggested [song] titles suitable for enclosure” that played off of the album’s title and artwork. For example, Songs For Swinging Mothers, the cover of which featured four very pregnant women on a swing set, included suggested songs like Get Me To The Church On Time, Things We Did Last Summer, Careless Love, and Don’t Blame Me.

The cover says it all. Photo by Peter Skiera.

Some of the other titles in the series included Victory At Sea (featuring four couples on the deck of a boat), Music For Casual Affairs (picturing a pair of male and female bare feet at the end of a bed), Great Piano Pieces (depicting four naked ladies strewn across pianos), Music For You (the cover of which showed a horse’s rear end), and a similarly-themed Music For Half-assed Friends (featuring ½ of a toilet on the cover). The “suggested” songs for that latter title included Just In Time, Doing What Comes Naturally, At Last, I Gotta Go Now, You Go To My Head, and Just A-Sittin’ And A-Rockin’.

Politicians are the same all over. Photo by Peter Skiera.

Perhaps the most controversial “album” of the High In-Fidelity series was Communist Party Music, complete with a Nikita Khrushchev look-a-like along with several topless ladies. A few of the “suggested” songs for this release included Cuban Love Song, How The West Was Won, West Of The Wall, Who’s Afraid Of The Big Bad Wolf, and He’s A Devil In His Own Home Town.

It’s fun to look back on these risqué fake records from 60+ years ago. Even with the resurgence of vinyl, with our politically correct environment, I’m not sure you could get away with something like this today. That said, I can definitely imagine some amusing album covers poking fun at various news headlines…

My thanks to musiceureka for some of the information featured in this article, and my thanks to my Patreon members for helping to make this blog possible.

Radio Rewind: Lime Kiln

Lime Kiln Lighthouse. Photo courtesy of SMRU Consulting.


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Radio Rewind is a random “pop-up” series that looks back at a Hitchhiker Station (a strange radio station) from the past. As last month’s post was 2 years since my last “Rewind”, I’m making up for it by posting another.

The historic lighthouse in Lime Kiln Point State Park on the west side of San Juan Island in Washington State is an impressive sight. But the 200,000 people who visit every year mainly go to see killer whales, gray whales, sea lions, and porpoises swimming along the shoreline. The Park claims to be “one of the best whale-watching spots on earth.” So much so, it’s nicknamed “Whale Watch Park”.

One reason why it’s such an ideal location for whale watching is because the ocean floor drops to 960 feet just a mere 25 feet off shore. This gives the whales plenty of room, yet at the same time, puts them very close to the shore resulting in ideal whale watching. The area is also rich in cod and salmon which the whales feed on.

Besides being a killer whale research hub, the site also includes a hydrophone node (an underwater microphone). The sounds from the microphone are streamed live, 24/7, over the Lime Kiln Hydrophone Internet station. Yes, this is an Internet radio station that plays nothing but sounds from an underwater microphone. No hits, none of the time.

Submerged in twenty-three feet of water southwest of the Lime Kiln Lighthouse, the hydrophone was installed 8 years ago and is maintained by The Whale Museum and SMRU (Sea Mammal Research Unit). Tune in and at any given time you’ll hear what sounds like either water running furiously in a bathtub or white noise (it’s very low 32 kbps streaming bit rate doesn’t help). However, the sub-aquatic stereo microphone has, on occasion, picked up whale calls and sounds of Orcas crunching fish bones. Yum.

“Yes, this is an Internet radio station that plays nothing but sounds from an underwater microphone.”

Lime Kiln was recently “off the air” for a week due to Internet equipment failures, but they fixed the problems and it’s back on. Those of you who need your underwater fix can rejoice again.

If you want to get closer to nature, or you would like to be under the sea in an octopus’s garden in the shade, tune Lime Kiln Hydrophone…a Hitchhiker Station that’s underwater.

Trivia (from One of the first known lighthouses was also the greatest and most famous of all lighthouses. It was built in 285 BC at Alexandria, Egypt, on an island at the entrance to the city’s harbor. This lighthouse, called the Pharos of Alexandria, was one of the Seven Wonders of the World. It was over 440 ft tall and stood for 1500 years, until it was destroyed by an earthquake.”

Radio Rewind: Weather Warlock


Stream URL:

Radio Rewind is a random “pop-up” series that looks back at a Hitchhiker Station (a strange radio station) from the past. It’s been 2 years since my last Radio Rewind, so I’m long overdue for another edition, and this one’s a doozy.

One beautiful section of Wave Farm. Photo from Wave Farm’s Instagram page.

In September of 2021, I wrote about a bizarre Internet radio station with an equally bizarre name: Weather Warlock Quintronics. The Weather Warlock device is connected to outdoor sensors located at a place called Wave Farm in New York’s Upper Hudson Valley. The sensors measure wind, precipitation, temperature, and sunlight. Makes sense. So, what’s the Weather Warlock and why is it bizarre?

The sensors and the Weather Warlock. Photo from

The Weather Warlock is a custom-built analog synthesizer…a musical instrument of sorts, that’s “played” by the weather. It doesn’t display readings from the sensors like a traditional weather base station. Instead, it converts the weather data it receives from the sensors into electronic sounds and streams them live over Wave Farm’s Internet station. It’s a musical instrument and Mother Nature is the musician.

Weather = sound. Image from

The more complicated Mother Nature gets, the more complex the sounds. The Weather Warlock is most active at sunrise and sunset, though a lightning storm or a very bright moon would also trigger dramatic sounds. Tune this Internet station and you’ll essentially hear the weather. “Quintron” (Robert Rolston), the inventor of the Weather Warlock, would love to have Weather Warlocks installed all over the world “so that listeners may experience musical interpretations of a variety of different climates and time zones – from Iceland to the Amazon.” In addition to the Weather Warlock at Wave Farm in New York, there’s a second Weather Warlock located in New Orleans where Quintron makes his home.

Constantly Vibrating

Why craft music from weather? As Quintron explains on, “the resulting music was designed for self-hypnosis and healing. I wanted something with movement and changes, but completely devoid of human organization – like a fire, or a lake reflecting moonlight. Constantly vibrating with change but also very still.” Okay.

Image from

Try and Catch the Wind

I’ve mentioned Wave Farm several times so an explanation is in order. Wave Farm is based in Acra, New York, and was founded in 1997 as a non-profit organization dedicated to experimentation with airwaves and broadcast media. You’ve probably never heard of it before, yet it’s been around for almost 30 years. According to their website, Wave Farm is “an international transmission arts organization driven by experimentation with the electromagnetic spectrum. We cultivate creative practices in radio and support artists and nonprofits in their cultural endeavors.” Their slogan is “Radio for Open Ears”. They feel strongly that airwaves should be used for creative and experimentation purposes and accessible to the public.

Made Possible by Andy Warhol

As I mentioned, the Weather Warlock was invented by Quintron in 2014 and was made possible in part by support from the Andy Warhol Foundation for the Visual Arts, the New York State Council on the Arts, and the National Endowment for the Arts. Exactly who or what is Quintron? I was afraid you’d ask that. Grab my hand and let’s jump down another rabbit hole.

Quintron’s cute little “Bath Buddy”. Image from

The Spit Machine

Quintron is a New Orleans-based, one-man band, organ player, music club proprietor, and inventor with several patents to his name. If you think the Weather Warlock is odd, hold on to your umbrella. Building on the theme, Quintron created “Traffic Saxx”. The device transforms the “noise of tire traffic on NY 23 into a signal that can be mutated and manipulated by DJs” on Wave Farm’s radio station.

Another of his inventions is the “Drum Buddy”, a light-activated drum machine that uses a rotating empty tin can with a light inside it. According to Wikipedia, “as the can rotates, its holes pass the Drum Buddy’s photoelectric cells, firing drum-like tones and theremin or Moog synthesizer-like chirps or buzzes.”

