Category: Christmas Page 1 of 2

This is the fourth installment in my “Have A Strange Christmas” series where I highlight a different strange Christmas record every week through the end of December.

Star Wars (A New Hope) was released in theaters in 1977 and quickly became a sensation. It grossed almost $800 million worldwide. Not bad for a low budget film that 20^th Century Fox didn’t have much confidence in. Star Wars won six Oscars and went on to spawn 10 more films, making it the third highest grossing film franchise in history.

Crap

In typical capitalist fashion, every imaginable piece of Star Wars crap was licensed in order to cash in on the hyper-drive hysteria…a ceramic C3-PO tape dispenser, Darth Vader shower head, Death Star waffle maker, life-sized R2-D2 aquarium by Hammacher Schlemmer, and believe you me, that’s only scratching the surface. There was even a Star Wars Christmas album!

A Cast of Thousands

Christmas In The Stars: Star Wars Christmas Album (RS0 Records RS-1-3093) record and cassette was released in November of 1980 and featured C-3P0, R2-D2, Chewbacca, and a then unknown Jon Bonjovi in his first commercial recording (his cousin ran the New Jersey recording studio and co-produced the album). Over 70 people (!) were involved in the making of the record and it was one of the first non-classical and jazz albums to be digitally recorded. With all that talent you’d think this would be the most amazing Christmas album ever. It is. Amazingly bad.

Fast Track

The album actually came together at light speed. Several sources cite a Lucasfilm internal memo from September 1980 that outlined the album concept. Just nine 9 days later, actor Anthony Daniels flew in from London to record his vocals as C-3PO and supposedly had only 1 weekend to do it. Talk about fast tracking a project!

The album and its mostly original material scored a minor holiday hit with the single What Can You Get a Wookiee for Christmas (When He Already Owns a Comb?). It reached #69 on the Billboard Hot 100. If you don’t remember the song, best we keep it that way. Strangely, 3 years after the record came out, a second single was released, R2D2’s Sleigh Ride with Christmas in the Stars on Side B. Even more strange, 10 years after the record came out, a 3” “CD single” was released in Japan featuring R2-D2 We Wish You A Merry Christmas and Christmas In The Stars.

After CDs were introduced, someone decided the album was important enough to be issued on CD….not once, but twice. The first was the original 1994 CD by Polygram called Meco Christmas In The Stars (Meco previously recorded Star Wars and Other Galactic Funk) with a pathetic generic cover. In 1996, Rhino Records reissued the CD with the original album artwork and new liner notes. It’s said that up to 9 songs from the original recording sessions remain unreleased to this day. Based on the existing material, perhaps it’s just as well.

You can buy Christmas In The Stars on the used record market, but be prepared to spend all of your Christmas money from Santa. Discogs has one cassette tape listed for $150 while eBay has one for $2,100! Amazon has the CD for $89 and the vinyl record for $200.

After reading some of the comments left on Amazon, you’d wonder why anyone would pay that kind of money: “Without [a] doubt, the worst Christmas album of all time. Even kids will hate it. Stay far away”, and “To call this album bad would be an understatement. I realize that this is a children’s album, but I can’t imagine that too many children would enjoy this insipid junk. The lyrics are especially awful. When I met Anthony Daniels, he called this album ‘pure crap’. Take it from C-3PO himself, folks.” Just for the heck of it, I contacted Anthony Daniels and asked him to reflect on Christmas In The Stars. He ignored all of my messages. If I were him, I wouldn’t want to talk about it either. He probably has PTSD.

Truly Terrible

You’ll find other negative reviews besides comments on Amazon. Bradley Torreano’s write-up on Allmusic.com doesn’t pull any punches: “Few Christmas albums are as truly terrible as Star Wars: Christmas in the Stars…this could be the worst Star Wars related album on the market. To those who enjoy bad music on a camp level, this album is priceless. Fans of the series should give it a listen just to hear how bad it is, but this is really only recommended for those who enjoy terrible music for its comic value.” Ouch.

I’m afraid I must agree. Instead of Christmas In The Stars, it should’ve been called Crap In The Stars. Hearing C-3P0, a robot with a British accent portrayed by Anthony Daniels who wasn’t a trained singer, croon Christmas songs is just plain bizarre. Take the “duet” of Sleigh Ride he performs with R2D2. Please, take it. Or his butchering of a modified reading of ‘Twas The Night Before Christmas. “Bells, Bells, Bells” is another oddity in which C-3PO tries to explain to R2-D2 what bells are…Chiming what the hour is now / Or they’ll lead you to a cow. Huh? Not exactly Lennon and McCartney. Besides that, the highly sophisticated robot R2-D2 doesn’t know what bells are?

With all that talent you’d think this would be the most amazing Christmas album ever.

The lack of depth in the lyrics is surprising considering the songs were written by Yale University music professor Maury Yeston, who went on to win two Tony awards and three Grammy nominations. Yeston also appears on the album as Santa on The Meaning of Christmas, and his voice is multi-tracked to create the “choir”. He briefly addresses his lyrics on his website: “The fun and light tone of [the album] was targeted towards the younger audience (Maury’s own son was then 7) that had fallen in love with Artoo, Threepio and the Droids, and of course the Wookiee.”

Listening to Christmas In The Stars will make you think you have a DVD of a Star Wars Christmas TV special playing but with the picture switched off. Yet the record wasn’t related to the “Star Wars Holiday Special”, a 1978 made-for-TV movie that should’ve been destroyed along with the Death Star.

Frankly, the most impressive thing about the album is the cover artwork by Star Wars production artist Ralph McQuarrie. It depicts Santa’s workshop of the future, with toys being assembled by robots. I guess all the elves were transferred to another department, or worse, laid off. Santa is pictured warming himself before a fireplace while C-3P0 and R2-D2 look on. It’s not Currier and Ives but it’s nice as far as intergalactic Christmas album covers go.

According to the liner notes from the CD, Christmas In The Stars wasn’t to be the only Star Wars holiday recording. A series of Star Wars Christmas releases were planned but never materialized for whatever reason. RSO Records folded after the first run, which probably didn’t help matters. Whatever the reason, it was nothing less than a Christmas miracle that we were spared from further abuse.

Speaking of strange Christmas music, the Star Wars CD booklet promotes other classic Rhino Records Christmas albums you’ll surely want to add to your holiday music collection like The Flintstones: Christmas In Bedrock and Have Yourself A Looney Tunes Christmas. As the latter release exclaims, “Christmas tunes like you’ve never heard them before…”, and probably never wanted to.

There’s no doubt that Star Wars was an incredible sci-fi film. Christmas In The Stars is a different story. It’s an album for the ages. Ages 5 to 10. It was ground breaking, as in dig a hole in the ground and bury it. The best part of the album is when it ends. It has to be one of the worst Christmas records ever. If you buy this album, may the remorse be with you.

Every word in every one of my articles is 100% written by me. I never use ChatGPT or any AI technology. Ever.

Trivia (from www.starwars.com/news/10-things-about-christmas-in-the-stars): “Yoda was supposed to make an appearance [on “Christmas In The Stars”]. Frank Oz, the actor and puppeteer who helped launch Yoda to fame in “The Empire Strikes Back”, was approached to reprise the voice of the Jedi Master for the album’s ‘Meaning of Christmas’ track. Oz couldn’t participate due to scheduling conflicts, so the album eventually settled on Santa’s son, ‘S. Claus’, to fill the role (with revised dialog).”

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Return here next week for the final installment in my “Have A Strange Christmas” series.

Did you miss last week’s strange Christmas record?

This is the third installment in my “Have A Strange Christmas” series where I highlight a different strange Christmas record every week through the end of December.

Max Headroom was a “computer generated”, stuttering announcer who invaded our culture and our TV screens in late 1980s. In reality, Headroom wasn’t a computer creation at all. He was Canadian actor Matt Frewer heavily caked in makeup and latex prosthetics, wearing a shiny fiberglass suit, with strange looking contact lenses in his eyes (when he wasn’t wearing his fashionable Ray-Bans, that is). You never saw him below his elbows. For all anyone knew, he wasn’t wearing pants. A green screen behind him featured colorful Amiga computer graphics.