“Bath Buddy”, yet another Quintron invention, is described as a “water conservation device” which sold for $65 and came in 3 exciting colors. It had a long, wired sensor that activated an alarm when your bath tub reached the desired level to prevent accidental overflowing.

My favorite invention, however, is Quintron’s “Spit Machine” which uses human saliva as a tuning conductor. Pause for laughter. Quintron described its operation on Wikipedia: “You had to spit on a stick, like a paint stir stick, and you had two metal leads that you would touch to either end of the line of spit and then you would move the leads closer together – higher pitch – and farther apart – lower pitch.” I couldn’t make this stuff up if I tried.

Quintron (left) and Miss Pussycat. Photo from

Sleazy Nightclubs

Quintron’s wife, Panacea Pussycat (aka “Miss Pussycat”), is also an inventor. According to their website, she created “an inflatable puppet theater which fits into her purse.” Besides her “technicolor puppet shows”, Miss Pussycat also sings backup vocals and plays the maracas in her husband’s band. They describe their music as “barely controlled electronic chaos, ‘Swamp-Tech’ dance beats, small explosions, incredible clothes, and entertaining puppet stories.” Jane, stop this crazy thing. Quintron has recorded more than 20 albums and performs live using a Weather Warlock and/or several Drum Buddies as musical instruments. The band has performed in clubs all over the world, but according to their agent’s website, is equally at home in “sleazy nightclubs, pizza restaurants, and university lecture halls.” They’re available for private bookings should you feel so inclined.

I know all of this was a lot for you to digest…weather music, spit machines, light activated drum sounds, bath tub alarms, inflatable puppet shows, sleazy nightclubs, etc., but that’s what my Hitchhiker Stations are all about, and you won’t hear about them anywhere else. I love shining a Drum Buddy light on strange stations you never knew existed. Discover more fun and interesting Internet radio stations on my Patreon site and help support my website blog at the same time. Thanks to my 300+ Patreon members for making this blog possible, and thanks to Quintron and Miss Pussycat for keeping Internet radio interesting.

Trivia (from Wikipedia): “Quintron utilizes a custom-made Hammond organ/Fender Rhodes synthesizer combo which he has had outfitted to resemble the body of a car, complete with working headlights and a Louisiana license plate which reads ‘Quintron’.”

Have A Strange Valentine’s Day

Photo licensed from

For the last several Decembers, I’ve brought you strange holiday records as part of my “Have A Strange Christmas” series. I thought I’d use Valentine’s Day as an excuse to take a similar look at some unusual vintage romantic records.

Photo from Sundazed Records.
  1. Love Is A Drag (Lace Records: MLA200; Mono; 1962)

I love strange vintage albums, and I love them even more if they’re wrapped in mystery. This album, self-described as “for adult listeners only”, is of a male crooner singing love songs to another man. Yes, you read correctly. Perhaps it wouldn’t be quite so scandalous if it just came out (so to speak), but Love Is A Drag was released more than sixty years ago!

Love Is A Drag wasn’t a comedy or novelty album. Top session musicians were brought in and a professional singer was recruited. The songs, including The Man I Love, Can’t Help Lovin’ Dat Man, Bewitched, and He’s Funny That Way, were sung with sincerity, not in a campy style. This was a serious jazz record.

The mystery I illuded to is that the male singer remained anonymous for decades, for good reason since it was recorded in 1962 when this kind of content wasn’t generally accepted. The album only stated that the singer was “a most unusual vocalist”. Neither of the men pictured on the cover was the singer. I guess it was the 1960s version of The Masked Singer. The album’s liner notes said of the singer, “…he has broken the barrier which has confronted so many other great singers who, for lack of courage, have not attempted.”

Regarding the album’s title, which was printed in pink letters, the liner notes clarify that the word “Drag” in Love Is A Drag, meant a bore or a headache and was not a reference to a drag queen. Based on the cover photo, I would’ve thought it had to do with taking a drag on a cigarette.

Thanks to an LGBT music historian, J.D. Doyle, the mysterious singer was revealed 50 years later as none other than big band vocalist Gene Howard. Howard was part of Gene Krupa and later, Stan Kenton’s bands and sang with Anita O’Day and June Christie. He was 42 when he recorded Love Is A Drag, was married with two children, and was very much heterosexual. Just sayin’.

Besides being a talented singer, Howard was also a professional photographer and co-founded a studio with his friend, Murray Garrett. I mention this because the back of the album includes a very small credit, “Garrett/Howard, Inc.”, for the artwork. Yes, the undisclosed singer had his last name on the back of the jacket and was at least partly responsible for the photograph on the front.

Edison International Records was behind Love Is A Drag, but the label didn’t want to be associated with a “gay record”, so Lace Records was invented just for this release. By the way, I wouldn’t recommend trying to hunt down the original Lace LP. It will set you back $70 and higher.

Over time, Love Is A Drag developed its own cult following. As the story goes, Frank Sinatra, Liberace, Bob Hope, and Shirley MacLaine were all closeted fans of the album. If you’d like a festive and flamboyant Valentine’s Day, check out Love Is A Drag.

My copy of “MTMYMB” with the super rare “instruction” booklet. Photo by Peter Skiera.

2. Music To Massage Your Mate By (ALA Records: ALA-4002; Stereo; 1976)

If you think this album cover looks like something out of the 1970s, you’re right. It was released in 1976. It’s an all-instrumental album and all six song titles end in “of Love”, such as The Sounds of Love and Doorways of Love.

    Music To Massage Your Mate By came with an 8-page “explicitly illustrated instruction booklet” with black & white photos. According to the liner notes, the booklet “is a vehicle for your enjoyment and of course the enjoyment of your partners.” Note the word “partners” is plural. Keep in mind, this is 1976. Some jughead wrote “I guarantee it!!” on my copy of the booklet. I guess he was giving it as a gift and was trying to be funny.

    The liner notes continue: All you need do is “go to that particular room in your home- one that is quite comfortable, with low light- and play the album, following the steps in the booklet…and you’re on your way.” On my way to where? Maybe I shouldn’t ask.

    The front cover of the album looks like a still from a 70s low budget porn film. The woman looks as uninterested as humanly possible. Her “partner” looks like a cheesy Burt Reynolds stand-in. I wish the price sticker on my copy covered his face. Perhaps the jazzy music on the record will put the two of them in the mood so they can be “on their way”.

    My Laff Records copy of “Massage”. Photo by Peter Skiera.

    Believe it or not, another label called Laff Records licensed the music from ALA Records and released it on their own label also with the booklet. The only difference is the Laff label doesn’t show the 6 song titles, only “Continuous Uninterrupted Music for Massage.” Perhaps it was going to cost too much to print out all the songs on the label.

    Apparently, this strange album has its own fan club. One enterprising person is selling t-shirts featuring the album cover on eBay for $30. Why not surprise your mate on Valentine’s Day by playing this record and wearing this shirt? Then you’ll be “on your way”…probably out the door.

    Photo from

    Before I go to my final strange Valentine record, I must mention one other ALA Record called Music to Strip For Your Man By from 1973. If the red headed woman on the cover looks familiar to you, it’s because she’s the same woman on ALA’s Massage cover, but in better condition. What a difference 3 years can make. The record identifies her as “professional stripper Honey West”. Incidentally, the cover photograph was taken by Robert Wotherspoon who also took the photo on the Massage album cover of Honey and the Burt Reynolds reject.

    This album also came with its own black and white illustrated booklet…16 pages of stripper instructions and revealing demonstrations by Honey West. Apparently, booklets inside records were a thing.