I Want My Max TV

Like Frewer, Max Headroom wasn’t “born” in the USA. He was imagined by British director Rocky Morton who wanted an MTV-like VJ to host a British music video show, but something created by a computer. That wasn’t practical in the mid-1980s, so it was decided that an actor would be made-up to look like a computerized character. UK designers John Humphreys and Peter Litten created the custom makeup effects and the suit. The process to transform Frewer into Max Headroom took just over 4 hours from start to finish.

The Headroom character got his first big break across the pond in a UK movie for television. From there, he hosted a British music video and interview show that became very popular. It wasn’t long until Hollywood- the ABC network specifically- took notice and developed a television series in 1987 geared at the American market called…wait for it…Max Headroom.

Mad Max

The weekly science fiction adventure TV show starred Frewer as reporter Edison Carter (as well as Max Headroom, a computerized version of Carter), Amanda Pays (who was also in the UK TV movie) as his coworker, and Jeffrey Tambor as their producer. The show was set “20 minutes into the future” when TV networks ruled the world. Sound familiar? Frewer’s character was a sort of Mike Wallace of the future, exposing the greed and corruption of the networks. Carter also investigated “blipverts”- intense TV commercials lasting 3 seconds that literally caused some viewers’ heads to explode. Sound familiar?

If You Can’t Beat ‘Em…

Capitalizing on his popularity, Headroom appeared in TV and print adverts endorsing the New Coke (you can guess how that went), and there were all kinds of Max Headroom branded paraphernalia like a finger puppet, notebook, lunch box, wrist watch, trading cards, sleeping bag, skate board, and even a book titled Max Headroom’s Guide to Life. That’s interesting considering his character combated greed in the TV show.

Maxed Out

Max reached his max in mid-1988, having his plug pulled in mid-second season after just 14 total episodes, not even being allowed the respect of a final episode. TV viewers at the time were much more interested in Miami Vice and Dallas than a wisecracking CGI guy. Ironically, Lorimar, the company that produced Max Headroom, also produced Dallas. At least the show managed to pick up 3 Primetime Emmy Awards before it took its love away.

A Huge Colostomy

Early on in his career, Headroom gave the world a little musical Christmas gift. Merry Christmas Santa Clause (Chrysalis VS4 44000) was released in 1986 on the heels of The Max Headroom Christmas Special, a US television special that was as successful as a 5-year-old cooking a Christmas turkey by himself. The song is a musical homage to the calorically challenged guy in the red suit who, in Headroom’s opinion, is greatly underappreciated for all he does. The most memorable lyric from the song is, “He bestrides the world like a huge colostomy.” They just don’t write them like they used to.

“You never saw Headroom below his elbows. For all anyone knew, he wasn’t wearing pants.”

Terrifying

Headroom was a television star, and although his videos look primitive today, during his short 1986-88 lifespan, they came across as the cutting edge of computer animation, even though they weren’t computer animation. The music video of Merry Christmas Santa Claus features a tube color television set propped up on a bench in front of a shiny white grand piano. The Southwark Cathedral Choir surrounded Headroom as snow, as artificial as Max himself, fell on them. Some of the candid comments from the 23,000 views on YouTube include, “This terrified me when I was a kid”, “This is scary as hell”, “This is terrifying”, and my personal favorite, “Max Headroom f***ing creeps me out!”

Donning my detective’s fedora, I tracked down Keith Stracham who produced Merry Christmas Santa Claus (You’re A Lovely Guy) and asked for any memories he had. “[Merry Christmas Santa Claus] was recorded at CTS studios in Wembley”, Stracham recalled in an email to me. “I have a memory that Matt Frewer wanted to do it as himself rather than having his voice treated so as to be Max Headroom but that was never going to happen. It was the only time I worked on Max Headroom and Matt was very easy to work with. I remember that I asked Guy Barker to play piccolo trumpet on the track. Guy went on to be a famous jazz trumpeter running his own orchestra.” 

Lest you think this was Stracham’s sole contribution to music, he’s a renowned TV and theater director, producer, arranger, and composer. He composed the theme music to the popular TV game show, Who Wants To Be A Millionaire, which was heard many more times over than Merry Christmas Santa Claus. He also wrote Mistletoe and Wine which became a #1 hit in the UK for Cliff Richard.

Merry ChristMax

Alas, Merry Christmas Santa Claus never made the music charts and Headroom disappeared about as quickly as he appeared. Out of curiosity, I went on Chrysalis Record’s website, the record company that released the song, and input “Max Headroom” into the search bar. There were no results. That speaks volumes. Headroom is as memorable today as the 8-bit Commodore 64 computer that was around during the same time period.

Max Reboot

That said, Wikipedia and other sites like syfy.com report that the AMC Network is working on a new Max Headroom TV series presumably for next year. I contacted AMC several times to confirm. After several weeks of silence, my query was escalated to management, but in the end, no one ever responded. I reached out to AMC’s PR Department but they also failed to respond. I queried the company that owns the rights to the Max Headroom character but they also didn’t answer my question. If a new Max Headroom series is indeed in the works, none of the stakeholders seem very interested in promoting it.

Some would say Frewer’s computerized alter ego was ahead of its time. Others would say it was a very strange creation. Headroom’s lone Christmas song is much more the latter than the former. Have a strange C-C-C-C-Christmas, Max, in whatever universe you reside.

Return here next week for the next installment in my “Have A Strange Christmas” series!

Did you miss last week’s strange Christmas record?

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Trivia: Max Headroom’s name came from the last thing Frewer’s TV character saw just before a motorcycle accident that put him in a coma. It was a sign above a parking garage that read “MAX. HEADROOM: 2.3 M”.

Trivia (from Wikipedia): “On the night of November 22, 1987, the television signals of two stations in Chicago, Illinois, were hijacked, briefly sending a pirate broadcast of an unidentified person wearing a Max Headroom mask and costume to thousands of home viewers…A criminal investigation conducted by the Federal Communications Commission in the immediate aftermath of the intrusion could not find the people responsible, and despite many unofficial inquiries and much speculation over the ensuing decades, the culprits have yet to be positively identified.”

Trivia: “Paranoimia” was a song by pop group Art Of Noise that featured the voice of Max Headroom. The single reached #14 on “Billboard’s” Dance chart in 1986.

This is the second installment in my “Have A Strange Christmas” series where I highlight a different strange Christmas record every week through the end of December.

Just about everyone has heard of Waffle House if not eaten at one, or passed their iconic school bus-colored signs. What a lot of people don’t know is that they used to regularly record Waffle House related songs and include them in the jukeboxes in their restaurants for their patrons to enjoy while chowing down. Some of those songs include There Are Raisins in My Toast, 844,739 Ways to Eat a Hamburger, Waffle Do Wop, and I’m Going Back to The Waffle House. These were not short commercial jingles but full length, professionally recorded songs. Originally, the songs were shipped to the establishments on 45 RPM records under the Waffle Records label to be loaded into the jukeboxes alongside regular music. Jukeboxes are still in each restaurant today but they’ve all gone digital. The records weren’t sold to the public, but in 1999, the chain released their first CD, Waffle House Jukebox Favorites Volume 1, which collected many of these musical culinary classics. The 10 track CD has been out of print for over 20 years, but you can download the complete digital album from Bandcamp.com for a mere $1,000!

Waffle Records

Believe it or not, there’s an actual Waffle Records and they recognize the top Waffle songs played in their restaurants’ jukeboxes with their annual “Waffle House Tunies”. This year’s winner will be announced on their Instagram page in mid-December.  

According to Kelly Thrasher Bruner from WH’s Marketing and Communications Department, there are no new Waffle House recordings planned but they hope to be soliciting new songs soon. Their jukeboxes getting updated with new songs via the Internet.

Bacon Spirits Bright

In 2001, Waffle House released a Christmas CD called It’s A Waffle House Christmas. Jerry Buckner and Gary Garcia, best known for their 1982 hit Pac Man Fever, Waffle-ized numerous Christmas songs for this 16-track title. There are several tracks credited to “The Waffle House Carolers”, whoever they are, but that’s just the syrup on the waffles. Some of the other songs include a Frankie Valley-like version of Santa Claus Is Coming to Town performed by “The Four Seasonings”, a humorous Elvis inspired ‘Twas The Night Before Christmas reading, and Heading Home For The Holidays done in distinct Dolly Parton style by Mary Welch Rogers, the wife of one of Waffle House’s co-founders. Rogers also lends her vocal talents to Heading Home for The Holidays.

Rogers didn’t get to sing just because, at the time, she was the wife of one of the co-founders, although that didn’t hurt. She’s a professional singer who recorded songs with 20^th Century Fox Records in the late 1970’s, plus, she was the one who came up with the Waffle House song idea in the first place back in 1984. I emailed Rogers, now 73, asking her about It’s A Waffle House Christmas, but she declined to comment beyond, “I enjoyed recording and writing some of the WH songs”.

Mistletoe And Maple Syrup

Without a doubt, the standout track on the CD is The Waffle House 12 Days of Christmas: “At the Waffle House on Christmas, my true love gave to me, 6 different omelets, 5 pork chops grilled, 4 eggs a frying, 3 sausage patties, 2 waffles baking, and a bowl of delicious, hot grits.” I figured I’d spare you the lethal caloric intake from the last 6 dishes. Five of the songs are repeated at the end in instrumental form for Christmas karaoke purposes. Apparently, karaoke is a thing for some families on Christmas day. Mercifully, that was never a tradition I was exposed to.  

Christmas, The Waffle House Way

If you’re of a certain age then you know big name companies releasing Christmas albums was hardly unusual back in the day. Goodyear, JC Penny, A & P Supermarkets, BF Goodrich, Avon, True Value, Firestone, and even KFC put out their own Christmas records every year and they were very popular. Those albums, however, were compilations of standard holiday hits. In the case of It’s A Waffle House Christmas, some of the songs were originals and most of those that weren’t had their lyrics “modified” to promote the brand. As to why Waffle House would put out their own Christmas CD in the first place, they explain on the CD’s rear insert: “At Waffle House, the holidays are always a favorite time for good cheer and happiness. This year we decided to capture that same spirit in a special CD collection of holiday songs, all served up with fun and tradition the Waffle House way.”

Waffle Heads

Like the Jukebox Favorites CD, It’s a Waffle House Christmas was only sold on the chain’s website and is hard to come by. I’m slightly embarrassed to admit I spent many, many (many) months scouring eBay to score my original copy. I finally ended up buying one from Jerry Buckner himself, the guy who wrote or co-wrote many of the WH songs. He even signed the cover for me.

If you need your Waffle House Christmas fix and can’t find the CD, don’t fret. You can listen to the entire album for free on YouTube (link provided at the end of my article) like 2,200 other Waffle Heads (I just made that name up) have. Some of the comments people left on YouTube about the Waffle House Christmas CD include, “If your party’s not this lit, don’t bother inviting me”, and “could this be the worst Christmas album ever?”

The House That Waffles Built

Waffle House started in 1955, 68 years ago, in Avondale Estates, Georgia by two neighbors who wanted a 24-hour, 7 days a week, sit down restaurant, with an emphasis on treating customers like family. It’s now in 25 (mostly mid-west and southern) states with almost 2,000 restaurants, employing over 40,000 people. As their website states, “Waffle House was founded on the principals of providing the friendliest service in town…” Co-founder Joe Rogers, a former short order cook himself, said, “We aren’t in the food business. We’re in the people business.” Incidentally, he named his restaurant “Waffle House” because the waffles were the most popular item on the menu. Waffle House says their restaurants collectively serve over 300,000 waffles every day. Now that’s a lot of waffles.

Waffles And Chow Mein

Waffle House as a company bought back the very first Waffle House restaurant at 2719 East College Avenue in Avondale Estates, Georgia which changed hands back in 1973. The two founders, Joe Rogers and Tom Forkner, had built the original property for $14,000 but the company hasn’t disclosed what it paid to buy back the building which had been a Chinese restaurant for the previous 20 years. In 2008 it was restored to its original 1955 stainless steel glory and turned into a museum.

The small section of the eatery has been outfitted with a period counter, 13 stools, cooking equipment, lighting, condiments, wood paneling, and even plates and mugs. There’s also a small memorabilia room featuring old menus, uniforms, hats, t-shirts, and lots of slogan buttons. For the perfect photo souvenir, there’s an opportunity to stick your head into holes of life size cut outs of vintage servers. And yes, there’s a working jukebox so you can play your favorite Waffle House song. If you’re thinking of visiting it’s by appointment only and you can’t eat there, but admission is free.

“Could this be the worst Christmas album ever?”

Christmas is a special time to spend with family and friends, to exchange gifts, to hope for peace in the world, and to play strange holiday music. If you think It’s A Waffle House Christmas is odd, come back here every week for the next 3 weeks and be amazed at even stranger holiday recordings. Have A Strange Christmas.

Trivia: When the first Waffle House opened in 1955, per their menu, a bottle of Coca-Cola cost 10 cents, hashbrowns cost 20 cents, waffles were 40 cents each as were eggs, 0.65 for a cheese omelet, a hamburger cost 30 cents, filet mignon was a whopping $1.50, and slice of fresh pie set you back 20 cents.

Trivia: Waffle House claims there are 1.5 million possible hashbrown combinations including cheese, onions, and sausage gravy.

Trivia (from WaffleHouse.com): “In 2015, Waffle House proudly served its billionth waffle.”

Trivia (from Wikipedia): “The founders of the Waffle House brand died in 2017 within less than two months of each other: Joe Rogers Sr. died on March 3 and Tom Forkner on April 26.”

Trivia (from Wikipedia): “In the 1960s, S. Truett Cathy, the owner of a local diner called the Dwarf House, contracted with Waffle House to sell his proprietary chicken sandwich, the Chick-fil-A chicken sandwich. However, the Chick-fil-A sandwich quickly overtook Waffle House’s own items in sales and Waffle House ended the deal, prompting Cathy to spin off Chick-fil-A into its own chain.”

Trivia: August 24^th is National Waffle Day.

Trivia: In 2018, legendary country music star Bill Anderson released the single, “Waffle House Christmas”, after having spent a Thanksgiving at a Waffle House.

Every word in every one of my articles is 100% written by me. I never use ChatGPT or any AI technology. Ever.

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Jerry Buckner wrote or co-wrote many of the Waffle House songs including The Waffle House 12 Days of Christmas and scored a hit with Pac-Man Fever. Read my 10 Q&As with Buckner only on Patreon along with more interesting details about Waffle House.

Waffle House Christmas CD

Bill Anderson Waffle House Christmas

Did you miss last week’s strange Christmas Album?

See more Waffle House pics on my Instagram page.

This is my third-year presenting “Have A Strange Christmas”, where I take a deep dive into strange Christmas records. This holiday, I decided to do something a little different. Rather than cram 5 albums into one very lengthy article, I’ll be posting one strange Christmas record each week starting this week through and including the last week of December. I kick off my series with none other than Bob Dylan.

I recall reading a story about John Lennon playing a Bob Dylan record for Paul McCartney. I think it was around the time The Beatles were recording their Rubber Soul album. McCartney said he didn’t like Dylan’s voice, to which Lennon responded, “Listen to the words, man.” Dylan’s unquestionably a very gifted songwriter, but I’ve never been able to completely get past his whining, gravelly voice. His Christmas album is no exception. Yes, Bob Dylan recorded a Christmas album.

Deep Throat

Dylan’s voice is about as far afield from Bing Crosby and Perry Como as it can get, but that didn’t stop him from belting out an entire album’s worth of Christmas songs in October of 2009. Besides his voice sounding like it’s been roasting on an open fire, Robert Allen Zimmerman was born and raised Jewish, although he later converted to Christianity and changed his name. Dylan said everyone can relate to Christmas music regardless of religion. I agree with him on that score, although I find it difficult to relate to most of the songs on Christmas In The Heart (Columbia 88697 57323 1).