    Like the songs on the Massage record, the music on Music To Strip was also jazzy, but with better song titles reflecting 1973 lingo like Funkie Mama, High Times, Strut Your Stuff, Funk Town, and my personal favorite, Theme For A Dirty Ol’ Man.

    The liner notes on the back cover are classic 1973: “This package now lets you join the trend toward “THE NOW” way of sensual living…as you bump and grind, he’ll lose his mind…take it off for him…that ain’t no sin.” Not exactly Ernest Hemmingway.

    Unlike the Massage album that followed 3 years later, we know what band performed on Music To Strip For Your Man By…it was Teddy Phillips and His Orchestra. Phillips was regionally popular in late 1940s/early 50s Chicago, playing frequently at the Aragon, Trianon, and Willowbrook Ballrooms. In 1956, WGN-TV aired his performances on The Teddy Phillips Show. Perhaps the big band business slowed down in the 1970s to the extent that Ted was forced to resort to recording stripper albums. Whatever it takes to put food on the table.

    3. Sonny Lester & His Orchestra ‎– Ann Corio Presents How To Strip For Your Husband (Roulette Records, R 25186; Mono; 1962)

    Composer, conductor, and producer Sonny Lester came up with the concept for this 1962 album after being introduced to Ann Corio, a popular East coast stripper during that time and star of the Broadway show, This Was Burlesque. The album’s liner notes described Lester’s music as “brassy and bouncy”, and the record probably appealed to similarly described females. The notes go on to say the record offered women the opportunity to become “in the privacy of your own fancy, and perhaps the enjoyment of your spouse, an ecdysiast” (i.e. a stripper).

    Perhaps a sign of the times, unlike the 2 previous records from the 1970s which stated “Mate” and “Man” in their titles, this 1962 album title narrows it down to “husbands” specifically.

    Some of the original songs include Seduction of The Virgin Princess, Bumps & Grinds, and Lonely Little G-String. The entire album was supposedly recorded in a single session. Oddly enough,a cover of The Stripper, a song that reached #1 the year before,wasn’t included.

    Included with the record was- you guessed it- a black and white “special instruction” booklet featuring “America’s most famous strip teaser”, Ann Corio. It detailed stripper tips and was an indispensable guide to making your marriage merrier.

    According to, the album’s sales accelerated after Corio herself was a guest on The Jack Paar Show and promoted the record. A woman shoplifted a copy of the album from a Macys which made headlines, resulting in more sales. In fact, How To Strip For Your Husband sold so well, it was followed up with More How To Strip For Your Husband Vol. 2.

    The first volume was later packaged as a box set with another Lester record, How To Belly Dance For Your Husband, which…wait for it…came with its own instruction booklet featuring belly dancer “Little Egypt”.In 1968, the first volume was re-issued again on vinyl and 8-track tape with completely different cover art but included a reprinting of the original booklet. In 2010, both volumes were re-issued on a single CD with the stripper instructions incorporated into the CD booklet. It was re-issued in France in a special edition box as part of a “cheesecake collection”. How To Strip For Your Husband was the stripper album that just wouldn’t die. The real question is- how many men actually “benefited” from it?

    I hope my article brought a smile to your face and you have a strange but romantic Valentine’s Day. If you’d like some suggestions for Internet radio stations to play on Valentine’s Day, head on over to my Patreon page. Thanks to my Patreon members for helping to make this website blog possible. You won’t find articles like this anywhere else.

    Trivia (from beginnings of ancient massage practice can be traced back to around 3000 BCE in India…The touch therapy used centuries ago in India is one of the earliest findings of a practice similar to the massage therapy we know today.” 

    Trivia (from Stripping for cash began in “18th century Europe, when gentleman’s clubs, Burlesque clubs, private banquets and other secret sex clubs transformed the political economy of stripping. This was essentially the era that would catalyze the market for stripping/exotic dancing as we know it today.”

    You won’t find articles like this anywhere else. Help support my website blog by becoming a Patreon member today for as little as $1. Thanks to my Patreon supporters for helping to make this blog possible.

    Album Spotlight: Sissy Spacek, “Hangin’ Up My Heart”

    The purpose of my Album Spotlight is to bring lesser-known albums to your attention that feature enjoyable music and interesting backstories.

    My “Hangin’ Up My Heart” CD. Photo by Peter Skiera.

    I’m willing to bet you’ve never heard of Hangin’ Up My Heart, but you surely know the artist…award winning actress Sissy Spacek (not to be confused with the band of the same name). I imagine most of you reading this know Spacek best from Coal Miner’s Daughter for which she won an Academy Award and a Golden Globe. As a horror film buff, my first exposure to Spacek was in the 1976 film Carrie, which ranks right up there with some of the greatest horror films ever made.

    Truth be known, I fell in love with her (not her character) in that movie. Although she portrayed a high school student, in reality, Spacek was 25 years old at the time. I thought she was uncommonly beautiful, except toward the end when she was caked in blood. Even in the ho-hum (compared to today’s standards) photo on the front cover of her album, her natural beauty is undeniable.

    Have Guitar, Will Travel

    Mary Elizabeth Spacek was born on Christmas Day in 1949 in Quitman, Texas. At age 17 she moved to New York with her acoustic guitar, intent on pursuing a career in music. She played various clubs in Greenwich Village and landed a role as an extra in an Andy Warhol film. The music path didn’t pan out so she took up acting with some assistance from her famous cousin, actor Rip Torn. She enrolled in the famous Lee Strasberg Theatrical Institute. A year later her oldest brother, Robbie, died at age 18 from leukemia. Fast forward to 1974 when she married Jack Fisk who she met on the set of her second movie, Badlands. They remain married to this day, making theirs one of the longest lasting marriages in Hollywood. They have two grown daughters, one of whom is also an actress.

    Movies Killed the Radio Star

    As I mentioned, Spacek originally wanted to be a music star not a movie star. In 1968, at the age of 19, under the name “Rainbo”, Spacek released a single for Roulette Records called John, You Went Too Far This Time. The “John” in the title referred to none other than John Lennon. In the song, which sounds deliberately Beatle-esque, Spacek laments Lennon’s infamous Two Virgins album cover which pictured him completely naked with Yoko Ono:

    Now I gaze in awe before that picture
    My mind retires to the place it was before you came
    I love the things you showed me up ’til now, John
    But since that picture, I don’t think my love will be the same

    Interestingly, there’s no trace of Spacek’s Texas accent in the song. Side B featured C’Mon, Teach Me to Live, co-written by Spacek. Needless to say, the single failed to chart. She passed an auditioned for Decca Records but they felt she sounded too much like an artist they already had on their label…Loretta Lynn.

    It’s funny how things sometimes circle back around. It was Lynn who personally selected Spacek for the starring role in Coal Miner’s Daughter in 1980. Spacek sang nine songs herself rather than lip synch to a professional singer (Loretta Lynn in this case) as is the Hollywood tradition. The original soundtrack album shot to #2 on the Billboard Country chart and earned Spacek a Grammy nomination.

    “Hangin’ Up My Heart” on Atlantic Records circa 1983.

    #17 At 34

    Just a few years later in 1983, at the age of 34, perhaps encouraged by her success with the Coal Miner’s Daughter soundtrack, Spacek went back into the recording studio for Hangin’ Up My Heart (Atlantic 79 01001). With a little help from her friends Vince Gill and Rosanne Cash, producer Rodney Crowell, and Loretta Lynn co-writing one of the songs with Spacek, it’s surprising the record only reached number seventeen on Billboard’s Country chart. The ten-track album produced three singles, with Lonely but Only for You peaking at number fifteen. 