Perhaps if Dylan had used his God-given songwriting talent to write some brilliant Christmas songs of his own for this album, that might have rescued it. After all, we’re talking about the winner of the 2016 Nobel Prize for Literature. Instead, what we have here are 15 Christmas classic covers in two nostril, throat-sonic sound. So much so, I think it should’ve been called “Christmas In The Throat”.

Kleenex Says Bless You

Diving into the songs on Christmas In The Heart, sixteen seconds into the first song, Here Comes Santa Claus, it sounds like Dylan’s voice cracks. Other than that, the song is actually pretty good, as is Winter Wonderland. I’d also put Little Drummer Boy in the same category. Must Be Santa is a hoot and is the unquestionable standout track. The rest of the songs on the album, however, are enough to reduce the baby Jesus to tears.

Dark And Blurry

To those Dylan devotees who feel I’m being too hard on him, I liked him when he was a Traveling Wilbury, and I’ve already acknowledged that I think Dylan is a songwriting genius. Which is why, 27 years ago, I went to see him perform live in Portland, ME. I sneaked in my Minolta 35mm SLR camera and managed to get some snaps from the mezzanine. Dylan was wearing a very unusual shiny silver jacket that looked like it had a million tiny mirrors sewn on it. “Recording devices” weren’t allowed but I had no idea cameras fell into that category. Security staff were going through the audience literally ripping the film out of people’s cameras (this was before there were digital cameras and smartphones). That’s why my photos came out dark and blurry because I was clicking quickly while trying my best to conceal my camera. I also had the flash turned off so it didn’t give me away.

My opinion of Heart must be in the minority because the record opened at #1 on the Billboard Holiday chart, reached #5 on the Folk chart, made it to #10 on the Rock chart, and peaked at #23 on the overall album chart. It would seem music lovers across the board loved this record.

Laughing All the Way

Indeed, on Amazon, 82% of the reviews are 4 stars or above. Yet I found comments that were more along the lines of what I was thinking: “…it’s almost painful to listen to him try to sing. This may be the worst Christmas album I’ve ever heard”; “You have to LOVE Dylan and/or have a fantastic sense of humor”; “It’s like sticking a large bore needle into your ear into your brain”; “Awful. Sounds like my cat in heat…”; “A strange take on many classic songs and it reminds me of being at a Christmas party where everyone has had a few and someone brings out a guitar.”

The Season of Giving

In light of its success, Dylan must have made a bundle off of this album, right? Wrong. Not that he needed the money, mind you. To his great credit, all proceeds went to charity. In the US, Feeding America benefited, while in the UK it was Crisis, with the rest going to the World Food Programme. Strange as it may be, Christmas In The Heart fed a lot of hungry people in the world.

All I Want For Christmas Is You

One thing I do love about Christmas In The Heart is its visual presentation. The front cover artwork of a horse driven sleigh taken from an antique print reminds me of Christmas albums gone by. Inside the CD booklet is a great color illustration of Bettie Page as a sexy Mrs. Claus. If Mrs. Claus looked like that in reality, Santa wouldn’t dare leave her alone with the elves for 5 seconds, never mind all night long. The deluxe CD edition also came with 5 blank Christmas cards that reproduced the album cover art. Bravo.

The creativity didn’t stop with the album. Must Be Santa was released as a 45 RPM single. The promotional copy was issued on red colored vinyl and came packaged in a cardboard sleeve with vintage graphics and a label that made it look like an old 78 RPM record. Bravo again. Incidentally, Must Be Santa was backed with Dylan’s reading of ‘Twas The Night Before Christmas which wasn’t included on the LP or CD. It’s the most uninspired reading I’ve ever heard in my life.

“I think it should’ve been called ‘Christmas In The Throat.’”

The Ten Worst

A 2013 Rolling Stone readers’ poll named Must Be Santa one of Dylan’s 10 worst songs. I beg to differ. Granted, it isn’t his best effort, but it’s a fresh, fun polka take on an old Christmas classic that you don’t hear very often. The only thing better than the song is the video which depicts a Christmas Eve party we’d all love to have been invited to. In the video, Dylan meanders through the house singing while wearing different hats. He winds up outside on the porch with the big guy himself. It’s been viewed over 7 million times.

Back In Stock

If you missed this album when it came out and want a copy to play so you can clear out the stragglers at your Christmas party, you’re in luck. The CD is easily found on eBay and reasonably priced. Prefer vinyl? You’re in luck again. The record was just re-issued last month for the album’s 14^th Anniversary. Why wait one more year for 15? Amazon put out their own exclusive red colored vinyl edition. Don’t bother trying to track down the original 2009 record (which came bundled with the CD) unless you’re okay with spending over a hundred dollars.

After the album came out, some music reviewers in the press suggested Christmas In The Heart was an intentional parody of vintage Christmas albums. Dylan responded by saying those reviewers didn’t have a clue about him or his music. Christmas In The Heart isn’t a parody, but it is strange.

Trivia: Dylan produced “Christmas In The Heart” himself but used the pseudonym “Jack Frost”.

Trivia (from krcgtv.com/features/beyond-the-trivia/beyond-the-trivia-best-selling-christmas-artist): “The artist who’s sold the most Christmas albums is Elvis Presley and his 1957 album, ‘Elvis’ Christmas Album’, is the best-selling Christmas album of all time. It contains Elvis’s iconic version of ‘Blue Christmas’. So far, it’s sold some 20-million copies. Kenny G is second on the list at seven million albums, followed by Nat ‘King’ Cole and Mannheim Steamroller.”

Return here next week for the next installment in my “Have A Strange Christmas” series.

Every word in every one of my articles is 100% written by me. I never use ChatGPT or any AI technology. Ever.

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Video: https://www.youtube.com/watch?v=a8qE6WQmNus

If you listened to public radio in New England in the 1970s and 80s, even into the 1990s, chances are you remember the name Robert J. Lurtsema. Lurtsema hosted and produced a very popular 5-hour morning drive classical music program, Morning Pro Musica, for nearly 29 years. The radio show emanated from WGBH, a 100,000 watt FM public radio station in Boston. For a time, his show was also simulcast on WGBH-TV.

Lurtsema wasn’t just a well-known Boston area radio personality. Morning Pro Musica was carried by numerous public radio stations throughout New England, and for a time, over many NPR affiliate stations throughout the US via satellite. At its height, the program had a half million listeners. The Christian Science Monitor called Lurtsema “the world’s greatest alarm clock”.

Even if his name doesn’t ring a bell, you’ve probably heard Lurtsema’s distinctive voice. He voiced the opening to Public Television’s Mystery! (Produced by WGBH-TV), narrated many public TV documentaries, narrated an episode of the PBS TV series Nova, and can be heard on several records.

No Personality

I only knew Lurtsema as the host of Morning Pro Musica, but he had a profound influence on me as an undergraduate studying radio at Emerson College. My voice wasn’t anything like his but I adopted his speaking style. To say it was laid back would be an understatement. Thus, I earned a reputation at my college’s non-commercial radio station for being incredibly boring on the air. I wanted to work in public radio so it didn’t concern me that I wasn’t as exciting as Howard Stern. Unfortunately, I was never able to break into public radio, though I did score interviews with the two biggest public radio stations in Boston; WGBH and WBUR. WGBH actually called me to do some fill-in announcing but I was recuperating from eye surgery at the time and was reluctantly forced to decline. They never called again. Like a single beautiful woman, you only get one chance with public radio. I ended up working in commercial radio so I was forced to develop a personality. But I digress.

Getting To Know You

As I got to know Lurtsema better through my research, it turns out he lived quite a life. He served in the US Navy for 5 years and held all manner of jobs before finding his calling as a classical music radio host. He was awarded a lifetime scholarship to the New England Conservatory of Music. My research also revealed he was passionate about environmental causes, nuclear disarmament, medical research, and civil rights. He sat on dozens of boards for music organizations throughout New England and was the artistic director for 5 years for the “Brown Bags for Kids” series at Worcester’s Mechanics Hall. He narrated two children’s records…The Story of Babar and Peter and The Wolf. He performed live narrations with orchestras. He authored 2 books, was a sculptor, painter, photographer, and composer (his bassoon quartet composition was adapted as the theme music for the PBS-TV program “Julia Child and Company”).

Ambassador Lurtsema

During his radio years he became an unofficial US ambassador as it were, having received formal invitations from the governments of France, Germany, Scotland, Greece, Canada, Israel, Finland, and the Netherlands. The latter country hosted him as one of 40 distinguished guests of Dutch heritage (the Dutch spelling of his last name is Luurtsema).

Warm Fudge

Back in late 80s, I had my clock radio set to wake to Morning Pro Musica even though I wasn’t a classical music buff. “Start your day with Robert J”, as the slogan went. Lurtsema began every show with a recording of bird songs…a recording he made himself. The bird songs would play without interruption, often for as long as 5 minutes, and then slowly mix with his opening classical piece. What a wonderful way to wake up! He had a calming voice which the New York Times likened to “warm fudge”. His pauses were so long you could drive a Mack truck through them. He was a welcomed alternative to screaming morning DJs in hysterics over nothing, playing music that was equally meaningless. In a promo for Morning Pro Musica, one listener described Lurtsema’s program as “sanity in a world soon to become insane. It’s an opportunity to take that last deep breath before you get on the fast track.”

Have A Taste

On the flip side of the record so to speak, not everyone held Lurtsema in such high esteem. Many were annoyed by his notoriously infinite pauses. Some considered Lurtsema narcissistic. Classical snobs didn’t like the selections he played or the way he framed them. Still others felt Lurtsema was just plain boring. He was an acquired taste, but for myself and hundreds of thousands of other listeners, it was a taste that lingered pleasantly on the palette.

News Break

The music Lurtsema played (he spent hours meticulously planning each program months in advance) and his on-air personality (or lack thereof) wasn’t all he was known for. He also insisted on writing and reporting his own newscasts during his show, something none of the other music hosts could get away with. He always opened his news segments with, “Here’s a look at some of the items in the news as edited and reported by your ‘Morning Pro Musica’ host.” The morning after the 1980 presidential election in which Ronald Regan defeated Jimmy Carter, Lurtsema announced, “there is no news worth reporting this morning”, and proceeded with his show. WGBH tried to replace his news with live hourly NPR news reports from Washington, D.C. and California. According to one telling of the story, Lurtsema threatened to quit and the radio station backed down, while another story said listener protests were so overwhelming that the station was forced to restore Lurtsema’s own newscasts.

Live From Tanglewood

From 1995 onward, during the Boston Symphony Orchestra’s opening weekends of their summer seasons, Lurtsema broadcasted live from Tanglewood, a music venue in Lenox, MA, and the home of the BSO since 1937. During this period, Morning Pro Musica featured live performances and interviews with John Williams, Seiji Ozawa, and Arlo Guthrie just to name a few. Other notable guests on his program included Aaron Copland, Isaac Stern, John Cage, and Itzhak Perlman. In the radio industry, or at least in the public radio realm, Morning Pro Musica became the gold standard for classical music programs.

Tell Me A Story

Lurtsema hosted special Christmas editions of his morning show featuring Christmas stories he narrated himself. Over the years, his listeners wrote in asking for copies of his moving readings. In 1981, he answered their requests with his first and only solo record…Robert J. Lurtsema Christmas Stories, which celebrates its 42^nd anniversary this year.

Best Pauses

In case you couldn’t tell, the cherubic faced man in the Santa Claus suit on the cover of Christmas Stories is indeed Mr. Lurtsema. The image, with his obscured smile, gives us a glimpse into his playful side. According to Wikipedia, “Lurtsema displayed a subtle sense of humor. On April Fool’s Day 1982, he stood in for the singing birds with his own deadpan chirping, and on April Fools’ Day 1992, the birds were replaced by howling wolves. Aware of his reputation for long pauses, on another April Fools’ Day, Lurtsema presented selections of his ‘best pauses.’ One morning, he devoted his full five hours to playing ‘Twinkle, Twinkle, Little Star’ in all of the variations that he could find.”

Lurtsema vs. Shatner

Like Morning Pro Musica and Lurtsema himself, Christmas Stories is unusual and at the same time remarkable. Besides the fact that it was put out by a radio announcer, this Christmas album doesn’t include a single Christmas song and Lurtsema doesn’t sing any songs, which would’ve proved interesting in itself. I envision him doing a spoken holiday song a la William Shatner. If you’re looking for sing-a-long with Robert, this isn’t it. Rather, it’s a showcase for Lurtsema’s voice and unique delivery, both of which were well suited for the subject matter.

Perfect 5 Star Rating

Robert J. Lurtsema Christmas Stories enjoys a rare 5 out 5-star rating on Amazon. Some of the comments from the reviews include, “an amazing set of Christmas stories (and history) told by one of the best voices of our time. A must have for the holidays and Christmas Eve. I am not religious and I find these moving and in the true spirit of the season.” Another person wrote, “this collection of Christmas stories is carefully chosen and beautifully delivered. The recording quality is exceptional. A wonderful album!” Still another opined, “for beauty of language and soul of reading, this is a great addition to any library of Christmas recordings. Highly recommended!”

Despite such high praise, Christmas Stories didn’t exactly go platinum. I have a memory of seeing multiple copies of this record embarrassingly collecting dust in discount record bins. Its appeal would’ve been very limited. Lurtsema was popular, but he wasn’t Frank Sinatra. Besides, the album was distributed by a very small record label, Philo Records, which catered to folk, jazz, and world music, and operated out of a converted barn in Vermont.

CD Or Not CD, That Is the Question

In spite of or perhaps because of its limited appeal, there’s decent inventory of Christmas Stories on the used record market such as eBay and for reasonable prices. Alas, the coveted CD is more expensive and much harder to come by, which is odd since it was distributed by Rounder Records which had much wider distribution. I ended up finding one on Amazon of all places! The Amazon listing shows “CD-R”. To me, that meant the seller was selling copies, which is against US Copyright law. I went ahead and purchased one anyway and was extremely surprised to receive an original CD, not a copy, and it even included the original Rounder Records mail-in postcard. As of this writing, the listing is still on Amazon but there are no more CDs available. I contacted the seller about this and they apologized and said their inventory constantly changes.

If you’re not into physical media as I am, Amazon sells the MP3 download of the album for under $10. If you’re entertaining the idea of buying Christmas Stories, I’d suggest getting the digital download, CD, cassette tape, or a sealed or mint copy of the vinyl record so the crackles and pops don’t compete with the star of the show. I’ve included links at the end of my article. Unfortunately, there are no liner notes by Lurtsema or any background information about his readings, and the CD doesn’t include any bonus tracks.

The Bird Is the Word

Earlier I mentioned recordings of happy chirping birds that Lurtsema used to open each show with. If you’ll allow one of my trademark digressions, WGBH radio released a record and cassette of those recordings in 1984, entitled Dawn Chorus: The Birds of Morning Pro Musica, which can also be sourced on used music sites. Lurtsema isn’t heard on this recording, just his birds.

Lurtsema On Record

There are other Lurtsema related records you might find of interest, such as the Paul Winter Consort’s The Man Who Planted Trees from 1995, beautifully narrated by Lurtsema, and Voices of The Loon from 1980.

There are 2 additional Christmas titles I’ll briefly bring to your attention if you’ll indulge me, though they’re not Lurtsema records per se. Wassail! Wassail! from 1995 features a mix of early American Christmas music and narration. Of the 21 tracks, 4 are narrated by Lurtsema, including a powerful reading of The Angels and The Shepherds. Though long out of print, this CD is available on used record sites.

I donned my detective’s fedora and after some extensive digging, discovered The Christmas Revels: In Celebration of The Winter Solstice. It includes just 1 reading by Lurtsema which is why it flew under my radar. The track I speak of, The Shortest Day, is a poem written by Susan Cooper. It times out at less than 90 seconds, but it’s 90 seconds of full throttle Lurtsema. You can easily find this CD used, and possibly the original gatefold vinyl album as well, but amazingly, I found this 43-year-old title being sold new on CD by none other than The Christmas Revels themselves (link at the end of this article).