    Singing Stars

    Movie and television stars who aren’t professional singers but release their own albums don’t always produce good results. William Shater, David Hasselhoff, Joe Pesci, and Steven Seagal come to mind.  In Spacek’s case, reviews on Amazon of Hangin’ are mostly favorable, averaging 4.4 out of 5 stars, with 79% of the reviews being 4 stars and above. Typical comments include, “The only sad thing about this is that there isn’t enough. I want more. I can’t believe there weren’t some additional tracks that were part of the recording sessions that could have been added to the CD release”, and, “It is so wonderful that this album of genuine quality has been re-released so that it can be enjoyed by many music fans…”

    Read Me A Story

    Spacek has been on CD before besides Coalminer’s Daughter and Hangin’ Up My Heart, but not musically. She narrated her own autobiography, My Extraordinary Life, she read To Kill A Mockingbird (on 11 CDs!), and, appropriately enough, she narrated Loretta Lynn’s autobiography, Coalminer’s Daughter, and Steven King’s Carrie.

    My vintage Technics SL-P999 happily playing “Hangin’ Up My Heart”. Photo by Peter Skiera.

    Frankly, I’ve never been much of a country music fan. I didn’t feel so bad about that after I read that Spacek said when she was young, neither was she. But Hangin’ isn’t your traditional country music record. It has a distinct contemporary country-pop flair with some rock elements. Not to the point of being over the top, but this isn’t your grandpappy’s country music.

    Old Home Town

    My personal favorite is a good example. From the very first notes it’s obvious He Don’t Know Me, penned by Spacek, is more pop than country. Had it been me, I would’ve named the album after it. The title track is fine, but He Don’t Know Me is stronger. Lonley But Only for You, one of the tracks released as a single, is a lovely country love song and is another stand out. If You Could Only See Me Now is musical payback for a former lover and you can almost picture Spacek smiling as she sings it.

    Not all of the songs on Hangin’ are originals. Spacek covers Hank Williams’ Hony Tonkin’ and David Pomeranz’s sweet Old Home Town. Glen Campbell covered the song the year before, but in Spacek’s version, she sings like an angel in cowboy boots with a southern accent:

    I wanta’ hold you, love you forever
    I wanta’ kiss you up and down
    Oh, you’re so sweet to come home to
    You’re just like an old home town

    I don’t know if it’s the way the CD was mixed or if the master tape is like this as well (I don’t have the vinyl record to compare against the CD which came out 25 years after the record), but I felt the drums sounded subdued. Perhaps that’s the way country music was expected to be recorded in the early 1980s, but had I been the engineer at the mixing console, I would’ve given the drums more punch and made them leap off the speakers.

    I don’t know if it’s the way the CD was mixed or if the master tape is like this as well (I don’t have the vinyl record to compare against the CD which came out 25 years after the record), but I felt the drums sounded subdued. Perhaps that’s the way country music was expected to be recorded in the early 1980s, but had I been the engineer at the mixing console, I would’ve given the drums more punch and made them leap off the speakers.

    Sabu Who?

    The only other criticism I have is that the CD times out at a stingy 30 minutes, making Hangin’ Up My Heart seem like it’s over before it started. Like one Amazon reviewer commented, it would’ve been nice if they had tacked on a few outtakes, different mixes, or rare tracks like Spacek’s cover of John Prine’s Sabu Visits the Twin Cities Alone, which was the B side of Lonely But Only for You, but wasn’t included on the LP. Oddly, the picture sleeve for the single lists an incorrect song on the B side.

    “I thought she was exceptionally beautiful, except toward the end when she was caked in blood.”

    With my expectations set extremely low and fingers and toes crossed, four months ago I wrote Mrs. Spacek at her farm in Virginia complementing her on her record and asking her to sign a photo I included along with a postage paid return envelope. Disappointingly, she met my expectations and I never received any response. I hope she at least re-used my envelope so the postage didn’t go to waste.

    Hangin’ Up Your Wallet

    If you’d like to add the Hangin’ Up My Heart to your own music collection, you’ll have to hang up your wallet after you empty it. The CD, issued by Collectors’ Choice Music (CCM-955) in 2008, starts at around $80 and goes up to $250! I got my near mint copy for a much more reasonable price from a seller in Italy of all places. You’ll be relieved to know you can buy the used cassette tape and vinyl record in nice condition starting at about six bucks on eBay. If you don’t care about physical media, Amazon sells the complete MP3 digital album for under $10.

    One And Done

    I guess after Hangin’, Spacek thought it was time to hang up the microphone because she never recorded another album after that. That means once you own Hangin’, you’ve completed the entire Spacek collection. That said, in the letter I sent Ms. Spacek, I encouraged her to consider releasing a follow-up album. She turned 74 on Christmas day, but I’ll bet her singing voice is better than ever. And yes, at 74, she’s still a beauty.

    Hangin’ quietly and humbly celebrated its 40th Anniversary last year. It holds up exceptionally well four decades later and continues to satisfy. Like her photo on the front cover, the music has an unpretentious beauty about it. In the movie Carrie, Spacek as Carrie White tells her mother, “If I concentrate hard enough, I can make things move.” If you give her the chance, she’ll move you with Hangin’ Up My Heart.

    Trivia (from

    Sissy Spacek is the 22nd great granddaughter of King Edward I.

    Directors George Lucas and Brian De Palma were holding joint auditions for “Star Wars” and “Carrie”. Carrie Fisher auditioned for Carrie White and Sissy Spacek auditioned for Princess Leia. They wound up getting each other’s roles.

    Thank you to my generous Patreon supporters who help make this website blog possible. You won’t find articles like this anywhere else. Help support my blog by becoming a Patreon member today for as little as $1.

    Album Spotlight: “Alien”

    My imported “Alien” CD. Photo by Peter Skiera.

    The purpose of my Album Spotlights is to bring lesser-known albums to your attention with backstories you’ll find interesting and music you’ll find enjoyable.

    A few days ago, it hit me that it’s been a year and a half since my last Album Spotlight. I was way overdue for another, so I’m kicking off the new year with a new Album Spotlight. In fact, I’ll probably post another next month to make up for the long absence.

    Before you change channels on me, this is not about the soundtrack to Alien the sci-fi/horror film. That said, I imagine the band Alien is indeed alien to you. If so, you’re forgiven considering the group hails from Gothenburg, Sweden and formed almost 40 years ago. However, their songs aren’t sung in Swedish and their music doesn’t sound Swedish. In fact, if I hadn’t told you Alien was from Sweden and I played this CD for you, you’d swear they were an American hard rock band.

    AC/DC & Deep Purple

    That makes sense because the lead singer and co-founder, Jim Jidhed, was influenced by AC/DC. The guitarist and other co-founder, Tony Borg, was influenced by Deep Purple and Eric Clapton. They might be Swedish, but they have roots in American rock ‘n roll. They also recorded Alien, their self-titled debut album, in Van Nuys, California, not Sweden.

    Frankly, I’ve never been a hard rock kind of a guy. I generally don’t go for records that should come with a free coupon for Tylenol. Yet Alien the album (Virgin 259 198) won’t give you a migraine. In fact, the album produced 3 singles. One of the singles, a cover of Only One Woman, a beautiful ballad written by the Bee Gees, made it to #1 in Sweden.

    The Blob

    Alien did a great job of turning Only One Woman into a rock power ballad, but my favorite track off of Alien is Brave New Love. I became acquainted with the song thanks to my interest in horror films. I’ll bet you didn’t see that coming. The song was used in the end credits of the 1988 remake of The Blob.

    Photo by Peter Skiera.

    Throughout Alien, Jidhed’s vocals are forceful while Borg’s guitar is tight and hard rocking. You won’t be able to get through the album without playing air guitar, especially on Feel My Love. Besides Brave New Love and Only One Woman, other standout tracks include Tears Don’t Put Out The Fire, Jaimie Remember, and Touch My Fire. It’s a great listen from start to finish.