Since I was already wearing my detective’s fedora, I decided to track down David Lurtsema, Robert Lurtsema’s only brother. I’ve become quite the detective since I started my own blog and after some searching on the Internet and a few phone calls, I was able to connect with him. David’s 81 and still working, yet he managed to carve out some time for a late night (very late night!) phone conversation.

Peter: What did you think of Robert’s radio program, Morning Pro Musica?

David: “Um, I really didn’t hear that much of on the air for him. As far as radio is concerned, I went to his studio a couple times, but that was about it. And listening to his program…not very much because I [couldn’t] get it [where I lived].”

Peter: Can you give me one interesting or humorous story about your brother?

David: “When he passed away, they had a big celebration of life at [an] Episcopalian church somewhere in Boston; a big church. [Editor’s note: It was Emmanual Episcopal Church in Boston]. There were like 5,000 people there and they asked me to get up and speak. What the hell am I going to say? So, I figured I’d say what he said and I told a story that he had told me that’s true as far as I know. My brother was in demolitions in the Navy. The captain called him in and said, ‘Robert, you’ve been recommended for E4’, because he was an enlisted man. He was a 3^rd class petty officer for three times and [he never took the test]. [The captain said,] ‘I want you to promise me you’ll take the test and you’ll study hard.’ Well, if he took the test and passed it, he knew that he would be extended because doing demolition work, they needed these guys. He said, ‘Okay, captain, I’ll take the test and I’ll study hard.’  So, he did and the captain called him in again and he said, ‘Robert, you’re the only man in the history of the Navy to get 100%…Wrong!’ I got up in front of 5,000 people to tell that story. It got a couple of laughs.”

Peter: I was in Rhode Island visiting relatives a couple of months ago and I went to visit Robert’s grave in Canton, MA, where his ashes are interred.

David: “I’m so glad you’re telling me. I know where it is now. Great. That’s where he was supposed to go but I never got the word what happened with that. All I got with the word was, was that Betsy [Robert’s girlfriend] was bitch moaning and complaining that he didn’t have some great, ah, thing built for him, and I think the thing about the family was, well [chuckling], why don’t you take some of the money and give it to him yourself?”

Peter: Since I’m writing about Robert’s “Christmas Stories” record, what was Christmas like as a child in the Lurtesma household?

David: “Well, I don’t have a lot of recollection of it because there was 10 years between us. So, in other words, when [Robert] was old enough to go in the navy, I was what, 6, 8 [years old], somewhere in there. So, I remember how the Christmas’ were for me but to remember him there, it wasn’t very often      

Peter: But did you decorate and have a tree?

David: “We did. We decorated to the hilt. The tree [had] many lights and many ornaments. A lot of presents.”

Peter: Any other stories you’d like to mention about your brother?

David: “Another thing you may not know about him, as long as I’ve got it in my head…I don’t talk to anybody about this much, so I’ve got to bring it out of the memory. He was a child prodigy. His IQ was up like 160 or something. Off the charts. He graduated high school with 2 double promotions…he had 2 [college] degrees in 4 years…a degree in public relations and communications and, ah, I can’t remember what the other one was. It’s been too long now.

“He did children’s stories in Phoenix with a collaboration with some people there. He did, ah, what else? I can’t think right now.”

Peter: He wrote a couple of books.

David: “Yes. He wrote a book on music. I have the book. It’s basically written for musicians because most people wouldn’t be able to comprehend what was in there.”

Peter: I only knew Robert as a listener of his show. What was he like as a person?

David: “When I got out of the Navy, I lived with him for a month or so. We both loved a lot of the same things but his lifestyle was more erratic than…erratic is probably the wrong word. I should say looser than I wanted to live. He liked to go to nudist colonies. That’s fine, but too much of anything is not good.

“I remember his apartment in, ah, oh, I can’t remember the name of the town.”

Peter: Cambridge?

David: “Yes. Thank you. He had an apartment in Cambridge. His bed was suspended by 4 cables coming out of the 4 corners of the ceiling and the cables were attached to springs to hold the thing together and the mattress on top of that. So, the bed was suspended off the floor. That was quite the thing. He was very innovative.

“I went to a psychic a few years after he died [to get] in touch with him. We had a lot of conversations back and forth and it was all taped…and the psychic is getting a kick out of his personality because he [had] a very unusual sense of humor. She caught that right away as soon as she started talking. She’d never met him. It was very revealing. The things I wanted to say to him about how I wished we had spent more time together and how he regretted not doing it because he didn’t really know who I was until later. A lot of good things happened from that. I was so glad that I had done it.”

In terms of Lurtsema’s gifted story telling on Christmas Stories, his brother says that stemmed from their father. “My father was a storyteller. He was a carpenter. He would come home in the evening and have dinner with us; my two sisters, my brother and I, and he would always tell stories about the day. He would talk about Mrs. McGillicuddy or Mrs. Schwartz, or whatever, with an accent that was theirs so you knew what nationality they were. It was kind of play acting but it was very entertaining for us. And of course, all that rubs off on everybody.”

“As far as his storytelling and so on”, David continued, “I have those records you’re talking about. There’s The Man Who Planted Trees. If you haven’t heard that it’s excellent. And Christmas Stories and so on. I went to a lot of performances when I was…in Boston…one where [Robert] was doing imitations, voice overs, I guess it was for Peter and what was it…”

Peter: “Peter and The Wolf”.

David: “’Peter and The Wolf’. Thank you. It’s late here. Later for you though.”

David said something at one point in our conversation that I wanted to end with because it had an important message for all of us: “He was somebody I loved greatly and admired, but we just didn’t spend enough time together and we were both very sorry about that.”

As with his radio program, Robert J. Lurtsema Christmas Stories is a refreshing break from the usual onslaught of holiday chestnuts we subject ourselves to on an annual basis. It requires one to slow down or even to stop and contemplate the reason for the season. Anyone could’ve recorded these stories, but not in Lurtsema’s inimitable way. As much as I enjoy listening to this wonderful album, I can’t help but feel sad knowing there will never be another show like his or another host like him. If he were still alive today, he’d be 92, and if his health allowed, I’m certain he’d still be playing those singing birds every morning. Two-plus decades after his passing, I still miss waking to his voice. He truly was the world’s greatest alarm clock. I don’t know what the voice of God sounds like, but I can only hope it sounds a lot like Robert Lurtsema’s, prolonged pauses and all.

My eternal thanks to David Lurtsema for sharing his memories, memorabilia, and photographs.

Trivia: Robert Lurtsema was originally hired to host ‘Morning Pro Musica’ only on weekends. Not long after, he was promoted to the coveted weekday morning drive slot when the seat became available, yet he still continued to do his weekend shows, working 7 days a week for the next 22 years. In 1993, ‘Morning Pro Musica’ went back to weekends only, which Lurtsema hosted until his death. On June 12, 2000, at age 68, he died from idiopathic pulmonary fibrosis, a rare illness of the respiratory system.

Every word in every one of my articles is 100% written by me. I never use ChatGPT or any AI technology. Ever.

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Robert Lurtsema’s Christmas Eve air check

Robert Lurtsema aircheck

Christmas Stories MP3

Christmas Revels

The Man Who Planted Trees

In Have A Strange Christmas Part 1, I examined 5 strange holiday CDs. In Part 2 I give equal time to 5 strange holiday records. You’ll find links at the end if you want to add any of these oddities to your holiday music library.

1. Scrooged: Danny Elfman (Enjoy The Ride ETR096; 2022)

Scrooged, starring Bill Murray, debuted in November of 1988, and is the kind of film that you either liked or didn’t. This Danny Elfman soundtrack, which is completely different from the original motion picture soundtrack, doesn’t feature any strange material, although the music ranges from creepy to full orchestral holiday numbers. Nonetheless, I’m including it in my article because my vinyl pressing itself is strange.

For one thing, it’s the thickest record I’ve ever owned…1/4” thick! This makes 180 gram vinyl look like paper. The thickness is because, sandwiched in between each side of the clear vinyl, is liquid with sparkles. Move the record around and it creates a kind of snow globe effect, perfect for a Christmas soundtrack. It’s the world’s first now globe record. And yes, you can actually play it.