    Alien from left to right: Drummer Toby Tarrach, lead singer Jim Jidhed, and guitarist Tony Borg. Photo from Alien’s Facebook page.

    Alien has so far released 7 albums altogether though not all under the same personnel. Co-founder and lead singer Jim Jidhed departed the group in 1988 to pursue a solo career. The band carried on with a new lead singer but he left a few years later. The other musicians weren’t much better in the stability department. Jidhead returned as lead singer in 2005, left again, and reunited with band yet again in 2010. He’s still with the band today along with two other original members, Tony Borg on guitar and Toby Tarrach on drums.

    “If I hadn’t told you Alien was from Sweden and I played this CD for you, you’d swear they were an American hard rock band.”

    The strange USA version of “Alien”.

    The composition of the band might be confusing, but that’s nothing compared to the album that’s the subject of this Spotlight. Alien came out in 1988 in Sweden. The following year, the record company remixed 5 songs from the original record, cut out 4 of the 12 songs, and tacked on 2 new songs that were recorded by the new singer who had replaced Jidhad. They also replaced the album artwork with something much stranger, yet retained the album’s original title. This Frankenstein album was the version that was released in the USA and some other countries. But hang on, it gets even better.

    The “Alien” 25th Anniversary Edition 2 CD set. Photo from Alien’s Facebook page.

    If you decide to buy Alien, you’ll not only have the choice of the original release from 1988 and the remixed version from 1989, but also a rare 2012 re-issue from Greece of the original album limited to 1,000 copies. Then there’s the 25th Anniversary 2 CD set from 2013 that included both the original and the remixed version. This same set was re-issued on a different label in 2019. Are you still with me? Then, of course, there’s the various vinyl record and cassette iterations.

    Depending on which variant and format you’re looking for, prices on eBay start at around $29 and go up from there. The fact that most of the product exists outside the USA doesn’t do anything to help the cost. If you’re into 80s hard rock bands, I think it’s worth the investment. I bought my original Alien CD from a seller in Italy. On the other hand, you can listen to the entire remastered album for free on YouTube (link at the end).

    I reached out to the group to ask some questions about Alien the band and the album and received a response from band co-founder and guitarist Tony Borg.

    Alien’s Tony Borg. Photo from Alien’s Facebook page.

    Peter: What led you to start “Alien” in 1986?
    Tony: “I had been in many bands with great success in the 1970s and 1980s, but had never started a band myself. My goal before Alien started was to work as a session musician. I got to play with many Swedish but also American artists. When I played with the famous artist Lill-Babs, I understood that it would not be my thing, therefore, I started Alien.”

    Peter: Was there anything memorable about the “Alien” recording sessions?
    Tony: “There absolutely was. What became our first hit song was an instrumental song called Somewhere Out There that Jim and I wrote at 4:00 a.m. after midnight. It was recorded one night in the studio as a filler song and [B side] for Only One Woman but became a big hit in Sweden. Jim and I would often sit at night, drink coffee, have a cigarette and create many of the band’s songs.”

    Peter: Why didn’t “Somewhere Out There” make the “Alien” album?
    Tony: “During that time, bands used to put remix songs on the back so as not to waste good songs on B-sides. We rather wanted to show that we were a real rock band that could write good songs without vocals. That’s why we wrote that song to be a B-side.”

    Peter: Why did you decide to record a cover of “Only One Woman”? Were you surprised that it was a hit?
    Tony: “We collaborated with Anders Hjelmtorp on the record label Virgin. Anders had been an old disc jockey so he had some song suggestions for us. We thought the song was good but when Jim and I changed the time from 6/8 to 2/4 time, the song felt perfect for us.”

    Peter: Were you surprised that “Brave New Love” made it into the credits of “The Blob” movie remake?
    Tony: “How come? Because we recorded the record at ‘Sound City’ in L.A. so we were so close to the film industry and they needed that kind of song right then. It was a chance like it can be when you are in the right place at the right time.”

    Peter: What’s your favorite song on “Alien”?
    Tony: “My favorite song is I´ve Been Waiting. The music has the right suffering and the right expression and the lyrics are true to my story.”

    Image from Alien’s Facebook page.

    Peter: Is there a story behind the original “Alien” album art?
    Tony: “I have a friend called Anders Holmberg who had just started painting pictures with cool landscapes so I asked him if he wanted to do our covers. I have our cover for the Swedish album in my possession, but the rest of the paintings have been sold and are probably adorning the walls of some fans’ homes.”

    Peter: Why did you release a different version of the album “Alien” for the US including a completely different album cover?
    Tony: “It was the record company that wanted to adapt the record to the American market. We agreed because we thought it was possible to mix the record even better.”

    Peter: What do you think of the remastered “Alien” from 2013? Did you have any involvement in that?

    Tony: “No, this is something that the record companies do without asking the artists. This is what the record industry looks like.”

    Peter: How do you think the music on “Alien” holds up 36 years later?
    Tony: “I think it’s a good record, a bit timeless. I’m proud that the band got to make such a good debut album.”

    Image from

    Alien’s latest recording, Into The Future, saw the band turn into a more heavy metal direction which has met with mixed reviews. Frankly, I don’t know the band’s body of work well enough to categorically state that Alien is their best album, but few bands release such a strong debut record. If you enjoy hard rock, classic rock, melodic rock, metal, album oriented rock (AOR) radio, or classic 80s music, seek out Alien. Despite the album turning 36 years old this year, the music doesn’t sound dated or…alien.

    Trivia (from Tony Borg): “When we went to L.A. to record [Alien], we stayed throughout the spring in L.A. What we didn’t know was that every week we climbed all the sales and pop charts, so when we got home to Sweden, we had become a very popular band without our knowing it. We just had time to pack our bags to embark on a tour with 70 gigs booked while doing videos, television and a ton of interviews so it’s been a very hysterical career for the band.”


    Alien on YouTube

    Alien’s website

    Have A Strange Christmas: “Christmas Vacation” Soundtrack

    Photo by Peter Skiera.

    This is the 5th and final installment in my “Have A Strange Christmas” series where I highlight a strange Christmas record.

    For many, the Christmas season just isn’t the same without an annual viewing of National Lampoon’s Christmas Vacation. In the movie, Clark W. Griswold, played by Chevy Chase, plans to surprise his family by using his Christmas bonus to have a large swimming pool installed in their backyard. Unfortunately, instead of a Christmas bonus, Griswold’s stingy boss gives him a year’s subscription to the Jelly of The Month Club (there really is such a thing). His wife’s Cousin Eddie shows up unexpectedly and takes matters into his own hands as only Cousin Eddie could.

    The film was based on a short story called “Christmas ’59,” by John Hughes, which was published in a December 1980 issue of National Lampoon magazine. I won’t spoil it for you if you never saw the film, but it’s a very entertaining holiday movie the whole family will enjoy. Good talk, son.

    In December of 1989, Christmas Vacation opened at #2 and quickly became #1 at the box office, grossing over $73 million. Initial reviews were mixed (Roger Ebert only gave it 2 stars) but the movie went on to become a holiday classic. Despite its popularity and the great songs used in the film, an official original motion picture soundtrack was never released. Or was it?

    Merry Clarkmas

    The music on the Christmas Vacation CD isn’t strange, but the backstory has created a strange mystery worthy of a Columbo episode. A story on the Internet persists that a limited-edition CD of the soundtrack was released in 1999 for the movie’s 10th Anniversary. As the story goes, Warner Brothers Records teamed up with RedDotNet and Six Flags to sell the CD’s via on-demand kiosks at Six Flags Magic Mountain (where “Wally World” was based for the first “Vacation” film) for one week only. The blank CDs were burned one by one as purchased by customers and the booklets and the rear jewel case perforated inserts were assembled by Six Flags employees. Each CD’s back insert was printed with its own individual serial number, up to 20,000. The story goes on to say that 7,000 of the 20,000 CDs were burned and sold to the public. An interesting tale, but is there any truth to it?