The other odd thing about this liquid-filled record is it’s refillable. If any of the liquid should evaporate over time or change color, I simply ship it back to the record manufacturer and they’ll replace the liquid and sparkles for a small fee. It’s the world’s first refillable liquid record!

This Scrooged variant took 6 months to make and each one was assembled by hand. It was limited to something like 100 pressings and sold out in less than 15 minutes. You’ll blow your entire Christmas gift budget on one of these records now, assuming you can find one.

2. Switched on Santa: Sy Mann (Pickwick SPCX 1007; 1969)

The Moog synthesizer is an electronic, modular instrument invented by Robert Moog in 1964. It has the ability to replicate the sounds of other musical instruments as well as create unique sounds that no other instrument can produce. Early models were large and intimidating and required hours of programming by an electronic engineer. The 27 minutes of music on Switched on Santa must have taken forever to program. The liner notes claim it took 1 hour of Moog programming to yield 30 seconds of usable music!

The Moog wasn’t a musical curiosity. It was used by The Doors, The Beatles, The Monkees, Rolling Stones, The Byrds, Grateful Dead, and Stevie Wonder. But this strange musical monstrosity wasn’t limited to just rock and pop music. The Moog found its way onto jazz and even classical records, too. Switched-On Bach from 1968 was a huge hit that went on to sell over 1 million copies and win 3 Grammy awards. Johan was probably spinning in his grave.

With success like that, it was only a matter of time until another “Switched On” title followed. Enter Switched On Santa from 1969, the logical follow up. Who could resist 13 holiday classics including Angels We Have Heard On High, Silent Night, and White Christmas performed on the Moog? The music sounds like the soundtrack from a low budget 1950’s sci-fi Christmas movie.

Manning the Moog was Sy Mann. Mann served in the army during World War II, mostly conducting army bands. In 1953 he joined CBS-TV and replaced Dick Hyman as pianist and arranger for the Arthur Godfrey Show. He later went on to work with artists like Barbara Streisand, Melanie, Connie Francis, and Tiny Tim.

I doubt this is the record you’d play while trimming your Christmas tree, but you might play it while you burn your real tree in the backyard after the holiday is over. Merry strange Christmas from Mann and the merry Moog.

3. Merry Christmas…Have A Nice Life: Cyndi Lauper (Real Gone Music RGM-0930; 2022 (original released in 1998 on Epic))

That Cyndi Lauper, she’s so unusual. But that’s not the only reason I’ve included her first Christmas album on my list, or because this vinyl variant is festive red and white candy cane swirl color. I’m including this title mainly because she recorded all of her vocal tracks from inside her cedar closet! I’ll refrain from any coming out of the closet jokes.

The music is also unusual, not for Lauper, but for a Christmas album. Eight of the eleven tunes she wrote or co-wrote and they’re all over the place. Some have a tropical vibe like Christmas Conga, or a Cajon flavor like Rockin’ Around The Christmas Tree. Still others are folk-inspired with Lauper playing the ukulele, dulcimer, and recorder. Then there’s the wheezing bag pipes on Three Ships. I don’t know what the hell Minnie and Santa is all about. Since she recorded it at home you can hear her young son, born the year before, in the background on New Year’s Baby. Perhaps mommy’s singing upset him.

Admittedly, there are some very sweet tunes like December Child, In The Bleak Midwinter, and Silent Night, featuring New York’s Chatterton Elementary School Choir. Basically what we have here is a very mixed musical bag, which is just fine for celebrating a strange Christmas.

4. Bonanza: Christmas on the Ponderosa (RCA Victor LSP-2757; 1963)

Bonanza holds the title for the second longest-running TV western (Gunsmoke is number 1), lasting 14 years and 430+ episodes. TV Guide included the show in its list of the 50 Greatest TV Shows of All Time. The series starred Loren Greene as Ben Cartwright and it revolved around the dynamics within the Cartwright family, their interactions with the community, and operating their ranch called “Ponderosa”. A young and relatively unknown Michael Landon played “Little Joe” Cartwright.

You’ll hear Landon, Greene, and the other two Cartwright brothers belting out Jingle Bells, O Come All Ye Faithful, Deck the Halls, and 25 minutes of other holiday classics you’d expect any family from the 1860’s to be singing around the Christmas tree. There are also heartwarming stories about the first Christmas tree and why we light candles on a tree. The songs are presented as if someone recorded the audio from a never-broadcast Bonanza Christmas episode, complete with cast banter and clapping at the end of the songs. If you loved Bonanza, you’ll love this record. Here’s an excerpt from a review someone wrote about the record on Amazon: “I cry when I listen to it. Wouldn’t it be nice to go back to such simpler times. I just love Bonanza. What a loss when it was cancelled.”

Speaking of crying, if you’ll allow me to digress a moment, I recently caught the Bonanza episode, A Christmas Story, and it had me in tears. It starred a baby-faced Wayne Newton who played a wannabe singer, and his shifty Uncle who defrauded the town out of thousands of dollars. I won’t spoil the ending for you, but if you have the opportunity to watch it, it’s well worth tracking down even if you’re not a Bonanza fan. 

When one thinks Christmas songs, one usually thinks Bing Crosby, Dean Martin, Andy Williams, and the like. The cast of Bonanza doesn’t usually come to mind, which puts Christmas on the Ponderosa firmly on my strange Christmas list. Let’s be honest. This album only exists because NBC wanted to milk every last penny they could from this extremely popular TV show, and after all, isn’t that what Christmas is really all about?

5. A Twisted Christmas: Twisted Sister (Rhino 563173; 2017 (originally released 2006))

So far, I’ve explored Christmas records with liquid + glitter inside, music performed on the Moog, songs sung in a cedar closet with a baby gurgling in the background, and songs sung by the cast of Bonanza. I conclude my list of strange Christmas music with this holiday gem by Twisted Sister.

Even if you’re not a heavy metal head banger, you should know the name Twisted Sister and its big hair and makeup-wearing leader, Dee Snider. You should also be familiar with their one big hit, 1984’s We’re Not Gonna Take It.

In this outing from 2006 (reissued on limited edition green vinyl in 2017 for Record Store Day), A Twisted Christmas features heavy metal versions of songs like I Saw Mommy Kissing Santa Claus, Let It Snow, and The Christmas Song. The band also puts their own twisted take on We Wish You a Twisted Christmas and The Twelve Heavy Metal Days of Christmas. Lita Ford even dropped by to do the honors on I’ll Be Home for Christmas. Oh Come All Ye Faithful is performed in the same style as We’re Not Gonna Take It. The group performed it on The Tonight Show with Jay Leno.

Scanning some of the A Twisted Christmas reviews on Amazon: ”the whole thing is just a bad idea”, “Horrible. Please do an album of your own material”, and “Makes a great joke gift”. You get the idea.

I guess if you’re looking for some completely different holiday music, you should consider this A Twisted Christmas. Just be sure to pick up a bottle of extra-strength Tylenol while you’re in the store in case you get a twisted headache.

Regardless of what music you listen to this holiday, I hope you have a wonderful time and are able to be with the people you love. Happy holidays and I’ll see you next year.

Did you enjoy this article and Part 1? Please help support my blog by becoming a Recommended Stations Patreon supporter for just $1. As my thanks, you’ll get my Recommended and Hitchhiker Station every month in your in box.

Links:

Scrooged

Switched on Santa

Merry Christmas, Have A Nice Life

Bonanza

A Twisted Christmas

Last year I wrote an extensive article about strange holiday music. It focused on several vinyl records and one CD. It got a lot of reads and positive comments. I decided to do another, but this year I’m doing a two-part series. This first installment focuses on strange holiday CDs while Part 2 looks at strange holiday records. Whether you still play CDs like I do, or you just fancy the unusual, I think you’ll enjoy reading about these odd discs. I’ve included links at the end should you be brave enough to want to add any of these titles to you holiday music library.

1. Cocktails with Santa: Richard Cheese (Coverage Records IDTCR27CE; 2013)

If you’ve never experienced Richard Cheese’s music then you’ve been denying yourself a unique listening experience. You have to start somewhere, so why not with this holiday CD, 2013’s Cocktails with Santa?