    A Hot Seller

    I’ll begin my examination with those reported Six Flags sales figures: 7,000 CDs sold in 1 week. That averages out to 1,000 CDs burned per day. If my math is correct, that translates into 125 CDs per hour based on an 8-hour day. That’s quite a run for a CD that was just a movie soundtrack, was never advertised, and was only available at one location for one week. Even if you dismiss those figures as unreliable, it’s pretty certain that thousands of unburned CDs were left over. For them to become available years later, someone would have to burn and assemble all of those leftover blank CDs, warehouse them, and then sell them years later.

    Another argument against the Six Flags story: Warner Brothers purchased Six Flags in 1993 and sold it in 1998. During the 5 years they owned the Park, Warner never once made the Christmas Vacation soundtrack CD available. Yet a year after they sold Six Flags, Warner licensed the CD to be sold inside the Park which they no longer owned?

    Image from

    Another Six Flags CD

    Not to confuse matters, but I think it’s relevant to point out that the 2003 CD soundtrack of National Lampoon’s Vacation, the first Vacation movie, adopted the exact same story line. notes the CD, called the “Cancelled Passport Edition”, was “manufactured and distributed by RedDotNet in association with Warner Bros. Motion Picture Studios and Six Flags Magic Mountain Theme Park USA. Numbered series of 20,000.” An expired listing on added that, “for the last few thousand copies, WB added music from 1985’s ‘European Vacation’ and 1997’s ‘Vegas Vacation’”, neither of which ever made it to CD. Let me make sure I understand this. The kiosks were reprogrammed and the roll of rear artwork was changed out by park employees to add 10 more songs to the track list during the last three or so days the CDs were being sold? Honestly, I find this a little hard to believe. In any event, we now have two CD soundtracks using the same Six Flags cover story.

    This raises another issue. If Six Flags had such on-demand CD burning kiosks then one could logically conclude there would be many, many more titles out there that were burned and sold to public. However, I was unable to find a single CD title beyond these two that was born from a Six Flags RedDotNet CD kiosk. lists discographies from other amusement park on-demand kiosks but not Six Flags other than these 2 titles. Surely, Six Flags didn’t install these on-demand CD kiosks for one week each just for two titles and that’s it.

    Proof Of Purchase

    During the course of my research, out of the 7,000 CDs supposedly burned at Six Flags, or whatever the number is, I was unable to find a single case where someone claimed to have purchased their Christmas Vacation CD from a Six Flags kiosk and could prove it. Without exception, those who said they owned the CD admitted they bought their copy from one website or another, not at Six Flags.

    RedDotNet CD kiosks did exit but I was never able to find any information about Six Flags having installed such on-demand kiosks. Yet I had no difficulty finding information about on-demand CD kiosks at Universal and Disney which I’ll address a little later. A New York Times article by Karen Bannan from April of 2000 reported RedDotNet CD kiosks being in Target, Sam Goody, Warehouse Entertainment, and Walt Disney, but no mention whatsoever of Six Flags.

    According to, in 2004, Warner Music Group inked a deal with Mediaport Entertainment to offer its music via kiosks to be installed in “retail outlets, colleges, military bases and travelers’ waiting areas”. The article made no mention of Warner having previously partnered with RedDotNet at Six Flags.

    This Was A Bootleg

    There’s clear information on the Internet that goes against the Six Flags story. lists the CD as a bootleg. An article on states, “Strangely, in 1999 a purported ‘10th anniversary’ soundtrack started popping up online on various auction sites. The claim was that they had been made to be sold at Six Flags. Ultimately, it proved to be false, as this was a bootleg CD. In fact, one of the songs on the CD was from John Williams’ ‘Home Alone 2: Lost in New York’ score.” There are also comments on the net that say some of the tracks are of inferior sound quality and some of the discs exhibit skipping problems. Incorrect track listings, questionable sound, and playback issues are often telltale signs of a bootleg.

    Get A Life

    All this begs the question- If the Six Flags story is false and these CDs are bootlegs, why would someone go to all the trouble of making up an elaborate false history about them? What’s the point? Don’t they have anything better to do with their time? Or do they just get off on putting one over on people? In the history of bootleg recordings, I don’t think there’s ever been an instance where someone fabricated a detailed backstory to try to pass off a series of bootleg recordings as legitimate.

    One CD that is definitely legitimate is A Hollywood Christmas and it’s the closest you’re going to get to an official Christmas Vacation soundtrack. The CD was released by Time Life Music (24892-D), of all labels, in 2009, and includes Ray Charles’ That Spirit of Christmas which was used in the Christmas Vacation film, as well as Holiday Road by Lindsey Buckingham (which actually wasn’t used in the film). The latter is the only time that song has ever been licensed to another label for inclusion on a CD. But I digress.

    For this article, I decided I needed to somehow obtain one of these legendary Six Flags CDs and evaluate it for myself. It turned out I had a much easier time finding copies and obvious bootlegs. One company on Amazon was selling what it described as the Christmas Vacation “official soundtrack” CD starting in 2011, yet the CD didn’t even come in a jewel case or include a booklet. I’d hardly call that “official”. 

    There was a convincing limited-edition soundtrack CD released down under in 2011 by “MSH Music”. I couldn’t find any information about this Australian record company or any other titles the label released, so I’ve concluded it was a bootleg. Real record companies don’t usually release a single title in a single country limited to 1,000 pressings and then disappear. That’s not what I’d all a successful business model.

    My “free” Christmas Vacation soundtrack CD. Photo by Peter Skiera.

    Free CDs 

    I found a company in Florida burning their own “Special Edition” Christmas Vacation soundtrack CD. They say it’s one of their best-selling titles. The track list is somewhat similar to that of the Six Flags CD. As the CD was on sale for less than 14 bucks including shipping, I bought one (link provided at the end). Technically, I bought the jewel case and the artwork since the website says, “You’ll receive a jewel case with custom artwork created for the soundtrack. This is what you are purchasing. The audio recordings contained within are always absolutely free of charge…with no claim to their quality, copyright or ownership being implied.” In the words of Monty Python, “Say no more. Know what I mean? Wink, wink, nudge, nudge.” 

    Story #2 

    Incidentally, the above website selling this CD states yet another version of the Christmas Vacation soundtrack story: “A soundtrack for the filmNational Lampoon’s Christmas Vacation was released on LP, cassette and CD in 1989. The soundtrack was out-of-print by the mid 1990’s. Since then, there have been several limited-edition print-on-demand CD issues offered at Universal Studios Theme Parks including 10th and 20th Anniversary editions, both of which are also out-of-print.” Wrong! The soundtrack was never officially released in 1989 in any format. It’s true that Universal had CD burning kiosks starting in 1999 (“The Disc Kiosk”), but the selections drew from their back catalog, and Universal didn’t own the rights to the Christmas Vacation soundtrack. Also, there was never a “20th Anniversary Edition” Christmas Vacation soundtrack. This is enough to make the vision of sugar plums dancing in your head explode.

    A CD from a Disney Wonderland Music kiosk. Image from

    Universal wasn’t the only amusement park burning CDs. According to, Disney had their own on-demand CD burning kiosk system called “Disneyland Forever”, limited to old theme park music, announcements, sound effects, and narration culled from its 40+ year history. The customer selected up to 10 songs (at $2 per track!) from the touch screen kiosk they wanted burned on their CD. The machines could even print the customer’s first name on the cover and on the face of the CD. Disney shut down the service in early 2001. There were also “Wonderland Music Experience” kiosks that operated through 2006 and sold complete Disney CD titles.

    You’re Getting Warmer sells a Christmas Vacation CD for $27.98 that looks very close to the Six Flags CD and has all the same tracks, but alas, without a serial number. The site openly admits their CDs are unofficial. There has probably been more bootlegging of this soundtrack than of all the alcohol during prohibition. Will the real Six Flags Christmas Vacation soundtrack CD please stand up?

    After keeping a very close eye on discogs, an actual Six Flags Christmas Vacation CD became available from a seller in Romania. I got really excited until I saw the price: $227! GM Chrysler! I wouldn’t pay that even if I had the money.  

    “An interesting tale, but is there any truth to it?”

    Too Legit To Quit 

    I was feeling like I was on a mission: impossible until I finally tracked down a real Six Flags Christmas Vacation CD in a web shop in Germany of all places. The site sells “Griswold Christmas madness”…Christmas Vacation merchandise like Wally World glass moose mugs, Clark Griswold action figures, Griswold drink coasters, and the coveted Six Flags Christmas Vacation CD. Their website states they were able to secure some of these ultra rare discs thanks to their “long history with the film [industry] and contacts in the USA”. The website repeated the Six Flags story adding, “Park employees had the honorable task of producing the CDs at the burning stations…then the employee removed the perforated cover from a long endless roll, packed everything up and wished the lucky owner of the rarity a nice day.”  

    The site goes on to say that after the leftover Six Flags Christmas Vacation CDs shipped from the US to this German website, German Customs released the CDs to them after Warner Brothers provided a letter stating the CDs were legit. I contacted the site and asked to see a copy of the letter but my request was denied on the basis that the letter was a private internal document.  

    Going, Going, Gone 

    I exchanged numerous emails with someone connected to the website who I’ll keep anonymous, peppering them with questions. By the time I decided to purchase the CD, the price had skyrocketed from $36 to over $60 USD (the regular retail price was shown as $109)! That was a lot better than $227, but I still couldn’t bring myself to drop that kind of dough on a CD, especially being financially challenged. Another week or two passed and the website indicated they were sold out. I had to face the hard reality that I blew what might have been my only chance to buy this rare CD without having to spend megabucks. 

    More time passed and my curiosity forced me to visit the German site again. Miraculously, they somehow found 20 more copies (“the last 20 brand new with extra high collector’s value”). Despite the “extra high value”, the price had actually dropped to $44. This time I bought one, though the purchase process turned into its own wild adventure since the company only shipped to the UK, Germany, and Switzerland. I was able to enlist the help of a relative who lived in Europe who then forwarded the CD to me. What I won’t go through for my blog. Suspiciously, 3 weeks later the site is still selling “the last 20” CDs and for the same price.  

    An insert sheet which went into a little more detail about the process accompanied my CD. It was in German but here’s a portion I Google translated: “In the park, park visitors were able to use the RedDotNet Music Kiosk System to select titles or entire soundtracks from the music program and have them burned to CD by park employees on the on-site production machines. The cover inlays ran down from large rolls (hence the perforations and simple printing techniques). The CDs produced without silver dye coating (i.e. without an industrial protective layer – hence the CD burning appearance) and the cover inlays were paired with the jewel case – the soundtrack was ready. Every single soundtrack inlay that rolled off the roll had a unique serial number. 00001 to 20000. The finished soundtrack CDs were handed over to the customer unsealed directly at the kiosk system because ‘sealing technology’ was not provided for on the devices.”

    The back insert of my “Christmas Vacation” CD. Photo by Peter Skiera.

    By most appearances, my CD fits the Six Flags narrative. My copy has a serial number (5,237), though if 7,000 were sold to the public as the story goes and this CD was “brand new”, I don’t understand how it could have such a low number. The booklet and rear insert appear to be perforated. It’s a CD-R with a bluish tint. The CD label art features 4 small Clark Griswold’s as opposed to a single Clark Griswold. It would seem I had found the Christmas Vacation CD holy grail.

    Photo by Peter Skiera.

     One glaring omission- The photo in the Christmas Vacation soundtrack listing on discogs, which I consider the website of record when it comes to CDs and LPs, shows a black printed number below the CD’s center hole. My CD has no such number.

    Image from

    The Silence Is Deafening

    So, it’s time to revisit the questions I posed at the outset. Is the Six Flags story really true or is it just an urban legend? Is the Warner Brothers National Lampoon’s Christmas Vacation 10th Anniversary soundtrack CD legitimate? Always up for a challenge, I donned my detective’s fedora and contacted both Warner Brothers and Six Flags Magic Mountain in an attempt to once and for all confirm or debunk the Six Flags story and CD (I couldn’t contact RedDotNet, not to be confused with RedDot Networks, because they’re out of business). The film division of Warner Brothers referred me to the Warner Brothers Music Group. I sent them a message every week for 13 straight weeks and they ignored every single one of my messages despite an auto reply stating they’d respond “shortly”. I asked for the contact information for a manager so I could report my experience and that message was also ignored.

    After finding their email address, I emailed the Press Department of Warner Music Group every week for 10 weeks and they also ignored all of my messages. How the staff of a major US company can blatantly ignore their responsibilities and still keep their jobs is beyond me. If I ignored customer emails when I was with Como Audio I would’ve been let go in pretty short order. In desperation, I sent a snail mail letter to Warner Brothers in CA but that also received zero response. If the Six Flags Christmas Vacation CD is a bootleg, I don’t get why Warner Brothers wouldn’t be more willing to say so.

    I had only slightly better success with Six Flags in Los Angeles. Their Guest Services referred me to their Public Relations Department which, after 3 weeks, finally got back to me with, “We unfortunately do not have any information or details to share regarding this matter. We wish you the best of luck with your story.” I realize we’re talking over 24 years ago, but it would seem to me the Park would have some kind of record of this (a press release, photos, a contract with RedDotNet, sales records, etc.). Of course, there would be no record if it never happened.

    ThThThTh…That’s All Folks

    I’m not one to give up easily, but I’ve raised the white flag (all 6 of them) on this magical musical mystery tour. You’ll have to make up your own mind about the Six Flags story and the Christmas Vacation soundtrack CD. Regardless of which side you come down on, it certainly makes for a strange Christmas.

    Trivia (from “After failing to get the Christmas lights to work one last time, Clark Griswold takes his frustration out on the plastic decorations in the front yard. Chevy Chase actually broke his pinky finger while punching Santa Claus. He resorts to kicking and clubbing the decorations after that. The film kept rolling, and the take was used.”

    Trivia: In real life, Randy Quid, who played Cousin Eddie in “Christmas Vacation”, is the third cousin of Gene Autry, who recorded several hit Christmas songs.

    Classic lines from Christmas Vacation:

    Clark to Cousin Eddie: “Can I refill your eggnog for you? Get you something to eat? Drive you out to the middle of nowhere, leave you for dead?”

    Clark to Cousin Eddie: “If I woke up tomorrow with my head sewn to the carpet, I wouldn’t be more surprised than I am right now.”

    Clark to a sexy female store clerk: “It’s a bit nipply out. I mean nippy out…It wouldn’t be the Christmas shopping season if the stores were any less hooter — hotter than they are.”

    Art to Clark: “The little lights are not twinkling.”

    Clark to his family: “We’re gonna have the hap, hap, happiest Christmas since Bing Crosby tap-danced with Danny f***ing Kaye. And when Santa squeezes his fat white a** down that chimney tonight, he’s gonna find the jolliest bunch of a**holes this side of the nuthouse!”

    Every word in my articles is 100% written by me. I never use ChatGPT or any AI technology. Ever.

    Thank you to my wonderful Patreon members who help make this blog possible. Join over 300 other music enthusiasts and help support these in-depth articles you won’t find anywhere else.

    Read more about my Christmas Vacation soundtrack CD on Patreon.

    Did you miss last week’s strange Christmas record?