If you don’t know Cheese (Mark Jonathan Davis), he’s a deliberately cheesy lounge singer from Los Angeles. He writes some original material but is mostly known for taking pop songs and “louge-ifying” them as only Cheese can do. He’s had several songs make it on Billboard’s Comedy Album chart and performed briefly in the movie Barb And Star Go to Vista Del Mar.

On Cocktails with Santa, he transforms (or butchers, as you prefer) Jingle Bells, O Christmas Tree, Deck The Halls, Little Drummer Boy, We Wish You A Merry Christmas, and other classics,into swinging, smoky Vegas lounge songs. If this is cheese then cheese me up, baby. His original Christmas in Las Vegas is my favorite track from this CD:

Christmas in Las Vegas / Decorate your tree with chips / Let’s roll a yo beneath the mistletoe / While that angel strips / Rudolph sold the sled, now he’s betting on red / In a casino made out of gingerbread / Christmas in Las Vegas / It’s a trip!

Having been to Las Vegas many, many times around the holiday season, I can confirm it is indeed a trip, and Cocktails with Santa brings you there.

This music might be strange, but that doesn’t mean it’s not popular. The Cocktails With Santa CD and 2020 limited edition colored vinyl record are both out of print. I bought my used CD for an inflated price on eBay. However, if you’re intent on having a cheesy Christmas, you can buy the digital album download through Bandcamp for just $5. As the Cheese himself would say, please lounge responsibly.

2. Luau in December: King Kukulele and the Friki Tikis (Friki Tiki Records FT-003; Released 2008)

I’ve never been to Hawaii, but without exception, anyone I’ve ever known who visited has described it as paradise. So, what better place to celebrate Christmas than in paradise?

You may not have heard of King Kukulele (Denny Moynahan) and the Friki Tikis, but they’ve played at Disneyland, Universal Studios, Hollywood, and indeed all over the world. Their songs feature the ukulele, marimba, Hawaiian lap steel guitar, and vibraphone, with drums and bass in the rhythm section. The band performs in 1940’s Hapa Haole Hawaiian tradition for a truly authentic listening experience. The King even dresses the part with a bold Hawaiian shirt, straw hat, and a grass skirt.

On Luau in December, the group’s 3^rd release, the King and his Frikis apply their exotic island treatment to 14 vocal tracks, including 3 holiday classics. It’s certainly different hearing Hawaiian versions of You’re a Mean One, Mr. Grinch, The Night Before Christmas, and Rudolph The Red Nosed Reindeer. Some of the originals, besides the title track, include Hooray For Santa Claus, Thirty-two Feet and Eight Little Tails, and Santa’s Menehune. The cool retro cover art was designed by the artist Shag.

If you think of Bing Crosby’s Mele Kalikimaka when you think of Hawaiian holiday music, this isn’t that. Don your hula skirt, pour yourself a Mai Tai, pop this disc into your CD player, and have a Friki Tiki strange Christmas.

3. Tales From The Crypt: Have Yourself A Scary Little Christmas (The Right Stuff T2-31330; 1994)

If you’re a horror geek like me, you’re familiar with the Emmy-nominated Tales From The Crypt series which aired for 7 seasons on HBO between 1989-1996. The host, the Cryptkeeper (voiced by John Kassie), was a wisecracking, animatronic skeleton with a super annoying, high-pitched cackle.

In the fine tradition of record companies, The Right Stuff, a subsidiary of Capitol Records, put out this holiday gem to milk as much money out of the series as possible. These 15 tracks are sure to warm the cockles of your heart with little ditties like Deck The Halls With Parts of Charlie, We Wish You’d Bury The Missus, ‘Twas The Fright Before Christmas, and Should Old Cadavers Be Forgotten. Of course, no album from this period would be complete without a horror rap song. Yes, a rapping decomposing corpse. And you thought you heard it all.

To complete the theme, the included booklet is a “special collector’s comic re-print” of And All Through The House.

I think it goes without saying, this title is long out of print but it can be found on used record sites like eBay where I scored my copy (minus the slime green-colored jewel case). A word of warning that this CD might cost you an arm and a leg (no pun intended).

As a side bar, 6 years later Capitol Records came out with Tales From The Crypt: Monsters of Metal. These were real songs by real metal bands tied together with narration by the Cryptkeeper.

Have Yourself A Scary Little Christmas is a must for horror buffs or anyone looking to have a scary strange Christmas.

4. White Trash Christmas: Bob Rivers (Atlantic 83591-2; 2002)

Having worked in radio, I was familiar with Bob Rivers, but you don’t need to be a former broadcaster to know his work. If you were a regular listener to pop, classic rock, or even some talk radio, then chances are you know Bob Rivers, too.

Rivers was a popular radio host who began writing and performing his own parody songs. His best-known release was his first, 1987’s Twisted Christmas, which went gold. You’ve probably heard the track Twelve Pains of Christmas which received a lot of air play. A Message From the King is another classic from this album that will have you in stitches. Thank you, Mama.

Rivers went on to release six holiday comedy CDs including What Trash Christmas, his last, in 2002. This disc has 13 tracks of humorous holiday-spoofed tunes. Some of the songs include Osama Got Run Over By A Reindeer, The Little Hooters Girl, Shoppin’ Around For A Christmas Tree, and I’ll Be Stoned For Christmas, sung by a dead-on Dean Martin imitator named Scott Burns. I think my favorite from this CD is Me And Mrs. Claus, which isn’t particularly funny, but it’s a great holiday take on Billy Paul’s Me and Mrs. Jones.

Like some of the other CDs on my list, White Trash, along with Rivers’ other holiday CDs, are out of print, but can be had very reasonably on eBay and elsewhere.

Today, Rivers is semi-retired living in Vermont where he makes maple syrup with his wife and often flies out to California to visit his grand kids. How life changes.

You’ll have a merry strange Christmas listening to White Trash Christmas, or pretty much any Bob Rivers Christmas CD. Just be careful not to cough up eggnog through your nose as you laugh out loud.

5. Surfin’ Kitty X-mas: Mark Malibu & The Wasagas (Sharawaji Records SRW 135; Released 2020)

I’m not sure what surfing has to do with Christmas, but I suppose if surfing is your bag, then Mark Malibu’s got a brand-new bag. Surfin’ Kitty X-mas is stacked with 18 tracks, 5 of which are Christmas standards plus a “public domain holiday medley”. All of the songs are instrumentals performed in bold surf music style.

Surfin’ Kitty X-mas is a compilation CD of surf bands like Underwater Bosses, The Breakers, Voodoo Surf Tribe, Urban Surf Kings, and The Terrorsurfs. Mark Malibu organized the project and he and his Wasagas contributed 2 tracks of their own. Mailbu is a self-described Canadian surf-punk instrumentalist and formed his Wasagas in 1979.

Frankly, it’s weird hearing surf versions of sacred classics like O Little Town of Bethlehem, Silent Night, and O Holy Night. Then there are the original songs like Christmas Twist, A Voodoo Xmas, and Cuckoo for Christmas. Try as I might, I just wasn’t able to picture Jesus hanging ten. This is definitely not your father’s Christmas music, unless dear old dad was a surfer dude.

The other odd thing about this CD is it was released to benefit the Pinetree Stables/Cat Sanctuary in Grand Bahamas which spays, neuters, and feeds all the abandoned cats on the island (thus, the origin of “Surfin’ Kitty”in the title). The Sanctuary also benefits from the sales of Surfin’ Kitty Volumes 2 and 3. The Sanctuary’s mission isn’t what’s odd, it’s the location. With the organizer being Canadian, you’d think all the proceeds would benefit a Canadian animal shelter, eh? Well, it all goes to a good cause wherever it is.

If you’re looking for totally different holiday music this season that will knock your Christmas stockings off, Surfin’ Kitty X-mas should just about do it, and it’s only 10 bucks.

In Part 2 of Have A Strange Christmas, I give equal time to 5 strange Christmas records. Remember to come back here in a few days to unwrap it.

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Links:

Cocktails With Santa

Luau in December

Tales From The Crypt

What Trash Christmas

Surfin’ Kitty X-mas