    Have A Strange Christmas: “Star Wars Christmas”

    My “Christmas In The Stars” CD. Photo by Peter Skiera.

    This is the fourth installment in my “Have A Strange Christmas” series where I highlight a different strange Christmas record every week through the end of December.

    Star Wars (A New Hope) was released in theaters in 1977 and quickly became a sensation. It grossed almost $800 million worldwide. Not bad for a low budget film that 20th Century Fox didn’t have much confidence in. Star Wars won six Oscars and went on to spawn 10 more films, making it the third highest grossing film franchise in history.


    In typical capitalist fashion, every imaginable piece of Star Wars crap was licensed in order to cash in on the hyper-drive hysteria…a ceramic C3-PO tape dispenser, Darth Vader shower head, Death Star waffle maker, life-sized R2-D2 aquarium by Hammacher Schlemmer, and believe you me, that’s only scratching the surface. There was even a Star Wars Christmas album!

    A Cast of Thousands

    Christmas In The Stars: Star Wars Christmas Album (RS0 Records RS-1-3093) record and cassette was released in November of 1980 and featured C-3P0, R2-D2, Chewbacca, and a then unknown Jon Bonjovi in his first commercial recording (his cousin ran the New Jersey recording studio and co-produced the album). Over 70 people (!) were involved in the making of the record and it was one of the first non-classical and jazz albums to be digitally recorded. With all that talent you’d think this would be the most amazing Christmas album ever. It is. Amazingly bad.

    Fast Track

    The album actually came together at light speed. Several sources cite a Lucasfilm internal memo from September 1980 that outlined the album concept. Just nine 9 days later, actor Anthony Daniels flew in from London to record his vocals as C-3PO and supposedly had only 1 weekend to do it. Talk about fast tracking a project!

    The album and its mostly original material scored a minor holiday hit with the single What Can You Get a Wookiee for Christmas (When He Already Owns a Comb?). It reached #69 on the Billboard Hot 100. If you don’t remember the song, best we keep it that way. Strangely, 3 years after the record came out, a second single was released, R2D2’s Sleigh Ride with Christmas in the Stars on Side B. Even more strange, 10 years after the record came out, a 3” “CD single” was released in Japan featuring R2-D2 We Wish You A Merry Christmas and Christmas In The Stars.

    After CDs were introduced, someone decided the album was important enough to be issued on CD….not once, but twice. The first was the original 1994 CD by Polygram called Meco Christmas In The Stars (Meco previously recorded Star Wars and Other Galactic Funk) with a pathetic generic cover. In 1996, Rhino Records reissued the CD with the original album artwork and new liner notes. It’s said that up to 9 songs from the original recording sessions remain unreleased to this day. Based on the existing material, perhaps it’s just as well.

    My “Christmas In The Stars” cassette. Photo by Peter Skiera.

    You can buy Christmas In The Stars on the used record market, but be prepared to spend all of your Christmas money from Santa. Discogs has one cassette tape listed for $150 while eBay has one for $2,100! Amazon has the CD for $89 and the vinyl record for $200.

    After reading some of the comments left on Amazon, you’d wonder why anyone would pay that kind of money: “Without [a] doubt, the worst Christmas album of all time. Even kids will hate it. Stay far away”, and “To call this album bad would be an understatement. I realize that this is a children’s album, but I can’t imagine that too many children would enjoy this insipid junk. The lyrics are especially awful. When I met Anthony Daniels, he called this album ‘pure crap’. Take it from C-3PO himself, folks.” Just for the heck of it, I contacted Anthony Daniels and asked him to reflect on Christmas In The Stars. He ignored all of my messages. If I were him, I wouldn’t want to talk about it either. He probably has PTSD.

    Truly Terrible

    You’ll find other negative reviews besides comments on Amazon. Bradley Torreano’s write-up on doesn’t pull any punches: “Few Christmas albums are as truly terrible as Star Wars: Christmas in the Stars…this could be the worst Star Wars related album on the market. To those who enjoy bad music on a camp level, this album is priceless. Fans of the series should give it a listen just to hear how bad it is, but this is really only recommended for those who enjoy terrible music for its comic value.” Ouch.

    I’m afraid I must agree. Instead of Christmas In The Stars, it should’ve been called Crap In The Stars. Hearing C-3P0, a robot with a British accent portrayed by Anthony Daniels who wasn’t a trained singer, croon Christmas songs is just plain bizarre. Take the “duet” of Sleigh Ride he performs with R2D2. Please, take it. Or his butchering of a modified reading of ‘Twas The Night Before Christmas. “Bells, Bells, Bells” is another oddity in which C-3PO tries to explain to R2-D2 what bells are…Chiming what the hour is now / Or they’ll lead you to a cow. Huh? Not exactly Lennon and McCartney. Besides that, the highly sophisticated robot R2-D2 doesn’t know what bells are?

    With all that talent you’d think this would be the most amazing Christmas album ever.

    Mauray Yetson. Photo from

    The lack of depth in the lyrics is surprising considering the songs were written by Yale University music professor Maury Yeston, who went on to win two Tony awards and three Grammy nominations. Yeston also appears on the album as Santa on The Meaning of Christmas, and his voice is multi-tracked to create the “choir”. He briefly addresses his lyrics on his website: “The fun and light tone of [the album] was targeted towards the younger audience (Maury’s own son was then 7) that had fallen in love with Artoo, Threepio and the Droids, and of course the Wookiee.”

    Listening to Christmas In The Stars will make you think you have a DVD of a Star Wars Christmas TV special playing but with the picture switched off. Yet the record wasn’t related to the “Star Wars Holiday Special”, a 1978 made-for-TV movie that should’ve been destroyed along with the Death Star.

    Photo by Peter Skiera.

    Frankly, the most impressive thing about the album is the cover artwork by Star Wars production artist Ralph McQuarrie. It depicts Santa’s workshop of the future, with toys being assembled by robots. I guess all the elves were transferred to another department, or worse, laid off. Santa is pictured warming himself before a fireplace while C-3P0 and R2-D2 look on. It’s not Currier and Ives but it’s nice as far as intergalactic Christmas album covers go.

    According to the liner notes from the CD, Christmas In The Stars wasn’t to be the only Star Wars holiday recording. A series of Star Wars Christmas releases were planned but never materialized for whatever reason. RSO Records folded after the first run, which probably didn’t help matters. Whatever the reason, it was nothing less than a Christmas miracle that we were spared from further abuse.

    Speaking of strange Christmas music, the Star Wars CD booklet promotes other classic Rhino Records Christmas albums you’ll surely want to add to your holiday music collection like The Flintstones: Christmas In Bedrock and Have Yourself A Looney Tunes Christmas. As the latter release exclaims, “Christmas tunes like you’ve never heard them before…”, and probably never wanted to.

    There’s no doubt that Star Wars was an incredible sci-fi film. Christmas In The Stars is a different story. It’s an album for the ages. Ages 5 to 10. It was ground breaking, as in dig a hole in the ground and bury it. The best part of the album is when it ends. It has to be one of the worst Christmas records ever. If you buy this album, may the remorse be with you.

    Every word in every one of my articles is 100% written by me. I never use ChatGPT or any AI technology. Ever.

    Trivia (from “Yoda was supposed to make an appearance [on “Christmas In The Stars”]. Frank Oz, the actor and puppeteer who helped launch Yoda to fame in “The Empire Strikes Back”, was approached to reprise the voice of the Jedi Master for the album’s ‘Meaning of Christmas’ track. Oz couldn’t participate due to scheduling conflicts, so the album eventually settled on Santa’s son, ‘S. Claus’, to fill the role (with revised dialog).”

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    Return here next week for the final installment in my “Have A Strange Christmas” series.

    Did you miss last week’s strange Christmas record?

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